User:Curtis.skeete/sandbox

2007-2011: Formation and early work
The Darcys, who obtained their name from Jane Austen’s English-lit classic Pride and Prejudice, first began as the two-piece project of Jason Couse and Wes Marskell in Etobicoke, Ontario which gradually transitioned into a full band in Halifax, Nova Scotia with the additions of Dave Hurlow and Kirby Best. In December of 2007, The Darcys’ debut album, Endless Water, was released. In the years following, the group returned to Toronto, Ontario and Michael le Riche was added to the lineup.

Days before their 2010 CMW showcase, Best had left the band, forcing them to frantically re-create the work of five into parts for four. This brought about the solidification of the current four-piece lineup: Jason Couse, Wes Marskell, Michael le Riche, and Dave Hurlow. On losing Best and adding Couse on vocals, Marskell notes, "We became really close friends because of it, and it also made us willing and able to work through things that came up later down the line that became publicized and were difficult for us internally.” In the process of touring and recording their 2011 follow-up album amidst lineup changes, The Darcys continued to encounter hardships. This included stolen equipment, being held at knifepoint, and nearly losing their lives to a head-on collision on an icy road.

2011: The Darcys (Self-Titled)
Despite the release of Endless Water, the band will argue that their “true” first release came in 2011 with their self-titled Arts & Crafts debut, which marked the first of a three-record deal with the Toronto label responsible for prominent Canadian acts such as Broken Social Scene and Feist. The 10-track release received production from Murray Lightburn of The Dears and was mixed by Dave Schiffman (Rage Against The Machine, Weezer). The album was offered as a free download on the band’s website, drawing many comparisons to Radiohead for its “lushly layered, lightly proggy arrangements.” A music video was released for the album’s second track, ‘Don’t Bleed Me’.

2012: AJA
Only months after releasing their self-titled album, The Darcys released their interpretation of Steely Dan’s 1977 release, Aja. As Marskell mentions, the choice to cover the entire album “existed solely to redirect conversation” surrounding the band’s self-tilted release. The release gained much criticism for recreating an album that “cannot be duplicated or reinterpreted”, while also receiving praise for being ‘compelling’ and bringing out the ‘dark-hued’ nature of the lyrical content. On November 11, 2012, the band presented ‘An Interpretation Of Steely Dan’s Aja’ live at Toronto’s historic Lee’s Palace. A mini documentary was made by Adrian Vieni of Wood & Wires Productions, discussing the decision to re-imagine the album with interviews and live footage. A music video was also released for the track ‘Josie’.

2013: Warring
In the fall of 2013, The Darcys delivered the third instalment of a three album series with Warring. The band discussed accomplishing the album in a statement explaining: "It's learning in motion. Competition and survival, letting go to persevere. It is anxiety about the future and the triumph of life in the moment. It's victory on will alone, the force that eradicates failure as an option." The album is strongly influenced by the work of American novelist Cormac McCarthy, specifically his book Blood Meridian, which can be seen through the lyrical content. The 10-track album features artwork done by Toronto artist/graphic designer Sara Cwynar, as well as production from Tom McFall (Stars) and mixing from previous contributor, Dave Schiffman. Six music videos have been released to accompany the tracks ‘Pretty Girls’, ‘Itchy Blood’, ‘The River’, ‘Hunting’, ‘The Pacific Theatre’ and ‘Horses Fell’ from the album. Warring marked the band’s first Juno nomination in 2014 for ‘Alternative Album of the Year’, and also earned a spot on the 2014 Polaris Music Prize long list.

2013-2014: Play In School Campaign and Hymn For A Missing Girl
The Darcys embarked on their ‘Play In School’ campaign in November of 2013, to support the continuation of public school music programs and engage youths in embracing the importance of the arts as a part of their development. The band was turned on to the idea when the Toronto District School Board intended to cut its musical programs, in addition to receiving countless messages from young fans who were unable to attend their mainly 19+ shows. Marskell notes, “Two issues that come up constantly are a lack of opportunities for our under-aged fans to see us perform and a frustration with the lack of opportunities to learn and experience music in schools.” This campaign has enabled The Darcys to visit multiple high schools across Southern Ontario with the intention of encouraging students nationwide to “hold their school boards accountable to maintain and develop music programs.” In celebration of Record Store Day (internal link), The Darcys released ‘Hymn For A Missing Girl’ in 2014 as an epilogue to 2013’s ‘Warring’. The 22-minute instrumental, split into five movements, continues the trend of its predecessor with inspiration being drawn from Cormac McCarthy’s Cities of the Plain. The track was released online, though it was limited to 500 vinyl copies in North America.

2014-Present:
The Darcys are currently celebrating the one-year anniversary of ‘Warring’ with a cross-Canada tour through October. The band has also released the track ‘Ultra Violet’, a bonus track from the recording sessions of the 2013 album. (20) In addition to working on a follow-up to ‘Warring’ and touring rigorously, drummer Wes Marskell has been contributing to The Huffington Post by occasionally writing articles for their Canada Music section, mainly recounting The Darcys’ tour experiences. The band also compiled a playlist for Rob Ford, in the attempts of re-directing negative discussion surrounding the city of Toronto towards ‘a fraction of the great music that defines Toronto’.