User:DavidBoul/sandbox

==== Jack Boul is a Washington DC artist and teacher whose oil paintings, monotypes and sculpture are included in many important museums including the National Gallery of Art and the Phillips Collection. His work has been exhibited at the Corcoran Gallery of Art, the Baltimore Museum of Art, the Mint Museum, and Stanford University's Art Gallery in Washington. He taught for many years at American University and was one of the founding members of the non-profit Washington Studio School. ==== Biography

Boul was born in Brooklyn in 1927 and raised in the South Bronx. He attended the American Artist's School in New York before serving in the United States Army. In 1945-46 he served in an Engineer's battalion as part of the U.S. Occupational Forces in and around Pisa, Italy. After the war he moved to Seattle Washington where he studied at the Cornish School of Art, graduating in 1951. Later that year, he moved to Washington DC to continue his studies at American University.

Exhibitions

Boul exhibited in the Annual Area Exhibition at the Corcoran Gallery of Art in 1951 and again in 1954, 1956, and 1958. In 1957, he received his first solo exhibition at the Franz Bader Gallery attracting positive reviews that cited him as a promising young artist. In 1960, he had a one man show at the Watkins Gallery of Art at American University. Boul had his first museum exhibition in 1974 at the Baltimore Museum of Art. In 1986, he was part of a two-person exhibition at the Mint Museum in Charlotte North Carolina with his friend, Pete DeAnna. That exhibition was later shown at the University of Maryland.

In 2000, the Corcoran Gallery of Art featured a large retrospective of Boul's work in an exhibition "Intimate Impressions: Monotypes and Paintings by Jack Boul" that was curated by Dr. Eric Denker.

That Corcoran show garnered positive reviews including one by Paul Richard, the longtime art critic at The Washington Post. In his review of that show, Richard wrote of Boul: "His subjects are as unthreatening as a stroll in the country or a visit to the Phillips. He sees an empty wheelbarrow bright in the back yard, glowing in the sunshine of a summer afternoon, and in a few strokes captures the essence of that vision. His monotype technique evokes Edgar Degas’. The modernists of Paris liked to walk through neighborhoods and record the quotidian. Boul sees a bald man in a barbershop getting a haircut, and, through a flurry of his dispersed markings, so do we. He sees a couple dining in Baltimore at Haussner’s, or his wife reading the newspaper in the living room, or cows. Nice bucolic cows. The man makes pleasant pictures. And they are pictures with an unexpected kick. Boul’s retrospective at the Corcoran delivers to the brain bracing little jolts of a strong emotion sensed seldom in contemporary art."

In 2017, Stanford University's Art Gallery in Washington featured a large retrospective of Boul's work in an exhibition titled "Jack Boul at 90". Stanford's director there, Adrienne Jamieson, wrote in the exhibition's catalogue: "Throughout his over six decades of making art in Washington and its environs, Jack Boul has captured the quotidian: the gently illuminated interior of a cafe or his own studio; the geometric shapes that compromise a cityscape; a pastoral scene anchored by beautifully painted cows. His singular talent shines through each piece, as gentle gradations of color emerge from his deft handling of brush and paint.

Teaching

Boul has taught art at many varied venues from the Scuola Internazionale di Grafica in Venice Italy to Montgomery College and Chesnut Lodge in Maryland. In 1969, he was appointed to the art faculty at American University and during his 15-year tenure there showed regularly at the school's Watkins Gallery. In 1984, he was one of the founding faculty members at the Washington Studio School where he taught painting, drawing and monotype for more than a decade. He retired from the Studio School in 1994 to devote his time to printmaking and painting.