User:Deebeedeep/Toshio Aoki

Toshio Aoki or Tershui Aoki (青木年雄 Aoki Toshio, born 1854, in Yokohama, Japan – 1912, in San Diego, California) was a Japanese American artist and painter who lived and worked in California at the turn of the 20th century.

Aoki found significant success among the American upper class and was known for hosting social events. Guests of his are alleged to have included John D. Rockefeller and J. P. Morgan.

He was born in Yokohama, Japan in 1854. He emigrated to the United States around 1880. He relocated to Pasadena, California, in 1901, to the Hotel Green, where he also had a studio. He was active until 1910 and died in San Diego on April 26, 1912.

Aoki "painted portraits and murals in the homes of prominent people and became very successful." His works were handled by George T. Marsh & Company. He exhibited at the World's Columbian Exhibition in Chicago in 1893, and the Art Institute of Chicago gave him a showing in 1924.

The Fine Arts Gallery of San Francisco State University said of him: "Much of Aoki's early life in Japan is speculation, ranging from artistic pursuits (student of acting, or street artist) to the grand and spectacular (a Samurai opposed to the new Japanese government). . . . [he painted] 'spontaneous seki'e ('on the spot' or 'before the viewers' eyes'). He built a reputation as a storyteller, sketching comical figures and eventually landing an illustrating job with the San Francisco Call."

After moving to Pasadena, Aoki "worked hard to shed his reputation as an amusing character and storyteller and to be taken seriously as an artist. He began to work on 'Oriental receptions,' creating an atmosphere of a Japanese masquerade ball."

He died in San Diego in on June 26, 1912.

Biography
Toshio Aoki was born in 1854 in Yokohama, Japan. Not much is known about his early life, but he emigrated to the United States around 1880 with in a department store as a commercial artist when Japonisme took prominence during the era. It is unknown on how long he worked under the Deakin Brothers, as he worked for other establishments making decorative works. Achieving success in California through Nihonga, he created works that utilized Japanese imagery such as deities and icons from the Meiji period. Aoki created works in multiple media, some of them include oil on canvas, Though he spent most of his life in San Diego, California, he made work in Pasadena during his later years due to social and economic limitations for the Asian exports. Though known for his involvement in Japonisme art, he wasn't given positive recognition in his home country due to the racial obstacles he faced in America, being considered as a street performer in 1908 when working for G.T. Marsh. At 1901, Aoki met Tsuru and her guardians, raising her as they faced financial difficulty in California, using his career to provide for her boarding school at Colorado Springs.

References[edit]

 * 1) ^ Jump up to:a b c
 * 2) ^ Jump up to:a b Edan Hughes, Artists in California, 1786-1940, as cited in AskArt.com
 * 3) ^ Jump up to:a b Fine Arts Gallery, Department of Art, San Francisco State University

Further reading[edit]

 * 1) [1] "Gossip of the Corridors," Los Angeles Herald, January 5, 1895
 * 2) [2] Untitled, Los Angeles Herald, January 7, 1895
 * 3) [3] "To See Yourselves as Aoki Sees You: Some Pictured Day Dreams of a Famous Japanese Artist," Los Angeles Herald, February 17, 1895
 * 4) [4] "Society's Helping Hand: Fashionable Ladies to Give an Entertainment for Kindergartens," San Francisco Call, October 25, 1896
 * 5) [5] "Brilliant Entertainment for Charity on 'Nob Hill,'" San Francisco Call, November 1, 1896
 * 6) [6] "A Bower of Beauty: Scene at Cherry Blossom Dinner: Japanese Artists' Taste for the Beautiful," Los Angeles Herald, March 9, 1903
 * 7) [7] Chelsea Foxwell, "Crossings and Dislocations: Toshio Aoki (1854-1912), A Japanese Artist in California, Nineteenth-Century Art Worldwide, Autumn 2012
 * 8) [8] Chang, Gordon H., Mark Dean Johnson, Paul J. Karlstrom, and Sharon Spain. 2008. Asian American art, a history 1850-1970. Stanford, Calif: Stanford University Press.

Artwork[edit]

 * 1) [8] "Hope," ink and color on paper
 * 2) [9] Figure in fluttering robes holding a white rabbit and standing on a flying bat before a full moon
 * 3) [10 ] "Change-e Fleeting to the Moon", Ink and colors