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= The ‘Archival Wall’ of Aphrodisias = The so-called ‘Archival Wall’ of Aphrodisias is the north end wall of the stage building of the theatre in the city Aphrodisias, located in Anatolia, Turkey, which was built in the late first century BCE. This wall has attracted scholarly attention because it contains several, well-preserved inscriptions, that were added after the initial construction of the wall. The fact that these inscriptions survived the test of time relatively well and are mostly still in situ is what makes this wall unique. The documents preserved on the wall originate from the second and third century BCE and range from senatorial decrees to imperial letters. Additionally, all documents attest to a good relation between the city of Aphrodisias and its Roman rulers.

Documents
The following documents are inscribed on the ‘Archival Wall’


 * Senatorial decree from 39 BCE, the senatus consultum de Aphrodisiensibu, concerning the legally and fiscally privileged status granted by the Romans.


 * Eleven Imperial letters, sent by Roman emperors.
 * Seven Imperial letters addressed to the city of Aphrodisias, including letters from emperors Hadrian, Gordian III, Commodus, Septimius Severus and Caracalla and, lastly, Severus Alexander.
 * Three Imperial letters addressed to the cities of Ephesus, Samos and Smyrna, sent by emperors Octavian and Trajan.
 * One Imperial letter by Octavian addressed to an individual named Stephanos.
 * Triumviral decree from the reign of emperor Augustus.
 * Documents on the sympolity of Plarasa and Aphrodisias.
 * List of excerpts recording early awards.
 * Letter by an individual named Stephanos to the sympolity.
 * Letter to Plarasa/Aphrodisias (uncertain author and date).

Significance
Despite the name it is commonly known as and the fact that it contains a varied collection of documents that were already historic at the time they were added to it, this wall is not an archive. An archive is meant for the deposition, retrieval and consultation of documents, either for a general public or for private individuals. The ‘Archival Wall’ of Aphrodisias does not fit these criteria.

The different documents were selected with care and presented to the public because they were meant to reflect a certain message. They were included because they represented Aphrodisias’ grandeur and history: the past initiatives by private citizens, the favour of the gods that was bestowed upon the city, Aphrodisias’ bravery and loyalty to Rome, and the appreciation and recognition of Rome for Aphrodisias in return.

The different documents incorporated in this wall are, therefore, historically significant. They can help us understand how ancient societies, such as the people of Aphrodisias, constructed and transmitted their public memory, how their commemoration practices worked and how they carefully constructed their own civic identity.