User:Diloft/sandbox

Although his work has always been figurative, it was at first (before 1970) close to abstraction. It experienced a decisive turning point when the artist came to settle permanently in Paris in 1968. By being in contact with the works of the great masters of painting, Braun-Vega developed the art of pictorial quotation. He decided not to limit his painting to aesthetic research, but to adopt a clear pictorial language accessible to non-specialists even though his works often have several levels of reading. His painting enriched with references to the history of art, often depicts characters, landscapes, fruits and vegetables from his native Peru. He asserts his mixed origins through a syncretic work, often very colorful, interspersed with political messages including transfers of press clippings. Some would say he’s a commited painter. The artist, who had set himself as a policy not to paint for saying nothing, defines himself rather as a witness of his time who wants to activate the memory of the spectator. His artistic production is in line with the trends of New figuration (Nouvelle figuration) and Narrative figuration (Figuration narrative).