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Source for Rudolph Koenig with Andrew Katzung

Rudolph Koenig's Workshop of Sound: Instruments, Theories, and the Debate over Combination Tones (2005) Authors & Contributors: Pantalony, David (Author);

Abstract: Rudolph Koenig's workshop was a busy meeting place for instruments, ideas, experiments, demonstrations, craft traditions, and business. Starting around 1860, it was also the place in Paris where people discovered the new science of sound emerging from the studies of Hermann von Helmholtz in Germany. Koenig built Helmholtz's ideas into apparatus, created new instruments, and spread them throughout the scientific and musical world. Through his own research, he also became Helmholtz's strongest critic. This paper looks at the activities of this unique space and, in particular, how it contributed to the protracted disputes over an elusive acoustical phenomenon called the combination tone.

Publication Date: 2005

Languages:

English

Insert paragraph Periodical:

Annals of Science: The History of Science and Technology

Volume:

62

Pages:

57-82

Insert paragraph Citation URI

http://data.isiscb.org/isis/citation/CBB000500117/

Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris (2009) Authors & Contributors: Pantalony, David (Author);

Publication Date: 2009

Physical Details:

xxxvi + 372 pp.; ill.; bibl.; index

Languages:

English

Insert paragraph Publisher:

Springer Science + Business Media

Insert paragraph Linked Data:

9789048128150 (ISBN)

Reviewed By [Review] Patterson, Sarah-Jane (2010) Review of "Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris". Spontaneous Generations (p. 289).

[Review] Phillipson, Tacye (2011) Review of "Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris". Isis: International Review Devoted to the History of Science and Its Cultural Influences (p. 787).

Citation URI

http://data.isiscb.org/isis/citation/CBB001023263/

Nineteenth-century French scientific instrument makers, VI. The triumph of experimental acoustics: Albert Marloye (1795-1874) and Rudolph Koenig (1832-1901) (1995) Authors & Contributors: Brenni, Paolo (Author);

Publication Date: 1995

Periodical:

Bulletin of the Scientific Instrument Society

Volume:

44

Pages:

13-17

Insert paragraph Citation URI

http://data.isiscb.org/isis/citation/CBB000042921/

Helmholtz-Koenig-Waetzmann und die Natur der Kombinationstöne (1986) Authors & Contributors: Ullmann, Dieter (Author);

Publication Date: 1986

Periodical:

Centaurus: International Magazine of the History of Mathematics, Science, and Technology

Volume:

29

Pages:

40-52

Insert paragraph Citation URI

http://data.isiscb.org/isis/citation/CBB000063105/

Rudolph Koenig (1832--1901), Hermann von Helmholtz (1821--1894) and the birth of modern acoustics (2002) Authors & Contributors: Pantalony, David Alexander (Author);

Description: Cited in Diss. Abstr. Int. A 63 (2002): 2349. UMI order no. NQ69170.

Publication Date: 2002

Edition Details:

Advisor: Levere, Trevor

Physical Details:

238 pp.

Languages:

English

Insert paragraph Advisor:

Levere, Trevor H.

School:

University of Toronto

Insert paragraph Citation URI

http://data.isiscb.org/isis/citation/CBB001562537/

Review of "Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris" (2011) Authors & Contributors: Phillipson, Tacye (Author);

Publication Date: 2011

Languages:

English

Insert paragraph Periodical:

Isis: International Review Devoted to the History of Science and Its Cultural Influences

Volume:

102

Pages:

787-788

Insert paragraph Review Of [Book] Pantalony, David (2009) Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris.

Citation URI

http://data.isiscb.org/isis/citation/CBB001220144/

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