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Practicing Citations
This film review provides a comprehensive overview of both the plot and characters of ‘Oyster Farmer’.

The source takes a detailed approach to its comprehension of ‘Oyster Farmer’ and its characters, providing a largely positive view of the mixed-reviewed movie.

The source provides invaluable quotes of information from the director of ‘Oyster Farmer’, Anna Reeves, and her experiences while directing and writing the movie, as well as her experiences post-production.

Though not directly related to the movie itself, this article does provide an interesting perception of the value of small-town films in Australian cinematography.

Paul Byrnes, who wrote this information, is an award winning film critic and journalist who has worked for the Sydney Morning Herald for 25 years and is, as a result, a respectable academic author and reviewer.

Answers to Module 7 Questions



 * 1) The media depicted illustrates a pencil drawing of an oyster cross section
 * 2) The drawing shown is my own work
 * 3) The file is a JPEG image
 * 4) The licencing chosen is the Creative Commons Attribution Share-Alike license (CC BY-SA)
 * 5) The image is listed under the 'Oyster' category
 * 6) The image is described as 'Pencil drawing of a cross section of an oyster

Edited Sentences
Oyster Farmer’s thematic and contextual settings are a highly valid aspect of its ambience. Many critics have perceived that the Australian backdrop of the Hawkesbury River and the physical labours of its occupants attribute a recognisable sense of Australian life and its dominant ‘mateship culture’ to the film’s thematic scheme.

Budding family dynamics are an additional element of the film’s subplot. Paul Byrnes of the NFSA briefly addresses these relationships in his excerpt ‘Everyone Needs a Drama’, observing that ‘Brownie’s (David Field) estrangement from his wife Trish (Kerry Armstrong) is given almost as much screen time as the burgeoning romance of Jack and Pearl’.

Catherine Simpson of Macquarie University observed that the film ‘provides its audience with a novel reconfiguring of gender relations in a small, tight-knit river community – a space rarely glimpsed on screen’.