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Milorad Krstić (Dornberk, 1952 –) is a visual and animation artist, multimedia (photo, animation film, theater, comics) creator, born in Yugoslavia, of Serbian origin, living and working in Hungary since 1990.

Early life and career
He was born in Dornberk in the Yugoslav republic of Slovenia, close to the Italian border. He is of Serbian origin. His father was a military officer, his mother a housewife. He graduated from high school as an excellent student, then obtained his law degree at the University of Novi Sad. However, after his successful exhibitions (in Dubrovnik, Zagreb, Novi Sad and Germany), he and his wife Roczkov Radmila - who is also his co-creator and assistant - decided to end his career in law and will only paint. In 1989, they moved to Hungary and in 1990, they opened the first private gallery in Budapest after the regime change, the Roczkov Gallery. Since 1982, he has exhibited continuously in various European countries. In addition to his visual arts activities, he also participated in numerous theater and multimedia projects.

Exhibitions

 * American Dream. Roczkov Gallery, Budapest, Hungary, 2000
 * William Klein, Vancsó Zoltán és Milorad Krstić exhibition. MEO Contemporary Art Collection, Budapest, Hungary, 2004
 * Das Anatomische Theater . Galerija ŠKUC, Ljubljana, Slovenia, 2006
 * Das Anatomische Theater. Körzőgyár Galéria, Budapest, Hungary, 2007
 * Das Anatomische Theater. Likovni Salon, Celje, Slovenia, 2007
 * Das Anatomische Theater. Hall of Art, Budapest, Hungary, 2011–2012
 * Spirit of the Műcsarnok / Spaces (ap)art. Hall of Art, Budapest, Hungary, 2019
 * RUBENsremBRANDT. Collegium Hungaricum Berlin, Berlin, Germany, 2020
 * RUBENsremBRANDT. Hungarian Cultural Institute, Stuttgart, Germany, 2021

Movies

 * 1995 – My baby left me, animated short (writer, director, graphics, animation)
 * 1997 – Mou-Mush, animated film series for children (screenplay)
 * 1999 – Das Anatomische Theater, interactive art CD-ROM (writer, director, graphics, animation; co-author: Roczkov Radmila)
 * 2000 – Motel, animated film (screenplay)
 * 2001 – Béla Bartók: The Miraculous Mandarin (spectacle and set design, director: Márta Mészáros)
 * 2001 – Undo, feature film (screenplay)
 * 2006 – Budapest, documentary (writer, director)
 * 2004 – The adventures of Liam Grant, animated film series for children (screenplay)
 * 2018 – Ruben Brandt, Collector (writer, director, graphics, animation)

Theater

 * 1993 – Passion - play based on Déryné's memoirs (set design, Honvéd Group, director: Triceps)
 * 2002 – Imre Madách: The Tragedy of Man (stage and set design, New National Theater opening performance, director: János Szikora)
 * 2009 – Friedrich Dürrenmatt: The Physicists (set design, Sanyi and Aranka Theater and Opera, rendező: Horváth Csaba / Forte Company)
 * 2010 – Samuel Beckett: Happy Days és Waiting for Godot (set design, Trafó, director-choreographer: Csaba Horváth / Forte Company)
 * 2011 – Milorad Krstić: Ruben Brandt – Group Portrait of a Collector (writer, set design, Hall of Art, director-choreographer: Csaba Horváth / Forte Company)
 * 2012 – Henrik Ibsen: Peer Gynt (set design, Csiky Gergely Theater, director-choreographer: Csaba Horváth / Forte Company)

Book

 * 2003. Budapest – photobook (Hungarian Bookclub Publisher, Budapest)
 * 2007. Das Anatomische Theater – multimedia album (Strip Core / Forum, Ljubljana & Roczkov Studió, Budapest)

Comics

 * 2000. The New York story
 * 2000. Pepe & Bob
 * 2003. The Family
 * 2004. Pegam and Lambergar

Ruben Brandt, Collector

 * Best Feature Film – Bucharest International Animation Film Festival (Anim'est), 2018
 * Best Screenplay Award; Art Cinema Award – Seville European Film Festival, 2018
 * Sky Arte Award – Trieste Film Festival, 2019
 * BeTV Award for Best Animated Feature of the Official Selection – Anima - The Brussels Animation Film Festival, 2019


 * Grand Prix, Feature Film – World Festival of Animated Film – Animafest Zagreb, 2019
 * Best Animated Feature Film (Shortlist) – Academy Awards, 2019
 * Best Independent Animated Feature Film (Nomination) – Annie price, 2019

My Baby Left Me

 * Jury Prize Silver Bear for the Best Short Film– 45. Berlin International Film Festival, 1995
 * Best First Film – Annecy International Animation Film Festival, 1995
 * For the highest quality visual language, Best First Film. Hungarian Film and TV Critics Award – Kecskemét Animation Film Festival (KAFF), 1996

Das Anatomische Theater - interactív CD-ROM

 * Best Mulitmedia Project (MIFA-price) – Annecy International Animation Film Festival, 1999
 * Novacom-price, Budapest, 2000