User:Emilyjopayne3/Elsa Schiparalli

“1938 – Elsa Schiaparelli, Skeleton Dress.” Fashion History Timeline, 7 Mar. 2021, https://fashionhistory.fitnyc.edu/1938-schiaparelli-skeleton/ .

This citation is from the Fashion History Timeline, an education website on fashion history. The article begins with a brief introduction into the history of Schiaparelli's career. Then the article goes into detail about the “Skeleton Dress”. The “Skeleton Dress” was one of Schiaparelli's most influential works. I will use this article as part of my analysis on the “Skeleton Dress”.

'''SCHIAP Packet Web Version - Philadelphia Museum of Art. https://www.philamuseum.org/doc_downloads/education/ex_resources/schiaparelli.pdf .'''

From the Philadelphia Museum of Art, this article details the ‘shocking’ works of Elsa Schiaparelli. The article details the art and fashion of Elsa Schiaparelli through the span of her career. There are sections on the context of fashion history, a biography, and surrealism. The article highlights key works of Schiaparelli's that I will use in my analysis. I will also use this article in my analysis on the influence of Schiaparelli’s career as a whole.

'''Roberts, Mary Louise. “Samson and Delilah Revisited: The Politics of Women’s Fashion in 1920s France.” The American Historical Review, vol. 98, no. 3, [Oxford University Press, American Historical Association], 1993, pp. 657–84, https://doi.org/10.2307/2167545 .'''

This source is a chapter from the book, The American Historical Review. The chapter discusses the politics of women’s fashion in 1920’s France. The chapter notes the importance of Schiaparelli’s early career in Paris. It also highlights some of the key influential factors of her career. I will use this article as part of my analysis on Schiaparelli's early career.

'''PROSE, FRANCINE. “ELSA SCHIAPARELLI: LE SHOCKING!” Aperture, no. 176, [Princeton University Art Museum, Aperture Foundation, Inc.], 2004, pp. 42–47, http://www.jstor.org/stable/24473027 .'''

This source is a chapter from the book, Aperture. The chapter discusses Le Shocking! This term defines the shade of pink that came to be synonymous with Schiaparelli. This form of artwork is an important part of Schiaparelli's influence on the fashion industry. The chapter goes into length about the creation and formation of Le Shocking! I will use this article to analyze “Schiaparelli Pink”.

“Maison Schiaparelli - the Life of Fashion Designer Elsa Schiaparelli.” Maison Schiaparelli - The Life of Fashion Designer Elsa Schiaparelli, https://www.schiaparelli.com/en/21-place-vendome/the-life-of-elsa/ .

This article comes from the Schiaparelli website. This article discusses the career of Elsa Schiaparelli through the lens of her own fashion house. This article is important to denote any bias that the fashion house may have towards Schiaparelli's fashion career. It also points out some key details untouched by other educational works. I will use this article to further my analysis of Schiaparelli's career.

“Elsa Schiaparelli.” Metmuseum.org, https://www.metmuseum.org/toah/hd/elsa/hd_elsa.htm .

This source comes from the Metropolitan Museum of art. The article details an exhibition held that features some of Schiaparelli key works. It also details some of the historical significance behind these works. The article will be used as part of my analysis on the influence of Schiaparelli's career. It will serve to provide credible, historical significance to my analysis.

“1937 – Elsa Schiaparelli, Lobster Dinner Dress.” Fashion History Timeline, 8 Jan. 2020, https://fashionhistory.fitnyc.edu/1937-schiaparelli-lobster/ .

This citation is from the Fashion History Timeline, an education website on fashion history. This article details the “Lobster Dress”. This dress marks the height of Surrealism in Schiaparelli's career. The article details the significance of Surrealism in Schiaparelli's designs. I will use this article in my analysis of Schiaparelli's lobster dress.

'''Museum, Victoria and Albert. “The Tears Dress: Dali, Salvador: Schiaparelli, Elsa: V&A Explore the Collections.” Victoria and Albert Museum: Explore the Collections, https://collections.vam.ac.uk/item/O84418/the-tears-dress-evening-ensemble-dress-schiaparelli-elsa/ .'''

This article highlights the significance of the “Tears Dress”. A collaboration between Schiaparelli and Salvador Dali, this dress emphasizes the importance of their conjoined work. The analysis of Dali on Schiaparelli's fashion is essential in understanding her influence on the fashion industry as a whole. It also marks a period in the Surrealist movement. I will use this article to further my analysis on the “Tear Dress”.

'''Parkins, Ilya. Poiret, Dior and Schiaparelli: Fashion, Femininity and Modernity. Berg, 2012.'''

This book was written by Ilya Parkin's about feminism and fashion designers. The book explores the idea of modernity in past couture. The book also touches on the view on women by the fashion industry. The author celebrates the fashion designers, which includes Schiaparelli, work and careers. I will use this article as part of my analysis on Schiaparelli’s career.

'''Sweeney-Risko, Jennifer. “Elsa Schiaparelli, The New Woman, and Surrealist Politics.” Interdisciplinary Literary Studies, vol. 17, no. 3, Penn State University Press, 2015, pp. 309–29, https://doi.org/10.5325/intelitestud.17.3.0309 .'''

This article discusses Schiaparelli's autobiography and the influence the Surrealist movement had on her work. The author commends Schiaparelli’s representation of the New women with Surrealist experimentation. The article also highlights specific lines of Schiaparelli's that exemplify this. I will use this article in my analysis of Schiaparelli's work that was influenced by Surrealism.

'''Schiaparelli, Elsa, and Lostalé Beatriz. Shocking Life: The Autobiography of Elsa Schiaparelli. V & A Publishing, 2018.'''

This book is authored by Schiaparelli herself. In her autobiography, Schiaparelli discusses her rise to fame and the heights and lows of her fashion career. She recalls her collaborations with designers like Jean Cocteau, Alberto Giacometti, and Salvador Dali. I will use this article as a reference for all analysis that I do.

'''Finkelstein, Haim. “The Incarnation of Desire: Dalí and the Surrealist Object.” RES: Anthropology and Aesthetics, no. 23, [President and Fellows of Harvard College, Peabody Museum of Archaeology and Ethnology], 1993, pp. 114–37, http://www.jstor.org/stable/20166870 .'''

This article highlights the artist Salvador Dali and the Surrealist movement. It discusses Dali’s career and the rise of the art movement. This article provides necessary background to the Surrealist movement, as it was an influential part of Schiaparelli's career. I will use this article in my analysis of Schiaparelli's Surrealist-inspired works and as an educational tool on the Surrealist movement and Salvador Dali.

“'Schiaparelli': The Shocking, Shadowed Life of a Fashion Icon.” NPR, NPR, 11 Oct. 2014, https://www.npr.org/transcripts/354636723 .

This article is from the National Public Radio. The article offers a look into the modern results of Schiaparelli's career. This article serves in the timeline description of Schiaparelli's career. It offers a look into how modern fashion has been influenced by her designs, long after her death. I will use this article to further my analysis on Schiaparelli's career.

“Sweater.” Metmuseum.org, https://www.metmuseum.org/art/collection/search/157241 .

This article is from the Metropolitan Museum of Art. The article highlights the “The Faux Bow Sweater”, an important part of Schiaparelli's career. From the Museum's collection on Schiaparelli's sweaters comes an important dialogue on the “The Faux Bow Sweater”. This historical context of the sweaters is also provided. This lens provides me detailed information for my analysis on “The Faux Bow Sweater”.