User:Eurodog/sandbox309

Re: William Shadrack Cole, PhD.

Laura Ingraham, while an undergraduate at Dartmouth and editor of the Dartmouth Review, sent an undercover reporter into a LGBTQ university organization to report on who was attending, according to Business Insider. Magistrate Jerome Niedermeier stated that the [Dartmouth] Review makes no secret of its opposition to many blacks present at Dartmouth.


 * 2014: Fox News' Laura Ingraham calls transition-related healthcare for transgender youth "child abuse."

Academic appointments
In 2006, Cole was


 * (publication; print) (publication; online),  (article).

While studying for his PhD at Wesleyan University, cole studied with multi-instrumentalist Clifford Thornton.


 * Quoted


 * “I had played the piano for a long, long time but mostly the pieces that I played were European art music. And I’d always been interested in jazz and improvisational music much more than I was interested in European art music, he says. “So when I got [to Wesleyan], I really wasn’t proficient in playing any kind of improvisational style.”


 * Thornton gave him a double reed Chinese instrument called a sona and a Korean traditional instrument called a hojok, and asked that he learn to play them. “It was a real hard study because he never even told me that they used reeds,” Cole says. “He was the kind of a person who was like, ‘Okay, I’m gonna give you the tools, but you’ve got to learn how to work them and try to play them.’”


 * While working on the sona and the hojok for a couple of years, Cole also spent time at Thornton’s apartment, listening to him practice. “Clifford was the one who gave me the instruments and he also taught me how to listen to music and how to penetrate paths of the soloists and listen to the accompaniments,” Cole remembers. “That was a very valuable lesson that he gave.”


 * After listening to Thornton play an Indian instrument called the shena, Cole decided to purchase one himself. Next, he added a fourth instrument to his rotation, the Indian nagaswarm. With his unique and diverse musical approach, he formed the Untempered Ensemble in 1992. Over the span of 20 years, the ensemble has expanded from a trio to a septet featuring Asian, African, Australian, Carribean and American instruments. They’ve released a handful of albums on avant garde jazz label Boxholder Records, including seven pieces that correspond to the cycles of the Ibo of Nigeria’s reincarnation philosophy.


 * While Cole creates a majority of the Untempered Ensemble’s pieces, the group has recently begun incorporating compositions by pianist Don Pullen into their performances. Cole decided to highlight Pullen’s compositions with the group after hearing him guest on a public radio show. “I had never heard of anyone who had the facility that he had on the piano except for Cecil Taylor, and I really got interested in his music,” he says. “And you know, there were so many musicians who play this music that people have never even heard of…and Don Pullen died in 2005; He was only in his mid-50s.”

Reflections of students
May - Jun 2019 The “Big Questions” series responses revolve around gratitude, healthy introspection, and appreciation for the thoughtful influences of our alma mater and each other. The latest installment focuses on an interest sparked at Dartmouth that has become a core part of one’s life.

Anthony Desir responded, "Music—and in the strangest way. Jazz teacher Bill Cole announced to his rabble of disciples that if I ever dared to take his class he would fail me just to make a point. When I found that out, I signed up for his next class right away. The weird part: Despite our disdain for each other, I actually learned something about music, not just jazz, but all forms of music. Today I can listen, distinguish, and enjoy almost any kind of music, from classic and country to rock and jazz. I have to thank the challenge from Bill Cole for that."

link

Solo and with selected artists
 The First Cycle (1980). Recorded August 1, 1975. Bill Cole; Sam Rivers; & Warren Smith, Music from Dartmouth.  Unsubmissive Blues (1980). Bill Cole & Jayne Cortez, Bola Press. Recorded October 1, 1979, Brooklyn  There It Is (1982). Jayne Cortez and the Firespitters, with Bill Cole. Bola Press. Recorded July 22, 1982, Brooklyn  Everywhere Drums (1990). Bill Cole & Jayne Cortez, Bola Press. Recorded June 21, 1990, New York  Double Sunrise Over Neptune (2007). Bill Cole & William Parker, AUM Fidelity. Recorded June 19, 2007, New York  Billy Bang and Bill Cole (2010). Billy Bang (violin); Bill Cole (didgeridoo, nagaswaram, sona, flute, shenai), Live, University of Virginia Chapel, Charlottesville, April 17, 2009. Shadrack  As If You Knew (2011). Bill Cole & Jayne Cortez, Bola Press.  Portraits: Wind, Thunder and Love (2014). Bill Cole & Joseph Daley, Jodamusic Records.  Trayvon Martin Suite (2015). Bill Cole & Joseph Daley, Jodamusic Records. (label of Joe Daley (de))  Two Masters (Live at the Prism, Charlottesville, Virginia, April 1, 2004)" (2005). Bill Cole & William Parker, Boxholder (de) 

Bill Cole's Untempered Ensemble


 The Untempered Trio (1992).

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 * First CD:

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 * Second CD:

<li> <li> <li> <li> <li> <li> <li> <li> <li> <li> <li> <li> <li> </ol></ol>

<li>

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<li> <li> <li> "Grounded" <li> <li> <li> <li> <li> <li> <li> </ol>

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<li> <li> <li> <li> <li> </ol>

<li> <li> Part I  <li> Part II</ol> The performance was dedicated to Wilber Morris, bassist who died August 8, 2002.

Douglas Dunn, New York choreographer, staged a performance of "The Living Lives Not Among the Dead. Why Seek It There?" at for Danspace Project at St. Marks Church in the East Village, Manhattan, May 26, 2005.

Discog references







 * Bill Cole's Untempered Ensemble, Sunsum, Allmusic album ID mw0002857615.



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"Mistreatment of Faculty of Color"

 * LINK

Cole's family

 * Professor Cole's father was a dentist in Pittsburgh. Miles Davis' father was a dentist.


 * Cole daughter, Althea SullyCole, PhD student in Ethnomusicology, Columbia University.


 * Cole's first wife, Linda Joy Punchatz (maiden), an artist, is a niece of the late science fiction and fantasy artist Don Ivan Punchatz (1936–2009), whose son, Gregor Punchatz (her cousin), is a digital artist for film and video games.

Other conservative student-run publications

 * see Collegiate Network

SMU Law Review
The effect of political correctness on students is shown by the enactment of various restrictive speech codes as well as by the pressure put on students by the university, student special interest groups, and faculty to conform to a certain ideological viewpoint. A recent incident at Dartmouth demonstrates that political correctness can be enforced through other means than by enacting restrictive speech codes. In February 1988, The Dartmouth Review, a conservative weekly newspaper, published a highly critical review of William S. Cole's course noting his use of foul language in class and his reference to students as honkies. Four members of the Review approached Cole, a black professor, at the conclusion of his music class to invite him to respond to the review of his class. The confrontation turned into a shouting and pushing match between the professor and Review members. After breaking the flash attachment off a photographer's camera, Cole then ordered the students to leave. Black students charged that the article and classroom incident were racially motivated; the Review insisted that they were simply criticizing a professor's teaching ability. Dartmouth filed charges against the students the next day for harassment, invasion of privacy, and disorderly conduct. No university action was taken against Cole.

A university panel found four students – <li> John Quilhot ( John William Quilhot; BA '91), <li> John Sutter ( John Henby Sutter) (affiliated with the Dartmouth class of '88; but earned a BA in English literature from Suffolk University in '93), and <li> Christopher Baldwin ('89) – guilty of the charges and for initiating and secretly recording the "vexation exchange" with Cole. <li> Sean Nolan</ol>

Quilhot was suspended until the fall of 1988; Sutter and Baldwin for a year longer. The suspensions were upheld on appeal to the dean. The Review charged Dartmouth with censorship and reverse discrimination. A New Hampshire state judge ordered Dartmouth to reinstate two of the students on the ground that a member of the disciplinary panel was shown to be substantially biased and prejudiced against the students. A federal court later dismissed the student's suit against the University.


 * '''Note that Baldwin was involved in the Apartheid episode of 1986.

Later the next semester, Cole's wife Sarah Sully, a French professor at Dartmouth, asked her students to write, in French, their opinions regarding the dispute between Cole and the Review. Most of the class knew that Sully was Cole's wife and tailored their response in the exam to conform to her partisan opinion. Singh, at 58. One student who was unaware of the connection wrote an essay in support of the Review's position. The student received a "D" on the exam, despite his excellent French, because he refused to condemn the Review. Sully declared that she could not "in good conscience reward an 'A' to someone who is writing racist remarks, no matter how well it is said." The student appealed the grade and the department chairman held Sully's grading of the student to be inappropriate.


 * (publication), (article).

Faculty during Cole's era

 * Hans H. Penner, PhD (1934–2012), was a leading scholar of comparative religion and member of Dartmouth's Religion Department for 36 years. He served from 1980-84 as Dean of Dartmouth's Faculty of Arts and Sciences.


 * Dartmouth Music Department Chairs


 * 1940: Donald Cobleigh, organist and head of the music department at Dartmouth College
 * 19??–1952: Arnold Kunrad Kvam (1910–1981), cellist, conductor, and educator
 * 19??–1953: Frederic Longhurst
 * 1953–1959: James Andrews Sykes (1908–1985), member of the Dartmouth music faculty from 1953 until his retirement in 1973
 * 1965–1968: Louis Milton Gill (1932–1968), who joined the Dartmouth faculty in 1959, was Chairman of the Music Department in 1968 when he was killed in the Northeast Airlines Flight 946 plane crash at Moose Mountain.
 * 1978: Jon Appleton, pioneer in electroacoustic music
 * 1976–1981: Charles Hamm, PhD (1925–2011)
 * 1981–19??: Professor Cole was Chairman of the Music Department at Dartmouth College and Director of college's John Coltrane Memorial World Music Lecture/Demonstration Series.


 *  chairman emeritus of the music department at Dartmouth University link


 * 2010: Theodore Craig Levin, PhD, ethnomusicologist
 * 2015–current: Steve Swayne (chair since as early as 2015 – current)






 * link to below
 * Another year would pass before the lyrics as they are sung today would make their official appearance. Worked on by Prof. Charles Hamm, Lynne Gaudet, '81, Douglas Wheeler, '59, Caroline Luft, '89, and Dean Edward Shanahan, the new version provided eight changes to Hovey's original poem. On May 28, 1988, President James Freedman announced these changes to the College, and in the Commencement program that year, the new version, and only the new version, was printed. The title? Simply "Alma Mater".

Cole on Coltrane
Cole gave his person opinion on Coltrane: "Wherein, then, lies the magic of this man's music? The answer, from my point of view is that it dealt with human problems in human terms for human beings in a human world. If there is 'turmoil' in his music, it includes the turmoil in the hearts and minds of ordinary men and women. It includes the turmoil and violence of the times through which Trane lived. But the magic in Trane’s music also must derive from the 'peace which passeth all understanding' that was in this man’s heart."


 * Cole has done a painstaking job of analyzing the recordings. looking at them almost phrase by phrase (with the help of Andrew White's transcriptions).
 * link





NEW

 * "Political Extremism". Gale. Michigan State University Libraries




 * "Dis Sho' Aint No Jive, Bro". Dartmouth Review. 1982.


 * Garrett, James (October 19, 1988). "Ein Reich, Ein Volk, Ein Freemann". . Dartmouth Review.






 * link








 * (publication), (publication).

From Cole's article

 * → Also accessible via TimesMachine → (publication),  (article),  (article).


 * (1994), ISBN 0-306-80554-5 (1994), (1974 ed.),  (1994 ed.).


 * , ISBN 978-0-3068-1062-6, ISBN 0-0287-0660-9 (hardback), ISBN 0-0287-0500-9 (paperback),.






 * , ISBN 1-4221-0329-3, ISBN 1-5785-1709-5,.




 * ISBN 978-0-8223-4281-6,.




 * (publication), (article).




 * New (publication).

1983 Lawsuit
Part One In April 1983, The Dartmouth Review – an arch-conservative publication not affiliated with Dartmouth College but operated by students – published an antagonistic article that harshly ridiculed Cole, personally and professionally. Laura Ingraham, then a student, was the author of one of the articles. Andrew Pickens III was editor-in-chief of the Review in April.


 * (Dinesh D'Souza, also then a student, was – around that time – Editor-in-Chief of the Review.)

Sequence of events

 * Cole file suit against the Review and three students. He was the subject of three articles during the Winter of 1983, the first in mid-January written by Laura Ingraham. The suit asks for $600,000 from the


 * 1) Hanover Review, Inc.
 * 2) Edmond William Cattan, Jr., the paper's former editor-in-chief
 * 3) Dinesh D'Souza, the paper's former chairman, and
 * 4) Laura Ingraham, staff writer who wrote the article

Cole filed the suit in Burlington's U.S. District Court


 * John Long was attorney for Cole; at least 40 members of the Dartmouth College community contributed money to help Cole pay for the suit.


 * The Review was represented by Blair Soyster of Rogers and Wells of New York City and Hughs, Miller, and Candon of Norwich, Vermont. The New York firm was headed by former Secretary of State, William P. Rogers.

Continued

 * Libel case
 * After two local newspapers – the Rutland Herald and Valley News – cited the Review to declare Cole "incompetent", Cole sued the Review for slander. Cole also sued the Review for libel, but later dropped that suit.


 * Slander case
 * The slander case was settled out of court after two years without the Review admitting guilt or providing any monetary compensation, but both the Review's and Cole's reputations were damaged.


 * "I was taught all my life that if you get an education, things will open up. But what I learned is if you want to help your own people, it won't open up." "You have to sell yourself out enough so when you look in the mirror in the morning, you don't know who that is." – Bill Cole, reflecting on the cost of success in a White world. October 30, 1991, speaking as a guest lecturer in Bill Dixon's class at Bennington College.

1985 lawsuit against the DR
Rev. Richard Allen Hyde (born 1951), a Dartmouth College chaplain since 1978, filed a $3-million libel suite, claiming that the Review libeled him in articles concerning his professional and personal life.

The suit was filed January 22, 1985, in Grafton County Superior Court, and alleged that the Review published "several articles containing false, misleading and inflammatory information about (his) personal and professional life."

Editor Laura Ingraham said the suit is based on a series of articles, one involving a satirical column on left-leaning Dartmouth faculty titled the "Dartmouth Liberation Front." "That was in the context of a satire and absolutely defensible on that ground," she said. Hyde's suit named the Review and two former editors, Dinesh D'Souza of Princeton, N.J., and Andrew Lee Pickens III (born 1962) (Phillips Exeter '80; Dartmouth '84; UCLA '90 JD) of Fairfield, Ohio.

The suit was settled. The Review published an apology. Among other things, the Review had published that Hyde defended a group that advocated sex with adolescents.


 * Advocacy journalism

Lawsuit references



 * (publication).


 * (publication).






 * , ISBN 0-8135-2144-0,.



Buckley
years earlier, in September 1951, Buckley published God and Man at Yale, which, in the words of McGeorge Bundy, "[was] a savage attack on that institution as a hotbed of 'atheism' and 'collectivism.'


 * God and Man at Yale: The Superstitions of "Academic Freedom," by William F. Buckley, Jr., Introduction by John Chamberlain

In the early years of the Cold War, as universities expelled scholars with ties to the Communist Party, it became an article of faith among conservatives that the only targets of an ideological purge were people like themselves. As academician Julian Nemeth, PhD, put it:
 * "William F. Buckley's God and Man at Yale [first printed September 1951, in the throes of emerging McCarthyism], the most important exponent of this view, argued that 'academic freedom' was a 'superstition' designed to promote liberal indoctrination. Buckley's work tweaked, and mainstreamed, claims that a subversive conspiracy had overtaken the nation's schools and colleges.


 * (print publication); (online publication);  (abstract);  (abstract);  (article).

The Dartmouth Review

 * Lemuel Boulware gave money to the DR


 * (publication).


 * (publication).


 * (publication).


 * (publication).


 * (publication).


 * see Desatnick on Fox regarding a PC Police push-back
 * Debate
 * [Blake Neff '13 is a writer for Tucker Carleson, as 2020]


 * link




 * (publication).


 * , (article).


 * , . doi InformIT 10.3316 / 139438766130121.






 * William Cole v. Hanover Press, Inc. (1984). $2.4 million libel

The National Review

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Comments on NR

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Criticism of DR



 * LCCN sn857330,, (Ethnic NewsWatch database),.




 * (US Newsstream ddb),.