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Broadway Music Corporation is -year-old privately held American publisher of popular music that was founded in 1913 by Will Von Tilzer (né William U. Gumbinsky; surname later changed to Gumm; 1882–1952), and headed by him for years until his death in 1952. Around 1960, after some shuffling among new owners, the corporation was restructured and became the imprint of the London firm Kassner Music for North America, which endures today. Kassner Music, founded by Edward Kassner (1920–1996), maintains the Broadway Music Corporation as a New York entity and a subsidiary.

Company history
The founding of Broadway Music Corporation was an outgrowth of a family publishing enterprise founded by Harry Von Tilzer, and perhaps a restoration of a publishing firm founded by Albert Von Tilzer, which fell under financial duress in 1912.

Three of Will's five brothers, Harry, Albert, and Jack were composers. Harry was the first to hit it big, both as a composer and as head of his own music publishing firm — the Harry Von Tilzer Publishing Company, which he founded in 1902. Albert, Will, Jack, and Jules all initially worked for Harry's firm — and, the sixth brother, Harris Gumm, an entertainment attorney, counseled business matters of the Von Tilzers.


 * York Music Company
 * In 1903, nine years before Will started his own firm, Albert left Harry's firm to start his own, The York Music Company, which, around 1913, was absorbed by Broadway Music Corporation, with many hits, including (i) "Put Your Arms Around Me, Honey" ("I Never Knew Any Girl Like You") (1910) and (ii) "Take Me Out To The Ball Game" (1908), composed by Albert.


 * In 1912, Jules and Jack Von Tilzer took over the York Music Company, Jules managing the Chicago office and Jack managing the New York office. Albert Von Tilzer, its erstwhile manager, at the time, announced his retirement.


 * In 1913, Will left Harry's firm, taking James V. Monaco with him, to start his firm. Hits that were first published by Broadway Music include (iii) "You Made Me Love You" ("I Didn't Want to Do It") (1913) and (iv) "I'll Be With You" ("In Apple Blossom Time") (1920).

Around September 1912, a petition in bankruptcy was filed against the York Music Co. Jack Von Tilzer was the president. The creditors who filed were:
 * 1912 bankruptcy of York Music Company

In 2014, adjusted for inflation over years, US$10,943 of 1912 would amount to a range between US$203,000 and US$5,630,000.

The the bankruptcy might have been triggered, in part, by the 1912 bankruptcy of A.M. Rothschild & Company, a five-and-dime store chain that sold a substantial amount of sheet music.


 * Empire Music Company

(Fix and cite this theme and incorporate it in the lead)

 * The collective activities of the six brothers, Harry, Albert, Jack, Jules, and Harris amounted to a music dynasty in a period when song writing and theater was high.


 * Other themes: For Harry, his pub. firm served mostly to amplify his own work; songwriters who ran their own pub. firms seemed to cloud objectivity when it came to working on behalf of other songwriters; this theme was perhaps the impetus for Will to start his own firm, and also an impetus for Albert to cede control of York Music to Will's Broadway Music Corporation


 * Find out HOW York got absorbed into Broadway Music Corporation

Broadway Music Corporation was founded in February 1913 by Will Von Tilzer (né William Gumm; 10 November 1882 Indianapolis, Indiana – 14 May 1952 Yonkers, New York), brother of songwriters Harry and Albert Von Tilzer. The company was formed as a New York corporation with capital stock of US$500. The founding directors were Will's brother, Harris Harold Gumm (1880–1973), and investor William Valentine Goldie (1877–1953). Both Gumm and Goldlie were entertainment lawyers, primarily focused on theater and music publishing, and, as 1904 graduates of Columbia Law School, they were the founders of their own firm, Goldie & Gumm.
 * Founding in 1913

Broadway Music Corporation, at its inception, published the works of James V. Monaco. At that time, its New York headquarters was on the second floor of the Exchange Building at 145 West 45th Street in Manhattan. That location was was not in the Tin Pan Alley district of Manhattan (West 28th Street, between 5th and 6th Avenues), but the firm was nonetheless closely identified as a Tin Pan Alley publishing firm. Will Von Tilzer founded the firm after having served as business manager with the Harry Von Tilzer Music Publishing Company, his brother's firm.

In February 1913, there were four separate Von Tilzer organizations in the music business.
 * York Music Company; the Theodore Morse Music Company had recently leased the office space in Chicago recently occupied by Jules Von Tilzer, working on behalf of the York Music Company; Jules moved back to New York to become manager of the professional department in the East, allowing Jack to focus on the business aspect of the firm; at the time, the York Music Company occupied the entire third floor of the Regal Building.
 * Harry Von Tilzer Music Publishing Company
 * Broadway Music Corporation; Will Von Tilzer, who had been the business manager for the Harry Von Tilzer Music Publishing Company, left to form his own firm, taking James V. Monaco with him; Monaco's latest contributions to the Harry Von Tilzer catalog became part of Will Von Tilzer's introductory catalog


 * ??? Albert Von Tilzer left York Music Company in 1912 to form his own publishing firm, leaving his brother Jack Von Tilzer in charge of the business


 * In September 1913, a new firm was founded: the Empire Music Co.; Jack Von Tilzer was president; its office was at 148 West 45th Street, New York  The office at 148 West 45th Street sustained damage from a fire July 15, 1915, but no one was seriously hurt.  a classified ad for Empire Music Co. at 1431 Broadway appears in the May 21, 1912, issued of The Evening Telegram

Broadway Music Corporation absorbed York Music in 1913.???

The song, "Alcoholic Blues," gained popularity around 1919 due to prohibition in the United States, which took effect in January 1920.
 * Prohibition

In 1922, certain creditors filed a petition in U.S. District Court, New York, for adjudication in bankruptcy against Broadway Music Corporation. On December 19, 1922, Judge Julian W. Mack (1866–1943) decreed the firm bankrupt.
 * 1922 adjudicated bankruptcy


 * Schedule of liabilities
 * Assets — $30,012.07


 * Assets consisted chiefly of $19,166.08 in accounts receivable from music dealers; mechanical royalties $2,500, and value of catalog, $5,000.
 * Liabilities — $151,290.73
 * Liabilities included $10,238.82 to Goldie & Gumm, attorneys, Loew Building; $57,076.52 to H. Harold Gumm (who was a brother of Will Von Tilzer, president of the bankrupt music house and who is financially interested in the company); an item of $17,983 to B. Teller Sons & Dorner, music printers; $9,450 and $7,500 to Sidney D. Mitchell and Lew Pollack, respectively, Questionable amounts on royalty contracts which form part of separate lawsuits pending by the songwriters against the corporation.


 * Other liabilities are for advertising and the following estimated amounts to songwriters for royalties: Edgar Allan Woolf, $110.93; Wheeler Wadsworth, $40; Albert Von Tilzer, $3,500; Lew Brown, $5,561.26; Johnny S. Black (1891–1936), 1754.40; Sidney Clare, $1,764.48; Bob Carlton, $1,350.04; Neville Adrian Fleeson (1887–1945), $405.66; Anatol Friedland, $325; Billy Fazioli, $1,800; Lou Klein, $300; Al Lentz, $332.71; Harry Link, $572.71; Ray Miller, $1,550; Sidney D. Mitchell, $4,254.17; Bob Nelson, $757.61; Lew Pollack, $1,500; Irving Aaronson, $322.71. ArtMusic, Inc., is $11,951.42

Broadway Music Corporation then filed a motion to set aside, vacate, and stay the order. Harry Von Tilzer also went into an involuntary bankruptcy.

E. C. Mills, chairman of the executive board of the Music Publishers Protective Association, was, in December 1922, appointed receiver for the Harry Von Tilzer Music Publishing Co. Earlier in December, he was appointed co-receiver for the Broadway Music Corporation. In January 1923, the firm arranged to pay its creditors 25 percent of claims — 10 percent in cash and 15 percent in deferred payments. The bankruptcy was discharged February 1, 1923, by Judge Augustus Hand; the receivers — E.C. Mills and Mark Hyman, an attorney — had restored the financial health of the firm.

In 1958, Edward Kassner (1920–1996), Murray Sporn (born 1928), Danny Kessler, and Artie Mogul (1927–2004) acquired Broadway Music Corporation for US$400000. In 1959, Jack Gold, head of Jack Gold Music and Paris Records, failed an attempt to acquire a controlling interest in Broadway Music Corporation, Rush Music, and Kassner Music. At that time, they are valued at US$750000, and US$400000, and US$1000000, respectively. Gold's objective was to strengthen the interest of Paris Records. Soon after, Kassner and Sporn acquired Mogul's interest. In 1960, Kassner and Sporn acquired Kessler's interest.
 * Sale of the Broadway Music Corporation catalog

Sporn merged all their various interests into American Metropolitan Enterprises (AME), a Canadian public company, which controlled the catalog of Broadway Music Corporation.
 * American Metropolitan Enterprises, Ltd. (Canada)

Sporn became chairman and treasurer, Kassner, president, and George Garfunkel (1901–1985) (lawyer, formerly for Broadway Music Corporation), secretary. AME made an initial public offering of 250,000 shares in Canada. The directors were Sporn, Kassner, Garfunkel, Marvin Paul Holtzman (1922–1982), Bruce T. Beatty (1934–1968) (Canadian Chartered Accountant and record company executive), Frank Pasque, and Sidney A. Seidenberg (1925–2006). AME's subsidiaries were:


 * Edward Kassner Music
 * Wexford Music Ltd. (Toronto)
 * Berkshire Music, Inc. (New York)
 * Edward Arthur & Co. (London)
 * Edward Kassner
 * Edwards
 * Glenbrook
 * Glow
 * Picadilly Music Co. (New York)
 * Pinelawn
 * Rush Music (New York)
 * Sid Lee Music Corp.
 * Syndicate (owner of Broadway and Art Music)
 * Tideland Music (New York)
 * Town & Country Music Co. (New York)
 * Tray Music (New York)

In 1965, Sporn sold his interest in AME for US$350000.

Kassner eventually acquired the entire catalog and, as of 2009, publishes in America under the Broadway Music Corporation banner.
 * Kassner Music (London)

As of 1998, Kassner Music was an umbrella company for seven catalogs in the United States:
 * Broadway Music Corporation
 * Edward Kassner Music Co. Inc.
 * Myers Music Inc. (James E. Myers, aka Jimmy DeKnight)
 * American Metropolitan Enterprises of New York, Inc.
 * Jay Boy Music Corp.
 * Picadilly Music Corp.
 * Tideland Music Publishing Corp.
 * 1501 Broadway, Suite 1616
 * New York, NY 10036

Affiliate company
Will Von Tilzer founded Art Music, Inc. (trademarked as ArtMusic Inc.), around 1917 to publish and exploit "high-class" compositions. Will Von Tilzer was president. Saul Bornstein (1884–1957), the business manager for Broadway Music Corporation, in 1917, also became the General Manager of Art Music, Inc. Prior to his affiliation with the two firms, he had, for many years, imported musical instruments into North America for European manufacturers. World War I ended it. Initially, ArtMusic firm developed four standard editions: Bornstein left in June 1919 to become general manager and partner with Irving Berlin's new publishing firm. Around that time, Albert Von Tilzer, who contributed several compositions to the catalog, began managed the firm. Around 1919, ArtMusic, in an effort to focus more on classical and so-called semi-classical repertoire, sold or assigned some of its popular songs to Broadway Music Corporation, who also served as the sole distributor for ArtMusic. Sales and assignments to included:
 * Art Edition: vocal
 * Instrumental Edition
 * Classic Edition
 * Production Edition
 * "Ragging the Scale," assigned to Broadway Music Corporation
 * "When You're Alone," sold in 1919 to Broadway Music Corporation

Selected songwriters

 * Harry D. Kerr (1880–1957), songwriter, lyricist

Selected works

 * "Take Me Out To The Ball Game (1936)," composed by Will's brother, Albert Von Tilzer. In 2008, the song won the Songwriters Hall of Fame Towering Song Award
 * Music by Albert Von Tilzer, lyrics by Jack Norworth
 * © May 2, 1908, Class C 130671, York Music Co., New York, Index N° 13784;
 * © January 3, 1936, Class R (renewal) 41344, Albert Von Tilzer, as author of music, New York, Index N° 640;


 * "Put Your Arms Around Me, Honey"
 * "You Made Me Love You" ("I Didn't Want to Do It") (1913)
 * "I'll Be With You" ("In Apple Blossom Time")

Professional staff and executives
Major music publishing companies, in their heyday, were large national enterprises. However, turnover of staff and executives was high, due in part to the "hit" nature of the business. A song plugger, regional manager, or general manager commonly worked for many firms. The below list not only shows some breadth and depth of personnel associated with Broadway Music Corporation, but also gives a cursory view of the high turnover.

Selected personnel

 * Executives
 * Will Von Tilzer (né William Gumm), President and founder (brother of Harry Von Tilzer)
 * Saul Bornstein (1884–1957), who later shortened his surname to Bourne, was business manager in 1917 and general manager of both ArtMusic and Broadway Music Corporation; he left in June 1919 to become a member and general manager of the newly formed publishing firm of Irving Berlin, Inc.
 * George A. Friedman (1875–1933), general manager
 * Billy Lang (1883–1944), became business manager in 1920


 * Store managers
 * John Francis Edwards (1883–1946) managed the firm's store at 145 West 45th Street
 * Johnny Heinzman (né John A. Heinzman; 1880–1932) joined the firm around 1913; he worked a stint for Shapiro, Bernstein & Co. around 1915, but returned to the firm and, in 1919, was appointed local manager of the Broadway store; in the early 1920s, he was associated with the Fred Fisher Co., then Henry Burr Music Corp., before eventually replacing Dave Sherman as manager of the San Francisco office in September 1920; he was a lyricist and collaborator with his songwriter brother, Otto Milton Heinzman (1873–1943)


 * Professional managers
 * Al Beilin (né Albert Solomon Beilin; 1896–1962), appointed general Western manager in early 1919 out of the Chicago office, became professional manager of the New York office in 1920; around 1923, he formed a publishing partnership with Willie Horowitz — Beilin & Horowitz
 * Rudy Bale, a popular singer, in 1923, became the professional manager for Minneapolis and Saint Paul.


 * Professional staff
 * Danny Winkler (né Daniel Mayer Winkler; 1893–1970), born in San Angelo, was added to the staff in 1916; in 1922, he was general manager of the New York office of Richmond-Robbins, Inc. — Maurice Aaron Richmond (1878–1965) and nephew, John J. (Jack) Robbins (1894–1959) — but left that year to become sales manager for Fred Fisher; Harry Engel (1894–1965), formerly the general manager in the Chicago office of Richmond-Robbins, replaced Winkler and the firm was eventually renamed Robbins-Engel, Inc.; after a hiatus from the music business, in 1927, Winkler became sales manager for a new publishing firm, Brown, and Henderson, Inc., a firm composed of Buddy DeSylva, Lew Brown, and Ray Henderson
 * Abe Silver, formerly with Waterson, Berlin & Snyder, Inc., was added to the staff in 1916; in 1917, he was with Kalmar, Puck & Abrahams, Consolidated, Inc.


 * District managers
 * William (Willie) Horowitz (1896–1963), who had managed the Chicago office for T. B. Harms & Francis, Day & Hunter, Inc., was in 1917, promoted and moved to New York to become professional manager for T.B. Harms; he also, in 1917, with M. Witmark & Sons; in 1919, he was the Philadelphia Manager for Broadway Music Corporation
 * Dave Rose (né David Rose; born 1884, New York), Chicago manager, with the firm from at least 1914 through at least 1920; in 1913, he had been professional manager for Chicago office of George Meyers Music Co.
 * Al. Selden, a composer, was manager of the Philadelphia office in 1919


 * Staff composers and lyricists
 * Charles R. McCarron (1892–1919); once a staff lyricist for Broadway Music, McCarron was a staff writer for Joseph W. Stern & Co. when he died
 * Sidney D. Mitchell


 * Unknown
 * Joe McCarthy (1885–1943), resigned in 1914 to work for Leo Feist
 * Alfred Clark Harriman (1889–1919), New York office
 * Joseph Mittenthal (1880–1960), New York office, left the firm in 1921 to start his own music publishing company; he sold his catalog in 1923 to Jack Mills and F.B. Haviland Music Company (Frederick Benjamin Haviland; 1867–1932); in 1921, he was the general manager of McCarthy & Fisher; he also was a composer and lyricist
 * Dave Sherman (born 1886), opened the San Francisco office in 1920, but moved on to Adrian-Reece Publishing Company that fall
 * Dorothy Marcus, listed as secretary at Broadway Music Corporation, was the wife of Henry Marcus


 * Charles Lang left the firm in 1945 to head Music Makers publishing firm, founded by Harry James, he stayed with Music Makers until April 1946, when it was sold to Edwin H. Morris & Company In 1917, Lang left as business manager of Bernard Granville Music Co. to work for Jos. W. Stern  Also in 1917, he was the business manager of Bernard Granville Co. when it went out of business, then joined Kendis-Brockman Co.  In 1926, he formed a music publishing firm with Irving Bibo and Ed Rioeden.  The 1926 article mentioned that he had been with E.B. Marks for 10 years.


 * Marvin Lee, the Chicago writer, joined the Western office staff in 1918
 * New
 * Rubey Cowan (né Reuben Joel Cowan; 1891–1957), father of notable publicist Warren Cowan
 * Bob Russak (né Robert W. Russak; 1886–1932), who left publisher Gilbert and Friedland, Inc., in 1919, joined Broadway Music Corporation that same year; in 1920, he went on to become professional manager with Jack Mills
 * Rose Fischer (born around 1878), in 1922, left a position in the New York office of Broadway Music to work with the professional department in the New York office of of Sherman, Clay & Co. She was hired by Richard Powers, Sherman, Clay's general manager for the New York office; She married William C. Spiegel (born around 1875) in 1998 in San Francisco

Offices

 * New York
 * 1913–1921
 * Exchange Building
 * 145 West 45th
 * 2nd floor


 * 1921-1923
 * Robertson-Cole Building
 * 723 7th Avenue at 48th Street


 * 1942–1944
 * Brill Building
 * 1619 Broadway


 * San Francisco
 * Pantages Theatre Building
 * 935 Market Street


 * Chicago
 * State-Lake Building
 * 190 North State Street


 * Boston
 * 218 Tremont Street (opened in 1913)
 * 240 Tremont Street


 * Philadelphia
 * 37 South 9th Street

Von Tilzer family
Will Von Tilzer was one of six brothers:

They were all born to Jacob Gumbinsky (1848–1922) and Sarah Tilzer (maiden; 1848–1923). Jacob apparently shortened his surname to Gumm. Harry Von Tilzer — the first to hit it big in music, began using his mothers maiden name as early as 1893 while working for Breezy Point Co. in Chicago. He added the prefix "Von" to give the name some panache, and four of his other brothers began using it, too.

Several Von Tilzers are buried in Mount Carmel Cemetery, Glendale, Queens, New York.

Other possible names

 * William Von Tilzer Music Company (circa 1918)

Advocacy
Broadway Music Corporation was a founding member of the Music Publishers' Protective Association (MPPA), which, when founded in 1917, sought to end the practice of publishers having to pay vaudeville theaters for performing their music. The payola was said to have reached $400,000 per song. The MPPA mandate went into effect May 7, 1917.


 * Research
 * Jos. Morris Co., 7 N. 9th Street, Philadelphia
 * Bernard Eyges (1893–1994), pianist and local manager
 * "Rock Me In My Swanee Cradle"
 * "To-Morrow Morning"

Selected cover artists, engravers, photographers, and artists' studios

 * Gene Buck (1885–1957)
 * "Down on Jasper's Farm" (1913)


 * Joseph Hirt (1879–1943)
 * "I'm Crying Just For You" (1913)


 * R.S. (stem rose emblem) – Rosenbaum Studio, Morris Rosenbaum (1886–1957), who formed the studio in the 1910s
 * "You Made Me Love You" ("I Didn't Want To Do It") (1913)
 * "Chili Bean" (1920)
 * "I'll Be With You In Apple Blossom Time" (1920)
 * "My Gee Gee From the Fiji Isles: Oh Gee Say Gee You Ought to See" (1920)


 * Irving Politzer (1898–1971)
 * "Steal a Little Kiss While Dancing" (1923)


 * Pol (Irving Politzer?)
 * "Believe It, Beloved" (1934);


 * E.E. Walton — (né Eralso Errol Walton; born 1876)


 * "My Mind's Made Up To Marry Carolina," by Lew Brown & Rubey Cowan (1917)
 * "Au Revoir But Not Good Bye, Soldier Boy" (1917)
 * "After You've Gone" (1918);
 * "Everybody's Crazy 'Bout the Doggone Blues But I'm Happy" (1918)
 * "I Want to Make Sure You Love Me" ("'Cause I've Been Fooled Before") (1919)
 * "Oh By Jingo!" (1919)
 * "Dear Old Daddy Long Legs" (1919)


 * André De Takacs (né Andréa Stephen Chevalier De Takacs; 1880–1919)
 * "She Used to be the Slowest Girl in Town" (1914)
 * "Ragging the Scale" (1915)
 * "My Little Girl," lyrics by Sam M. Lewis & Will Dillon, music by Albert Von Tilzer (1915)
 * "Don't Take My Darling Boy Away!" (1915)
 * "Since Mother Goes to Movie Shows" (1916)
 * "Pigeon Walk" (woman gazing at a pigeon she is holding on her forefinger)


 * IM-HO


 * Gene Pressler (né Charles Eugene Pressler; 1893–1933)
 * "When You're Alone," words by Eugene West, music by Otis Spencer (1919)


 * Frederick S. Manning (1874–1960)
 * "Put Your Arms Around Me, Honey" (1910);
 * "Don't Say Good-Bye" (1922)
 * "Ain't You Ashamed!" lyrics by Sidney D. Mitchell and Lew Brown, music by Seymour Simons (1923)


 * Szabo Studio
 * "Ain't You Ashamed!" lyrics by Sidney D. Mitchell and Lew Brown, music by Seymour Simons (1923)
 * "Ragging the Scale" (1915) (1942)


 * Doc Rankin (1896–1954)
 * "That's Where I Meet My Girl" (1926)


 * Malcolm Perret (né Charles Malcolm Perret; 1875–1948)
 * "Any Old Time At All," by Dave Ringle (1924);
 * "Who Will Take My Place" ("When I'm Gone"), lyrics by Raymond Klages, music by Billy Fazioli (1922)
 * "Cow Bells," lyrics by by Sidney D. Mitchell and Lew Klein, music by Al Piantadosi (1922);
 * "I Don't Want To Get Married" ("I'm Having Too Much Fun"), by Myrtle Boland, James A. Brennan, and William Jerome (1924)


 * Frank E. Phares (né Frank Elberson Phares; 1892–1958)
 * "How Do I Know?" lyrics by Lew Brown, music by Albert Von Tilzer (1921)
 * "ILO; A Voice From Mummyland," lyrics and music by Johnny Black (né John Stewart Black; 1891–1936) (1921)
 * "Teasin'" (1922)


 * Albert Wilfred Barbelle (1887–1957)
 * "Pardon Me Ha - Ha - Ha - Ha - Ha While I Laugh" (1925)
 * "Four Buddies" (1943)


 * Floyd Studio (née Flora Coleman, aka C. Floyd Coleman; born approx 1877)
 * "Poor Pauline" (1914)


 * Unknown cover artists
 * "Landlord Blues," lyrics by Edward Laska, music by Albert Von Tilzer (1919)
 * "Alcholic Blues," lyrics by Edward Laska, music by Albert Von Tilzer (1919)

Selected recordings, acts, and filmography

 * "Put Your Arms Around Me Baby (I Never Knew Any Girl Like You) (1910)," m. Albert von Tilzer, w. Junie McCree (1865–1918)
 * (see title under 1910 in music)
 * Collins & Harlan, singing duo, 1911 hit
 * Coney Island, 1943 film
 * Dick Haymes, 1943 hit recording
 * The Bachelors, The Bachelors and 16 Great Songs, 1964 rock album
 * Clayton McMichen's Georgia Wildcats, Decca 6091A, 1943 78 rpm record


 * "Take Me Out To The Ball Game" (1908)
 * (see title under 1908 in music)
 * Take Me Out to the Ball Game (film), 1949 film


 * "I'll Be With You" ("In Apple Blossom Time") (1920)
 * (see title under 1920 in music)
 * The Platters, Life Is Just A Bowl Of Cherries, Mercury ‎MG-20589, 1961 album
 * The Andrews Sisters, Brunswick ‎03174, 1941 hit


 * "You Made Me Love You" ("I Didn't Want to Do It") (1913)
 * (see title under 1913 in music)
 * Broadway Melody of 1938, 1937 film

Notes and references

 * Notes

––––––––––––––––––––
 * Catalog of Copyright Entries, Part 3 Musical Compositions, New Series, Library of Congress, Copyright Office


 * Original copyrights


 * Copyright renewals

––––––––––––––––––––
 * Inline citations


 * Category:Music publishing companies
 * Category:Companies established in 1913
 * Category:Sheet music publishing companies
 * Category:Music publishing companies of the United States
 * Category:Companies based in New York City
 * Category: Publishing companies established in 1913
 * Category: 1913 establishments in New York (state)