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Everything Under is the name of a series of urban fantasy/horror novels written by [Ron Horsley], based in his hometown of [Columbus, Ohio] and set in contemporary time.

The main protagonist of the series is John Flicker, referred to as 'the world's only known doppelgeist.' A 'double-ghost,' John is in reality two separate entities, each with their own sense of self and identity. One half, referred to as Body, is the physical form of Flicker; the other, referred to as Soul, is the invisible, intangible, inaudible half. At the beginning of the first EU novel, "Sin Gorge," the characters have been in this shared state for "a little over three years," which would place their origin sometime in 2009. A doppelgeist is for all intents and purposes a dead human being, someone who has died in some as-yet-unrevealed circumstances and whose body and soul subsequently splinter into two different conscious beings who each share the initial memories, personality and emotions of the original living person.

The novels are told in the first-person perspective, with Body and Soul alternating chapters to tell the next segment of the story in their respective viewpoints. The novelty of this is having a consistent narrative 'voice' (since both identify themselves effectively as John Flicker), but also the advantages of Body's physical senses to give the reader a more human frame of reference, then Soul's ability to pass through solid objects, float/fly at rapid speeds from point to point, offering the reader a nearly third-person omniscient viewpoint at times.

The first two novels of the series, "Sin Gorge" and "Jennyripper," were released in October, 2012 and June, 2013. At least nine more novels are planned for steady release (according to the Everything Under website maintained by the author). "The Twilight Girl" is planned for an October, 2013 release, with the rest of the series to be announced as it naturally develops.

In overall tone and approach, the Everything Under series is differentiated from other urban fantasy series in a number of ways even as it evokes similar popular ideas from the genre. Most notable is Horsley's insistence