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Valaiyar is one of the sub castes of mutharaiyar.

History
The Valaiyars are described, in the Manual of Madura district (1868), as “a low and debased class. Their name is supposed to be derived from valai, a net, and to have been given to them from their being constantly employed in netting game in the jungles. Many of them still live by the net; some catch fish; some smelt iron. Many are engaged in cultivation, as bearers of burdens, and in ordinary cooly work. The tradition that a Valaiya woman was the mother of the Vallambans seems to show that the Valaiyans must be [273]one of the most ancient castes in the country.” In the Tanjore Manual they are described as “inhabitants of the country inland who live by snaring birds, and fishing in fresh waters. They engage also in agricultural labour and cooly work, such as carrying loads, husking paddy (rice), and cutting and selling fire-wood. They are a poor and degraded class.” The Valaiyans are expert at making cunningly devised traps for catching rats and jungle fowl. They have “a comical fairy-tale of the origin of the war, which still goes on between them and the rat tribe. It relates how the chiefs of the rats met in conclave, and devised the various means for arranging and harassing the enemy, which they still practice with such effect.”10 The Valaiyans say that they were once the friends of Siva, but were degraded for the sin of eating rats and frogs.

Valaiyar Hunting Festival
In the Census Report, 1901, the Valaiyans are described as “a shikāri (hunting) caste in Madura and Tanjore. In the latter the names Ambalakāran, Sērvaikāran, Vēdan, Siviyān, and Kuruvikkāran are indiscriminately applied to the caste.” There is some connection between Ambalakārans, Muttiriyans, Mutrāchas, Urālis, Vēdans, Valaiyans, and Vēttuvans, but in what it exactly consists remains to be ascertained. It seems likely that all of them are descended from one common parent stock. Ambalakārans claim to be descended from Kannappa Nāyanar, one of the sixty-three Saivite saints, who was a Vēdan or hunter by caste. In Tanjore the Valaiyans declare themselves to have a similar origin, and in that district Ambalakāran and Muttiriyan seem to be synonymous with Valaiyan. Moreover, the statistics of the distribution of the Valaiyans show that they are numerous in the districts [274]where Ambalakārans are few, and vice versâ, which looks as though certain sections had taken to calling themselves Ambalakārans. The upper sections of the Ambalakārans style themselves Pillai, which is a title properly belonging to Vellālas, but the others are usually called Mūppan in Tanjore, and Ambalakāran, Muttiriyan, and Sērvaikāran in Trichinopoly. The usual title of the Valaiyans, so far as I can gather, is Mūppan, but some style themselves Sērvai and Ambalakāran.”

The Madura Valaiyans are said11 to be “less brāhmanised than those in Tanjore, the latter employing Brāhmans as priests, forbidding the marriage of widows, occasionally burning their dead, and being particular what they eat. But they still cling to the worship of all the usual village gods and goddesses.” In some places, it is said,12 the Valaiyans will eat almost anything, including rats, cats, frogs and squirrels.

Tamilnadu Regions
It is stated, in the Gazetteer of the Madura district, that “the Valaiyans are grouped into four endogamous sub-divisions, namely, Vahni, Valattu, Karadi, and Kangu. The last of these is again divided into Pāsikatti, those who use a bead necklet instead of a tāli (as a marriage badge), and Kāraikatti, those whose women wear horsehair necklaces like the Kallans. The caste title is Mūppan. Caste matters are settled by a headman called the Kambliyan (blanket man), who lives at Aruppukōttai, and comes round in state to any village which requires his services, seated on a horse, and accompanied by servants who hold an umbrella over his head and fan him. He holds his court seated on a blanket. The fines imposed go in equal shares to the aramanai (literally palace, i.e., to the headman himself), and to the oramanai, that is, the caste people.

It is noted by Mr. F. R. Hemingway that “the Valaiyans of the Trichinopoly district say that they have eight endogamous sub-divisions, namely, Sarahu (or Saragu), Ettarai Kōppu, Tānambanādu or Valuvādi, Nadunāttu or Asal, Kurumba, Vanniya, Ambunādu, and Punal. Some of these are similar to those of the Kallans and Ambalakārans.”

In the Gazetteer of the Tanjore district, it is recorded that the Valaiyans are said to possess “endogamous sub-divisions called Vēdan, Sulundukkāran and Ambalakkāran. The members of the first are said to be hunters, those of the second torch-bearers, and those of the last cultivators. They are a low caste, are refused admittance into the temples, and pollute a Vellālan by touch. Their occupations are chiefly cultivation of a low order, cooly work, and hunting. They are also said to be addicted to crime, being employed by Kallans as their tools.” [276]

Adult marriage is the rule, and the consent of the maternal uncle is necessary. Remarriage of widows is freely permitted. At the marriage ceremony, the bridegroom’s sister takes up the tāli (marriage badge), and, after showing it to those assembled, ties it tightly round the neck of the bride. To tie it loosely so that the tāli string touches the collar-bone would be considered a breach of custom, and the woman who tied it would be fined. The tāli-tying ceremony always takes place at night, and the bridegroom’s sister performs it, as, if it was tied by the bridegroom, it could not be removed on his death, and replaced if his widow wished to marry again.

Valaiyar God
The tribal gods of the Valaiyans are Singa Pidāri (Aiyanar) and Padinettāmpadi Karuppan. Once a year, on the day after the new-moon in the month Māsi (February to March), the Valaiyans assemble to worship the deity. Early in the morning they proceed to the Aiyanar temple, and, after doing homage to the god, go off to the forest to hunt hares and other small game. On their return they are met by the Valaiyan matrons carrying coloured water or rice (ālām), garlands of flowers, betel leaves and areca nuts. The ālām is waved over the men, some of whom become inspired and are garlanded. While they are under inspiration, the mothers appeal to them to name their babies. The products of the chase are taken to the house of the headman and distributed. At a festival, at which Mr. K. Rangachari was present, at about ten o’clock in the morning all the Valaiya men, women, and children, dressed up in holiday attire, swarmed out of their huts, and proceeded to a neighbouring grove. The men and boys each carried a throwing stick, or a digging stick tipped with iron. On arrival at the grove, they stood in a row, facing east, and, throwing down their sticks, saluted them, and prostrated themselves before them. Then all took up their sticks, and some played on reed pipes. Some of the women brought garlands of flowers, and placed them round the necks of four men, who for a time stood holding in their hands their sticks, of which the ends were stuck in the ground. After a time they began to shiver, move quickly about, and kick those around them. Under the influence of their inspiration, they exhibited [279]remarkable physical strength, and five or six men could not hold them. Calling various people by name, they expressed a hope that they would respect the gods, worship them, and offer to them pongal (boiled rice) and animal sacrifices. The women brought their babies to them to be named. In some places, the naming of infants is performed at the Aiyanar temple by any one who is under the influence of inspiration. Failing such a one, several flowers, each with a name attached to it, are thrown in front of the idol. A boy, or the pūjāri (priest) picks up one of the flowers, and the infant receives the name which is connected with it.

The Valaiyans are devoted to devil worship, and, at Orattanādu in the Tanjore district, every Valaiyan backyard is said to contain an odiyan (Odina Wodier) tree, in which the devil is supposed to live.13 It is noted by Mr. W. Francis14 that “certain of the Valaiyans who live at Ammayanāyakkanūr are the hereditary pūjāris to the gods of the Sirumalai hills. Some of these deities are uncommon, and one of them, Pāppārayan, is said to be the spirit of a Brāhman astrologer whose monsoon forecast was falsified by events, and who, filled with a shame rare in unsuccessful weather prophets, threw himself off a high point on the range.”

Valaiyar Culture
According to Mr. Hemingway, the Valaiyans have a special caste god, named Muttāl Rāvuttan, who is the spirit of a dead Muhammadan, about whom nothing seems to be known.

The dead are as a rule buried with rites similar to those of the Kallans and Agamudaiyans. The final death ceremonies (karmāndhiram) are performed on the sixteenth day. On the night of the previous day, a vessel [280]filled with water is placed on the spot where the deceased breathed his last, and two cocoanuts, with the pores (’eyes’) open, are deposited near it. On the following morning, all proceed to a grove or tank (pond). The eldest son, or other celebrant, after shaving and bathing, marks out a square space on the ground, and, placing a few dry twigs of Ficus religiosa and Ficus bengalensis therein, sets fire to them. Presents of rice and other food-stuffs are given to beggars and others. The ceremony closes with the son and sapindas, who have to observe pollution, placing new cloths on their heads. Mr. Francis records that, at the funeral ceremonies, “the relations go three times round a basket of grain placed under a pandal (booth), beating their breasts and singing:—

For us the kanji (rice gruel): kailāsam (the abode of Siva) for thee;

Rice for us; for thee Svargalōkam,

and then wind turbans round the head of the deceased’s heir, in recognition of his new position as chief of the family. When a woman loses her husband, she goes three times round the village mandai (common), with a pot of water on her shoulder. After each of the first two journeys, the barber makes a hole in the pot, and at the end of the third he hurls down the vessel, and cries out an adjuration to the departed spirit to leave the widow and children in peace.” It is noted, in the Gazetteer of the Tanjore district, that “one of the funeral ceremonies is peculiar, though it is paralleled by practices among the Paraiyans and Karaiyāns. When the heir departs to the burning-ground on the second day, a mortar is placed near the outer door of his house, and a lamp is lit inside. On his return, he has to upset the mortar, and worship the light.” [281]