User:Gautam3/raga template

Raga name goes here is a Hindustani classical raga.

Theory
Writing about the musical theory of Indian classical music is fraught with complications. First of all, there have been no set, formal methods of written notation. Indian music is an aural tradition taught seena-ba-seena (person-to-person), hence written notations were not an essential part of attaining talim (knowledge).

Arohana & Avarohana
Arohana

Avarohana

Vadi & Samavadi
Vadi

Samavadi

Organization & Relationships
Related ragas: List related ragas here, making each raga a link with.

Thaat: Choose closely applicable thaat here. Choices are Bilawal, Khamaj, Kafi, Asawari, Bhairavi, Marwa, Purvi, Todi.

Behavior
Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed.

Seasonality
Certain ragas have seasonal associations.

Links
SRA on Samay and Ragas

SRA on Ragas and Thaats

Rajan Parrikar on Ragas