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Riva Lehrer (born in 1958 in Cincinnati, Ohio) is an American painter, writer, teacher, and speaker. Lehrer was born with spina bifida and has undergone numerous surgeries throughout her life. Her work focuses on issues of physical identity and how bodies are viewed by society, especially in explorations of cultural depictions of disability. Lehrer is well known as both an artist and an activist in the field of Disability Culture.

Early life
Lehrer's early education took place at Condon School for Handicapped Children, which was one of the first schools in the United States to offer a proper education to children with disabilities. She had many surgeries in her early life and spent a significant part of her childhood in the hospital, she got an intimate view of medicine which influenced her career as an educator, activist, and an artist.

Lehrer describes her thinking of bodies, anatomy, and life: "My body was not normalized through all my surgeries; yet the original body I had would not have lived. It’s been changed so many times that I can’t even guess at what it would have been. My own mutability has given me a deep interest in the two-way relationship between one’s body and the course of a life."

In 1980, she moved to Chicago, where she lives and continues to exhibit her work.

Career
Lehrer's work is focused on physical and social identity and disability. "Disability is the fuel of my work and the engine of my career," -Lehrer. After moving to Chicago, she joined a group for artist's with disabilities, and began one of her best known series: The Circle Stories. Lehrer is the curator for the Access Living Collection of Art and an adjunct professor at the School of the Art Institute of Chicago. Her interest in anatomy, coming from her many experiences in the hospital, originally led her to consider a career in medicine, but due to the lack of accommodations for her disability she soon felt this goal was unrealistic. Instead she decided to pursue her passions of art and writing. '''Her works are multifaceted and emphasize the truths of disability, rejecting the idea of pity and inspiration porn. She opens our eyes to the beauty of disability and the intersectionality it has with her culture, gender, sexuality and social environments which makes her work applicable to all. Disability representation is a major aspect of Lehrer's work, "I believe absolutely in the rightness of human display, but it matters how you do it."'''

Lehrer's creative work has been supported through a variety of grants and awards. Awards include the 2017 3Arts MacDowell Fellowship for writing, 2015 3Arts Residency Fellowship at the University of Illinois; the 2014 Carnegie Mellon Fellowship at Haverford and Bryn Mawr Colleges; and the 2009 Prairie Fellowship at the Ragdale Foundation. Grants include the 2009 Critical Fierceness Grant, the 2008 3Arts Foundation Grant, and the 2006 Wynn Newhouse Award for Excellence, (NYC), as well as grants from the Illinois Arts Council, the University of Illinois, and the National Endowment for the Arts.

 Art 

'''Lehrer has painted various portraits of people with disabilities to portray the beauty in everyone's bodies. Quote: “When I paint disability now, I am feeling pleasure,” she said. “I am not doing it as a lesson. I am noticing how nature comes up with these different ways of making a person, which is remarkable. Some people say, ‘I don’t see you as disabled,’ and I think ‘WHAT?!’ In their minds, being disabled means being incapable of something, and sure, my life has been more affected by disability than anything else — more than queerness, more than gender, certainly more than religion. But then, everything intersects.”-Riva Lehrer.'''

Teaching experience
Lehrer has worked at both the School of the Art Institute of Chicago and Northwestern University.

Circle Stories
Lehrer began The Circle Stories series in 1997 and continued expanding it through 2004. The Circle Stories is a series of portraits of Lehrer's fellow disabled artists. The title of the series refers to the "circular" method that Lehrer employed in the creative process, "involving extensive interviews with each participant." In her work, she aims to honor the "community of disabled innovators who provide support and context for the work of redefinition of disability in the 21st century".

Other series
Lehrer's If Body series stems from the fact that people tend to visualize what they are going to look like at an older age and how that image can change over time. The pieces themselves represent her personal ideals about her body and how those ideals have changed over time. "The self-portraits of her If Body series chart this schism between the imaginary "normal" body I imagine I "should" have had, and my relationship to my subjective "actual" body".

The Family series breaks the stereotype and myth that disabled people are loners. It goes on to show that people, disabled or not, form links, connections, and relationships with others. Lehrer explains "The Family drawings are an ongoing document of my own community of belonging. Some are blood relations, others are people who I consider part of my survival. They are a testament to the power that human beings have to transform each others lives".

The Totems and Familiars series are portraits that focus on people's objects of power (totems) and alter egos (familiars,) and how this iconography "helped (her subjects) through troubled times."

'The Paper Mirror, '''a documentary of Alison Bechdel and Riva Lehrer during Bechdel's process of writing and illustrating the personal memoir "Are You My Mother" Lehrer's art becomes more representative of other identities besides disability. Over two years Lehrer completes a portrait of Bechdel.'''

Golem Girl
Lehrer's 2020 book Golem Girl: a memoir, published by Virago, was the first winner of the Barbellion Prize, a literary award for writers who live with illness or disability. It was also a finalist for the 2020 National Book Critics Circle Award for Memoir and Autobiography. In Kirkus Reviews it was described as "An extraordinary memoir suffused with generosity, consistent insight, and striking artwork." '''Golem Girl focuses on themes of queerness, intimacy, Judaism, and disability. Her title, inspired from Jewish folk stories such as The “The Golem of Prague,” reflects the impact of her religion and culture on her life. All through the eyes of a disabled person, Riva tells stories of her life including friendships, family, sexuality, education, careers, and includes many paintings of her body. Golem Girl encourages readers to understand the stereotypes and social constructions placed on disabled women and how they are deemed unlovable, a different experience from able bodied women who are often sexually objectified when young. Lehrer ultimately advocates for the inclusion and understanding of beauty in disability.''' https://chicagoreader.com/arts-culture/golem-girl-unpacks-queerness-intimacy-and-disability/

Exhibits

 * AIR Gallery
 * Aldrich Museum of Contemporary Art (Ridgefield, CT),
 * Arnot Museum
 * Chicago Cultural Center
 * DeCordova Museum (Lincoln, MA).
 * Elmhurst Museum
 * Frye Art Museum (Seattle, WA),
 * Herron Gallery at Indiana University
 * Lafayette Museum of Art
 * Mary Leigh Bloch Museum
 * Mobile Museum of Art
 * Muskegon Museum of Art (MI),
 * National Museum of Women in the Arts (Washington, D.C.),
 * Printworks Gallery (Chicago)
 * Riverside Arts Center
 * Susan Cummis Gallery
 * United Nations (NY)
 * University of Notre Dame

Awards, achievements, and recognitions

 * 2020 · Barbellion Prize for Golem Girl
 * 2017 · Society for Disability Studies Presidential Award
 * 2015 · 3Arts Residency Fellowship at the University of Illinois
 * 2014 · Mellon Residency Fellowship at Haverford and Bryn Mawr Colleges
 * 2010 · The Critical Fierceness Grant
 * 2009 · Prairie Fellowship at the Ragdale Foundation
 * 2008 · Three Arts Foundation of Chicago grant for artistic achievement
 * 2007 · Wynn Newhouse Award, Samuel I. Newhouse Foundation
 * 2006 · Wynn Newhouse Award for Excellence (an unrestricted grant for $50,000)
 * 2001 · Carol J. Gill Award for Disability Culture, The Progress Center, Chicago
 * 1999 · Chicago Artist's Assistance Program Grant, Chicago Department of Cultural Affair
 * 1999 · Special Assistance Grant, Illinois Arts Council
 * 1998 · Honorable Mention, Portrait Show, Elmhurst Art Museum
 * 1996-97 · Arts Midwest/NEA Regional Visual Arts Fellowship Award
 * 1993-95 · Presidential Merit Scholarship, The School of the Art Institute, Chicago
 * 1994 · Scholarship, Anderson Ranch, Snowmass CO
 * 1993 · First Prize, Schoharie National Small Works Show
 * 1992 · Honorable Mention, Schoharie National Small Works Show