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She was a pupil of Léger and Ozenfant at the Académie Moderne and her style was particularly influenced by Piet Mondrian. She was a founding member of the Abstraction-Création association.

Mondrian page:

As the years progressed, lines began to take precedence over forms in Mondrian's paintings. In the 1930s his friendship with Marlow Moss influenced the new inclusion of the double line in his work. Double lines, first used by Moss in 1930, particularly excited Mondrian, for he believed they offered his paintings a new dynamism which he was eager to explore.