User:Hermann Heilner Giebenrath/sandbox

Chiara Fumai
Chiara Fumai (born in 1978 in Rome -died in 2017 in Bari) was an Italian performance artist

Her works were exhibited in the Italian Pavilion on the occasion of the 58th International Art Exhibition of the Venice Biennale.

Mari Kajiwara
Mari Kajiwara (born in 1952 in New York City, died in 2001 on December 25 in Tel-Aviv) was an American dancer, a leading member of Alvin Ailey American Dance Theater, the Ohad Naharin Dance Company, and the Batsheva Dance Company.

https://www.latimes.com/archives/la-xpm-2002-jan-14-me-pass14- https://www.encyclopedia.com/women/dictionaries-thesauruses-pictures-and-press-releases/kajiwara-mari-1952 https://www.nytimes.com/2002/01/12/arts/mari-kajiwara-50-dancer-known-for-pure-modern-style.html


 * André Boniface Louis Riquetti de Mirabeau (1754-1792), French General and brother of Honoré Gabriel de Mirabeau
 * Johann Christian Wentzinger (1710-1797), painter und architekt
 * Johann Georg Jacobi (1740-1814), writer and publicist
 * Thaddäus Rinderle (1748-1824), mathematician and professor


 * Hermann von Greiffenegg (1737–1807), letzter österreichischer Regierungspräsident, und weitere Mitglieder der Familie
 * Bertha Mendelssohn-Bartholdy (1848–1870), Frau von Carl Wolfgang Paul Mendelssohn Bartholdy, einem Sohn Felix Mendelssohn Bartholdys
 * Bartholomä Herder (1774–1839), Verleger
 * Johann Baptist von Hirscher (1788–1865), katholischer Theologe, Abgeordneter in der I. Badischen Kammer
 * Karl Joseph Beck (1794–1838), Mediziner und Hochschullehrer
 * Christian Jakob August von Berstett (1773–1860), Major und Numismatiker
 * Alexander Buisson (1797–1853), Hofgerichtsrat und Bürgermeister von Freiburg
 * William Barnard Clarke (1806–1865) engl. Architekt und Kunsthistoriker
 * Matthias Alexander Ecker (1766–1829) Professor der Chirurgie und Geburtshilfe
 * Johann Georg Riescher (1759–1827) Münsterbaumeister
 * Adam Xaver von Roggenbach (1750–1830)

Amalie Tischbein

Amalie Tischbein (1757-1839) was a German artist

Wilhelmine Caroline Amalie Tischbein (born Apell),(1757-1839) was a German drawing artist, miniature painter and etcher from the Kassel branch of the Tischbein family of artists. She worked in Weimar, then Kassel

Amalie Tischbein was born in Kassel at the beginning of the Seven Years' War in 1757 as the daughter of Marie Sophie Tischbein (née Robert) and the painter Johann Heinrich Tischbein. Her mother came from a distinguished Huguenot family that had been resident in Kassel since the end of the 17th century. She had married Tischbein in 1756 and died a few months after giving birth to a second daughter in 1759. Amalie's father married his sister-in-law Anne Marie Pernette in 1763, who also died the following year. These deaths likely had a strong impact on the "intimate relationship" between father and daughters, as noted by a contemporary biographer.

Amalie Tischbein was considered an " outstanding beauty" or graceful, intelligent, and eloquent, and was frequently portrayed by her father.

In Weimar, which she visited in 1775, Amalie Tischbein met the poet Christoph Martin Wieland, who dedicated an ode (Der Grazien jüngste zu schildern ...) to her in gratitude for a self-portrait she had produced an expression of friendship not uncommon at the time.[3] In 1778, she attended the second class of the Kassel Academy of Fine Arts.[7] She married in May of that year.

In May of the same year, Amalie Tischbein married David Apell (from 1803: von Apell), who was an assessor at the Kriegs- und Domänenkammer in Kassel and later became Geheimer Kammerrat and intendant of the court theater under Landgrave Wilhelm IX. Their first son Wilhelm was born in 1779, followed by Carl (1781) and daughter Louise in 1782. The couple later divorced. to which the husband's extravagance and character are rumored to have contributed.[3]

Amalie Tischbein was recognized as an artist - especially of miniatures - during her lifetime and probably exhibited several works on the occasion of the exhibitions of the Kassel Academy of Arts.In 1780, she was appointed an honorary member of the academy. She lived "as a divorced woman [...] sufficiently provided for" in high esteem in Kassel society until her death.

Works
Miniature portraits by Amalie Tischbein, for example, were exhibited at the Darmstadt Century Exhibition in 1914. The estates of the Fiorino and Bose families in Kassel are also said to have included works by her, but their whereabouts (as of 2016) remain unclear for the time being. An exhibition at the Haina Monastery in 2016 entitled uncovered - female painters in Tischbein's environment and the Kassel Art Academy 1777-1830 showed a portrait of Philippine Amalie, Landgravine of Hesse-Kassel, which had been attributed to her father until then, as well as a drawn self-portrait by Amalie Tischbein.

Regina Parra
Maess Anand née: Malgorzata Skrzypek, also called Maess (born in 1982 in Warsaw ) is a Polish visual artist who works with drawing. The artist graduated with MFA from Warsaw Academy of Fine Arts, Poland in 2007 and was recipient of a scholarship at the Escola Superior de Artes e Design in Porto, Portugal.

Maess Anand has presented work in, among others: The Drawing Center in New York, Wroclaw Contemporary Museum, Kasia Michalski Gallery in Warsaw ,The Starak Family Foundation in Warsaw , Kibla in Maribor Slovenia , Warsaw Austrian Cultural Forum ,  in conjunction with the Warsaw Autumn Festival, Polish Institute in Budapest , BWA - Municipal Art Gallery of Bydgoszcz Poland and IK Projects in Lima, Peru.

The artist has been awarded following fellowships: Yaddo in Saratoga Springs, Residency Unlimited in New York, Adam Mickiewicz Institute in Warsaw, LIA Leipziger Baumwollspinnerei in Leipzig ,Virginia Center for the Creative Arts in Amherst and International Studio & Curatorial Program in New York.

With Alex Urso, Maess Anand curated Biennale de La Biche; the smallest biennale in the world held on a deserted island near Guadeloupe. Biennale de la Biche held in 2017 has been reviewed by The Guardian ,Hyperallergic Ming Pao , ,Artnet, Art Review , and The Observer.

Anand's work is held in the permanent collections of BWA - Municipal Art Gallery of Bydgoszcz in Poland and Imago Mundi Collection in Treviso, Italy