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Vivian Schuyler Key

Vivian Schuyler Key was born on November 3, 1905 in Hempstead, New York to her parents, Henry Foster Schuyler and Jessie Valentine Schuyler. Her father worked as a coachman and her mother was a domestic worker.

Education

Schuyler-Key attended multiple institutions before starting her career as an artist. In 1923, she graduated from Hempstead High School with her diploma, where she was the art editor for her high school's yearbook. After high school, Schuyler-Key received a scholarship from New York State which she used to attend Pratt Institute School of Fine Arts from 1923 to 1926. In 1946, she graduated from Washington Irving Evening School. In 1947, she completed her education from Pratt Institute School of Fine Art and graduated 21 years later from her original start time.

Awards

In 1923, Schuyler-Key was awarded a New York State scholarship. In 1927, she won the Amy Spingarn Krigiva Award for her cover design of The Crisis magazine for the November 1927 issue.

find out where she was from 1926 to 1946

Crisis Magazine cover November 1927

Letter to WEB Dubois

 Vivian Schuyler-Key

Vivian Schuyler-Key (November 3, 1905-1990) was an American artist who's works consisted of oil painting still life's of flowers, landscapes, and portraits. Despite her broad subject matter, she focused mainly on figurative realism.

Life

On November 3, 1905, Schuyler-Key was born to her father, Henry Foster Schuyler, and her mother, Jessie Valentine Schuyler. Her father worked as a coachmen and her was a domestic worker. She was born in Hempstead, New York and attended Hempstead High School where she was the art editor for her high school's yearbook. She graduated with her diploma in 1923 and proceeded to win a New York State scholarship, that same year. Using that New York State scholarship, Schuyler-Key attended Pratt Institute School of Fine Arts from 1923 to 1926. Around 20 years later, in 1947, Schuyler-Key finished and graduated with her degree from Pratt Institute School of Fine Art.

The Crisis

In 1927, at the age of 22, Schuyler Key won the Amy Spingarn Krigiva Award for her cover design for the NAACP magazine, The Crisis. The cover she designed was the November 1927 issue which featured articles from WEB Dubois, GW Buckner, Joseph Maree Andrew, Effie Lee Newsome, and many more. The cover she designed features a female figure in a white dress, singing surrounded by multiple other figures. The quotation "Lift Every Voice and Sing" is also featured on this issue's cover.

Article Draft
Vivian Schuyler-Key (November 3, 1905-1990) was an American artist who's works consisted of oil painting still life's of flowers, landscapes, and portraits. Despite her broad subject matter, she focused mainly on figurative realism.

Early Life and Education
On November 3, 1905, Schuyler-Key was born to her father, Henry Foster Schuyler, and her mother, Jessie Valentine Schuyler. Her father worked as a coachmen and her was a domestic worker. She was born in Hempstead, New York and attended Hempstead High School where she was the art editor for her high school's yearbook. She graduated with her diploma in 1923 and proceeded to win a New York State scholarship, that same year. Using that New York State scholarship, Schuyler-Key attended Pratt Institute School of Fine Arts from 1923 to 1926. Around 20 years later, in 1947, Schuyler-Key finished and graduated with her degree from Pratt Institute School of Fine Art.

The Crisis
In 1927, at the age of 22, Schuyler Key won the Amy Spingarn Krigiva Award for her cover design for the NAACP magazine, The Crisis. The cover she designed was the November 1927 issue which featured articles from WEB Dubois, GW Buckner, Joseph Maree Andrew, Effie Lee Newsome, and many more. The cover she designed features a female figure in a white dress, singing surrounded by multiple other figures. The quotation "Lift Every Voice and Sing" is also featured on this issue's cover.

Letter to WEB Dubois
On November 20, 1961, Schuyler-Key wrote a letter to WEB Dubois, congratulating him on his publications and the work he had done. During this time of the Civil Rights Movement, Dubois was not receiving the "proper recognition of his achievements." Schuyler-Key and Dubois had worked together over 30 years prior, on the November 1927 issue of The Crisis. Due to the span of time between their collaboration, Schuyler-Key reminded him within this letter and also told of the positive recognition her portrait of him had received.