User:Heyneff/Chuck Webster

Chuck Webster (born 1970) is an artist living and working in New York. Webster's work is comprised of painting, drawing, and printmaking.

Born in Binghamton, NY, Webster received his BA from Oberlin College and his MFA from American University.

Webster's work has been exhibited in group shows at PS1 Contemporary Art Center, the Museum of Fine Arts, Houston, the San Diego Museum of Art, Museum of Contemporary Art Detroit, and the Berkshire Museum.

Chuck Webster is represented by Zieher Smith & Horton, New York, NY.

Solo Exhibitions
2014 Chuck Webster, Patrick De Brock Gallery, Knokke, BE Shelter, Fred Giampietro Gallery, New Haven, CT Woven With a Silent Motto, Marfa Contemporary, Marfa, TX Woven With a Silent Motto, Oklahoma Contemporary Art Center, Oklahoma City, OK

2013 Blessing, Betty Cuningham Gallery, New York, NY

2012 Little Big Paintings, Philip Slein Gallery, St. Louis, MO Chuck Webster, Steven Zevitas Gallery, Boston, MA Paintings, ZieherSmith, New York, NY

2011 My Small Adventures, ZieherSmith, New York, NY

2010 It All Adds Up, ACME Gallery, Los Angeles, CA Recent Work, Zevitas Gallery, Boston, MA

2009 Chuck Webster, FRED, London, UK Campfire: New Collages and Other Stories, Galerie Jones, Cologne, DE

2008 O My Soul, ZieherSmith, New York, NY

2007 From a Friend, Helene Nyborg Contemporary, Copenhagen, DK Devotional Pictures, ZieherSmith and Salander O’Reilly Gallery, New York, NY Messengers, OSP Gallery, Boston, MA Working Groups: Paintings & Works on Paper by Chuck Webster, Weston Art Gallery, Cincinnati Arts Association, Cincinnati, OH

2006 Working Groups, ZieherSmith, New York, NY

2005 Drawings, Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown, MA Hard Candy, ZieherSmith, New York, NY

2003 PLENTY, ZieherSmith, New York, NY

Group Exhibitions
2014 Purple States, curated by Sam Gordon, Andrew Edlin Gallery, New York, NY This One’s Optimistic: Pincushion, curated by Cary Smith, New Britain Museum of American Art, New Britain, CT Painters Painters, Saatchi Gallery, London, UK Monsters – Superheroes – Flowers, Planthouse, New York, NY Age Of Small Things, Dodge Gallery, New York, NY Mandala: Locus Of Thought, Tibet House US, New York, NY

2013 10 Years Anniversary Show, Gallery Poulsen, Copenhagen, DK Paint On, Paint Off, Halsey McKay Gallery, East Hampton, NY Let’s Get Physical, curated by Rick Briggs, Ventana244, Brooklyn, NY Draw Gym, organized by Brian Belott, 247365 & Know More Games, Brooklyn, NY Woods, Lovely, Dark, and Deep, curated by John Zinsser, DC Moore Gallery, New York, NY Paper Goods, curated by Kara Rooney, Susan Eley Fine Art, New York, NY New Mysticism, curated by Adam G. Mignanelli, Ballast Projects at Spring/Break Art Show, New York, NY LOVE, curated by Stephen Truax, One River Gallery, Englewood, NJ

2012 Habeas Corpus, Halsey McKay Gallery, East Hampton, NY Craig Taylor & Chuck Webster, RISD Memorial Hall Gallery, Rhode Island School of Design, Providence, RI Breadbox, ZieherSmith at the ICON, Nashville Abstract Summer, Philip Slein Gallery, St. Louis, MO Casa de Empeño, Anonymous Gallery, Mexico City, MX Studio of the Absurd, Good Bye Amsterdam, M55 Art, New York, NY

2011 Forrest Bess 100 Years, paintings by Forrest and his friends, Chris Martin, Andrew Masullo & Chuck Webster, Kirk Hopper Fine Art, Dallas, TX bodybraingame, curated by Hudson, Rhona Hoffman Gallery, Chicago, IL BNA: Brooklyn to Nashville, ZieherSmith Pop-Up, Nashville, TN Paper Variables, Dieu Donné, New York, NY Draw the Line, Allegra LaViola Gallery, New York, NY New Year, Storefront, Brooklyn, NY Paper A-Z, Sue Scott Gallery, New York, NY

2010 Insider/Outsider, Portugal Arte 2010, Lisbon, PT Barnstormers, Joshua Liner Gallery, New York, NY

2009 Workspace Program, Dieu Donné, New York, NY Cave Paintings, organized by Bob Nickas, Gresham’s Ghost, New York, NY Grand Reopening, ZieherSmith, New York, NY Color and Form: The Language of Abstraction, Berkshire Museum, Pittsfield, MA At Close Range, Edward Thorp Gallery, New York, NY Collaborations, ZieherSmith, New York, NY

2008 Pure Optic Ray, FRED, Leipzig, DE Narcissus, Geoffrey Young Gallery, Great Barrington, MA It’s Gouache & Gouache Only, curated by Geoff Young, Andrea Meislin Gallery, New York, NY Unnamable Things, curated by Clint Jukkala, Artspace, New Haven, CT

2007 New Drawings: Accessions at the MFAH, Museum of Fine Arts, Houston, TX Animated Painting, San Diego Museum of Art, San Diego, CA Group Exhibition, Jones & Truebenbach Galerie, Cologne, DE Stuff: Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit, MI Block Party II, Daniel Weinberg Gallery, Los Angeles, CA Corpse of Time, curated by Ben LaRocca, Galeria Janet Kurnatowski, New York, NY Painting As Fact – Fact As Fiction, curated by Bob Nickas, de Pury & Luxembourg, Zurich, CH We Are Near, curated by Eddie Martinez, Allston Skirt Gallery, Boston, MA (The) Melvins @ (The) Mandrake, curated by Bob Nickas, Mandrake, Los Angeles, CA

2006 Aprés nous, le deluge, Francis Naumann Fine Art, New York, NY Getting It Right: The Intuitive Translation of Form in Contemporary Abstraction, OSP Gallery, Boston, MA The Difficult Shapes of Possible Images, ZieherSmith, New York, NY Salvage + Assemble: The Barnstormers, Space, Portland, ME

2005 The Painted World, curated by Bob Nickus, P.S.1 Contemporary Art Center, Long Island City, NY Bedtimes Stories, Flying Space, Sag Harbor, NY Exploding Plastic Inevitable, curated by Simon Watson and Craig Hensala of Scenic, Bergdorf Goodman, New York, NY

2004 The Art of the Definite, curated by Helen Miranda Wilson, DC Moore, New York, NY Barnstormers Retrospective, Southeastern Center for Contemporary Art, Winston-Salem, NC Water, DNA Gallery, Provincetown, MA Visual Fellows Show, Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown, MA

2003 Barnstormers: Billboards, H&M Gallery, New York, NY

2002 Group Exhibition, Contemporary Artist Center, North Adams, MA Prints, Pixels, and Portals, CAC Gallery, North Adams, MA

2001 The Barnstormers: No Condition is Permanent, Smack Mellon, Brooklyn, NY Rough House Goes West, Cordell Taylor Fine Arts, Salt Lake City, UT

2000 Superduper New York, Pierogi 2000, Brooklyn, NY

Select Collections
Baltimore Museum of Art, Baltimore, MD Beinecke Library, Yale University, New Haven, CT Brown University, Providence, RI Children’s Hospital, OU Medical Center, Oklahoma City, OK Dallas Museum of Art, Dallas, TX Frederick R. Weisman Art Foundation, Los Angeles, CA Metropolitan Museum of Art, New York, NY Museum of Fine Arts, Houston, TX Tang Teaching Museum, Saratoga Springs, NY Whitney Museum of American Art, New York, NY

Selected Bibliography
Ross Simonini, “A short essay for Chuck Webster's ‘Shelter’ with works by Martin Ramirez, Thornton Dial, William Hawkins, and Marsden Hartley”, April 2014. Brandy McDonnell, “New York artist Chuck Webster makes his mark at Oklahoma Contemporary Arts Center”, The Oklahoman, March 2, 2014. John Brandenburg, “Chuck Webster retrospective highlights Oklahoma icons”, NewsOK, February 28, 2014. “Woven With A Silent Motto: Drawings 1977-2014”, Oklahoma Gazette, February 20, 2014. Blair Murphy, “An Interview with Chuck Webster on The Age of Small Things at Dodge Gallery”, Mdaily, February 19, 2014. Thomas Micchelli, “Points of Contact: Small Works, Giant Steps”, Hyperallergic, February 8, 2014. Ken Johnson, “Art in Review: The Age of Small Things”, New York Times, February 7, 2014. 516 WEST 20TH STREET | NEW YORK, NY NY 10011 USA | 212 229 1088 | zsandh.com Stephanie Buhmann, “The Age of Small Things”, TheVillager, February 6, 2014. Will Heinrich, “‘The Age of Small Things’ at Dodge Gallery”, New York Observer, February 5, 2014. Thomas Micchelli, “Painting, Perception, and the Emphatically Handmade”, Hyperallergic, December 14, 2013. “Reviews in Brief: Chuck Webster at ZieherSmith”, Modern Painters, July/August 2012. Andrew M. Goldstein, “Artist To Watch: Chuck Webster”, Artspace, July 2012. Roberta Smith, “Art in Review: Chuck Webster”, New York Times, May 25, 2012. John Yau, “Moving House: Chuck Webster at ZieherSmith”, Hyperallergic, May 13, 2012. Will Heinrich, “Gallerist NY Review: Minime-alism: Chuck Webster at Zieher-Smith”, New York Observer, May 1, 2012. Julie L. Belcove, “Working Practice: Chuck Webster”, Introspective Magazine, May 2012. “50 Under 50: The Annual Young Collectors List”, Modern Painters, Summer 2011. “Spotlight on ZieherSmith”, Nashville Arts Magazine, July 2011. Carol Diehl, “Review: Chuck Webster”, Art in America, June/July 2011. Lance Esplund, “Rock Paper Sculpture: Chuck Webster”, Wall Street Journal, March 5, 2011. John Yau, “Chuck Webster: My Small Adventures”, Brooklyn Rail, March 5, 2011. Cate McQuaid, “The Lone Figure: Chuck Webster”, Boston Globe, April 7, 2010. Tim Kane, “Color and Form…”, The Times Union, September 27, 2009. Bob Nickas, “Painting Abstraction”, Phaidon Books, 2009. David Humphrey, “Dumbstruck, Unameable Things”, Artspace, 2008. Shane McAdams, “Chuck Webster”, Brooklyn Rail, December 2008. Craig Olson, “Chuck Webster”, Brooklyn Rail, October 2007. Jane Durell, “Chuck Webster”, Art Papers, May/June 2007. Cate McQuaid, “Abstract Punch: Chuck Webster”, Boston Globe, May 10, 2007. Brice Brown, “A Tale of Two Cities”, New York Sun, April 26, 2007. “Museumskunst a discretion”, Finanz & Wirtschaft, April 25, 2007. R. Klanten, S. Ehmann and N. Bourquin, “Into the Nature of Creatures & Wilderness”, Die Gestalten, 2006. Ian Paige, “The Barnstormers Take On Space”, The Pheonix, April 12, 2006. Jeff Bader, “The Barnstormers Storm Portland”, The Bollard, April 12, 2006. Mario Naves, “Lost in Space”, New York Observer, February 6, 2006. Brian Sholis, “Critic’s Pick: Chuck Webster”, Artforum, January 2006. “Old Paper, New Ink”, New York Sun, January 11, 2006. Ken Johnson, “The Painted World”, New York Times, November 11, 2005. Mario Naves, “Webster’s Candy Factory”, New York Observer, January 24, 2005. David Brown, “The Barnstormers’ Pilgrimage Down South”, Sculpture Magazine, January 2005. Ken Johnson, “The Art of the Definite”, New York Times, December 17, 2004. Mario Naves, “Whale-Watcher”, New York Observer, August 4, 2003. Ken Johnson, “Chuck Webster: Plenty”, New York Times, July 4, 2003. Joey Garfield, “Barnstorm”, Anthem Magazine, 2003. Larry Sell, “New Art in Old Surroundings”, Poughkeepsie Journal, 2002. “Barnstormers: At Binghamton”, Relax Magazine, June 2002. Gina Bellafante, “Art Patrons Wanted”, New York Times, May 2001. “Guest Muralists: Experts in the Field”, Just Paint – Golden Artists Colors. Barbara Rose, “Forced Proximity”, Foundry Gallery, 1996.

Awards & Residencies
Vermont Studio Center, Yaddo, Virginia Center for the Creative Arts, Dieu Donné, Fountainhead, Marie Walsh Sharpe Art Foundation, Jentel Artist Residency Program, Fine Arts Work Center, MacDowell Colony Fellowship, Contemporary Artist Center, North Adams, MA, Millay Colony Fellowship, Virginia Center for the Creative Arts Fellowship, Vermont Studio Center.