User:Hhalpern2412/Renaissance humanism

lead section:

The Renaissance humanism also inspired, in those who followed it, a love of learning and "a true love for books....[where] humanists built book collections and university libraries developed". Humanists believed that the individual encompassed "body, mind, and soul" and learning was very much a part of edifying all aspects of the human. This love of and for learning would lead to a demand in the printed word, which in turn drove the invention of Gutenberg's printing press.

"Definition"

add more sources, not just Kristeller. bring in what Hankins says about the goals of Renaissance humanism.

--> maybe move the Kristeller to the "historiography" section, or pull a better quote from Kristeller altogether.

Origin:

"By the 14th century some of the first humanists were great collectors of antique manuscripts, including Petrarch, Giovanni Boccaccio, Coluccio Salutati, and Poggio Bracciolini. Of the four, Petrarch was dubbed the "Father of Humanism" because of his devotion or loyalty to Greek and Roman scrolls. Many worked for the Catholic Church and were in holy orders, like Petrarch, while others were lawyers and chancellors of Italian cities, and thus had access to book copying workshops, such as Petrarch's disciple Salutati, the Chancellor of Florence."

--> add far more about Petrarch: why he was considered the Father of Humanism (his devotion to Greek and Roman scrolls is Not It)

Paganism and Christianity in the Renaissance:

"Description"

"Widespread View"

"Sixteenth century and beyond"

^these two need to be in a different section. Synthesize this and the last part of the lead section into a "Later Years/Evolution" header.

Historiography

sub-section on "civic humanism": Baron Thesis

Definition
Very broadly, the project of the Italian Renaissance humanists of the fourteenth and fifteenth centuries was the studia humanitatis: the study of the humanities. This project sought to recover the culture of ancient Greece and Rome through its literature and philosophy and to use this classical revival to imbue the ruling classes with the moral attitudes of said ancients—a project James Hankins calls one of "virtue politics". But what this studia humanitatis actually constituted is a subject of much debate. According to one scholar of the movement,"Early Italian humanism, which in many respects continued the grammatical and rhetorical traditions of the Middle Ages, not merely provided the old Trivium with a new and more ambitious name (Studia humanitatis), but also increased its actual scope, content and significance in the curriculum of the schools and universities and in its own extensive literary production. The studia humanitatis excluded logic, but they added to the traditional grammar and rhetoric not only history, Greek, and moral philosophy, but also made poetry, once a sequel of grammar and rhetoric, the most important member of the whole group."However, in investigating this definition in his article "The changing concept of the studia humanitatis in the early Renaissance," Benjamin G. Kohl provides an account of the various meanings the term took on over the course of the period:

Around the middle of the fourteenth century, when the term first came into use among Italian literati, it was used in reference to a very specific text: as praise of the cultural and moral attitudes expressed in Cicero’s Pro Archia poeta (62 BCE). Tuscan humanist Coluccio Salutati popularized the term in the 1370s, using the phrase to refer to culture and learning as a guide to moral life, with a focus on rhetoric and oration. Over the years, he came to use it specifically in literary praise of his contemporaries, but later viewed the studia humanitatis as a means of editing and restoring ancient texts and even understanding scripture and other divine literature. But it was not until the beginning of the quattrocento (fifteenth century) that the studia humanitatis began to be associated with particular academic disciplines, when Pier Paolo Vergerio, in his De ingenuis moribus, stressed the importance of rhetoric, history, and moral philosophy as a means of moral improvement. By the middle of the century, the term was adopted more formally, as it started to be used in Bologna and Padua in reference to university courses that taught these disciplines as well as Latin poetry, before then spreading northward throughout Italy. But the first instance of it as encompassing grammar, rhetoric, history, poetry, and moral philosophy all together only came when Tommaso Parentucelli wrote to Cosimo de’ Medici with recommendations regarding his library collection, saying, "de studiis autem humanitatis quantum ad grammaticam, rhetoricam, historicam et poeticam spectat ac moralem" ("one sees of the study of humanity [the humanities] that it is so much in grammar, rhetoric, history and poetry, and also in ethics"). And so, the term studia humanitatis took on a variety of meanings over the centuries, being used differently by humanists across the various Italian city-states as one definition got adopted and spread across the country. Still, it has referred consistently to a mode of learning—formal or not—that results in one's moral edification.

Origin
"By the 14th century some of the first humanists were great collectors of antique manuscripts, including Petrarch, Giovanni Boccaccio, Coluccio Salutati, and Poggio Bracciolini. Of the four, Petrarch was dubbed the "Father of Humanism" because of his devotion or loyalty to Greek and Roman scrolls. Many worked for the Catholic Church and were in holy orders, like Petrarch, while others were lawyers and chancellors of Italian cities, and thus had access to book copying workshops, such as Petrarch's disciple Salutati, the Chancellor of Florence."


 * By the 14th century some of the first humanists were great collectors of antique manuscripts, including Petrarch, Giovanni Boccaccio, Coluccio Salutati, and Poggio Bracciolini. Of the four, Petrarch was dubbed the "Father of Humanism," as he was the one who first encouraged the study and education of pagan civilizations as a means of preserving Christianity by imbuing the ruling class with Classical virtues. He also had a very impressive library, of which many manuscripts did not survive.

Evolution and Reception
Historiography

Hans Baron (1900-1988) was the inventor of the now ubiquitous term "civic humanism." First coined in the 1920s and based largely on his studies of Leonardo Bruni, Baron's "thesis" proposed the existence of a central strain of humanism, particularly in Florence and Venice, dedicated to republicanism. As argued in his chef-d'œuvre, The Crisis of the Early Italian Renaissance: Civic Humanism and Republican Liberty in an Age of Classicism and Tyranny, the German historian thought that civic humanism originated in around 1402, after the great struggles between Florence and Visconti-led Milan in the 1390s. He considered Petrarch's humanism to be a rhetorical, superficial project, and viewed this new strand to be one that abandoned the feudal, "otherworldly" (i.e., divine) ideology of the Middle Ages in favour of putting the republican state and its freedom at the forefront of the "civic humanist" project. Already controversial at the time of The Crisis ' publication, the Baron Thesis has been met with even more criticism over the years. Even in the 1960s, historians Philip Jones and Peter Herde found Baron's praise of "republican" humanists naive, arguing that republics were far less liberty-driven than Baron had believed, and were practically as undemocratic as monarchies. Hankins adds that the disparity in political values between the humanists employed by oligarchies and those employed by princes was not particularly notable, as all of Baron's civic ideals were exemplified by humanists serving various types of government. In so arguing, he reiterates the thesis of his book, asserting that a "political reform program is central to the humanist movement founded by Petrarch. But it is not a 'republican' project in Baron's sense of republic; it is not an ideological product associated with a particular regime type."
 * The Baron Thesis
 * Garin and Kristeller

Two renowned Renaissance scholars, Eugenio Garin and Paul Oskar Kristeller collaborated with one another throughout their careers. But while the two historians were on good terms, they fundamentally disagreed on the nature of Renaissance humanism. Kristeller affirmed that Renaissance humanism used to be viewed just as a project of Classical revival, one that led to great increase in Classical scholarship. But he argued that this theory "fails to explain the ideal of eloquence persistently set forth in the writings of the humanists," asserting that “their classical learning was incidental to” their being “professional rhetoricians." Similarly, he considered their influence on philosophy and particular figures' philosophical output to be incidental to their humanism, viewing grammar, rhetoric, poetry, history, and ethics to be the humanists' main concerns. Garin, on the other hand, viewed philosophy itself as being ever-evolving, each form of philosophy being inextricable from the practices of the thinkers of its period. He thus considered the Italian humanists' break from Scholasticism and newfound freedom to be perfectly in line with this broader sense of philosophy.

During the period in which they argued over these differing views, there was a broader cultural conversation happening regarding Humanism: one revolving around Jean-Paul Sartre and Martin Heidegger. In 1946, Sartre published a work called "L'existentialisme est un humanisme," in which he outlined his conception of existentialism as revolving around the belief that "existence comes before essence"; that man "first of all exists, encounters himself, surges up in the world – and defines himself afterwards," making himself and giving himself purpose. Heidegger, in a response to this work of Sartre's, declared: "For this is humanism: meditating and caring, that human beings be human and not inhumane, “inhuman”, that is, outside their essence." He also discussed a decline in the concept of humanism, pronouncing that it had been dominated by metaphysics and essentially discounting it as philosophy. He also explicitly criticized Italian Renaissance humanism in the letter. While this discourse was taking place outside the realm of Renaissance Studies (for more on the evolution of the term “humanism,” see Humanism), this background debate was not irrelevant to Kristeller and Garin’s ongoing disagreement. Kristeller—who had at one point studied under Heidegger —also discounted (Renaissance) humanism as philosophy, and Garin’s Der italienische Humanismus was published alongside Heidegger’s response to Sartre—a move that Rubini describes as an attempt “to stage a pre-emptive confrontation between historical humanism and philosophical neo-humanisms.” Garin also conceived of the Renaissance humanists as occupying the same kind of “characteristic angst the existentialists attributed to men who had suddenly become conscious of their radical freedom,” further weaving philosophy with Renaissance humanism.

Hankins summarizes the Kristeller v. Garin debate quite well, attesting to Kristeller’s conception of professional philosophers as being very formal and method-focused. Renaissance humanists, on the other hand, he viewed to be professional rhetoricians who, using their classically-inspired paideia or institutio, did improve fields such as philosophy, but without the practice of philosophy being their main goal or function. Garin, instead, wanted his “humanist-philosophers to be organic intellectuals,” not constituting a rigid school of thought, but having a shared outlook on life and education that broke with the medieval traditions that came before them.