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= Anneli Jordahl = Karin Anneli Jordahl (born 28 June 1960) is a Swedish writer and literary critic.

Biography
During the 1990s Jordahl worked as a cultural journalist for Dagens Nytheter, Expressen, Sveriges Radio P1 and SVT. She was also a literary critic for Aftonbladet, Sydsvenskan and Ord & Bild.

She made her debut as a writer with a work of non-fiction. Her book Klass – är du fin nog? [Class --- are you good enough?] is her most widely distributed book and has seen five editions. She also wrote a guide to Helsinki and a biography about the writer Elsie Johansson, entitled, Att besegra fru J [Defeating Miss J]. The essay Orm med två huvuden [Snake with two heads] from 2019 is about the agonies of writing, and about being both a critic and a writer. For this work she was awarded the Stina Aronson-prize by the Samfundet De Nio.

In 2009 she published her debut novel about Ellen Key, Jag skulle vara din hund (om jag bara finge vara i din närhet) [I'd be your dog (if I could be around you)]. Its subjects are women, class, creativity and unrequited love. She published two more historical novels. In Augustenbad en sommar [Augustenbad one summer] depicts a Swedish health resort at the end of the 19th century. An alcoholic poet cures himself with ice-cold baths and nightly conversations with a syphilitic councilwoman. The next novel, published in 2014, entitled Låt inte den här stan plåga livet ur dig, Mona [Don't let this town kill you, Mona], is a book about a maid in the late 50s; its subject is the vulnerability of umarried women.

Reccuring themes in her work are class, education, love that is not meant to be and loneliness. She also writes about democratic movements and the welfare state. In the novel Som hundarna i Lafayette park she discusses the death of worker's in the context of the American civil rights movement. The widowed Änkan Jeanette awakens from her stupor and travels to San Francisco to hear Angela Davis speak.

Her fifth novel, Björnjägarens döttrar [The daugthers of the bear hunter] is inspired by Finnish writer Aleksis Kivi's 1870 classic Seven Brothers. Jordahl's book updates Kivi's novel for the contemporary moment, and depicts the life of seven women in the Northern Finnish wilderness.

Awards

 * 2005 – Ludvig Nordström-prize
 * 2010 – Moa Martinson-stipendiet
 * 2012 – Katrineholms kommuns kulturstipendium
 * 2014 – Landstinget Sörmlands kulturstipendium
 * 2016 – Tidningen Vi:s literary prize
 * 2017 – Ivar Lo-prize
 * 2017 – Hedenvind-plaketten
 * 2020 – Eva Bonniers 70-årsfonds stipendium för 2020
 * 2020 – Stina Aronsons prize
 * 2021 – Stipendium ur Lena Vendelsfelts minnesfond, Swedish Academy

Critical and non-fiction writings

 * 1999 – Helsingfors: från Kalevala till Snowcrash
 * 2003 – Klass – är du fin nog?, with illustrations by Stina Wirsén
 * 2006 – Att besegra fru J.: en bok om Elsie Johansson, with illustrations by Stina Wirsén
 * 2006 – Var kommer du ifrån?: Reportage, intervjuer och essäer
 * 2007 – Välkommen till tippen! Children's book with Anna Bengtsson
 * 2019 - Orm med två huvuden, essay

Novels

 * 2009 – Jag skulle vara din hund (om jag bara finge vara i din närhet), novel
 * 2011 – Augustenbad en sommar, novel
 * 2014 – Låt inte den här stan plåga livet ur dig, Mona, novel
 * 2016 – Som hundarna i Lafayette Park, novel
 * 2022 – Björnjägarens döttrar, novel

= Wencke Mühleisen = Wencke Lagertha Fugelli Mühleisen (born 19 October 1953 in Dale in Hordaland).

Wencke Mühleisen is a Norwegian-Austrian writer, gender- and media studies scholar and a former performance artist. She currently works as a freelance researcher and author. Her professional background is in media literacy, queer theory and gender and sexuality studies as well as how these function in pop culture. Mühleisen has also published autiobiographical books on her personal experiences as a member of the Friedrichshof collective as well as her parents' lives.

Background
Mühleisen was born in Dale outside of Bergen, where her father worked as a textile engineer. Her mother was originally from Stavanger and her father was from Maribor (Marburg), which had been part of Austria-Hungary before the first world war and later one became first a part of the Yugoslavia and thereafter a part of today's Slovenia.

Her grandfather, Lothar Mühleisen, was a lawyer and a notary in Maribor, as well as a member of the regional parlament of Maribor in 1927, where he represented the German-speaking minority. The family spoke German, but had Slovenian roots. Her other grandfather, Ernest Julius Michael Mühleisen was a district attorney in Ljublana.

Her father enlisted voluntarily as part of the German military service in 1941 and fought on the German side in the Continuation war against the soviet union.

Her parents met at Kongsvinger immediately after the war when her father was on his way to Austria via Norway. Her family, which had owned a vineyard near Maribor, immigrated to Austria as a result of the expulsion of German, Italian and Hungarian minorities from Yugoslavia. Wencke Mühleisen was two years old, when her family moved to Austria and since then they moved numerous times. She has written on her family and upbringing in her book, "Kanskje det det ennå finnes en åpen plass i verden." (Perhaps there is a still an open space in the world)

Later Career
Mühleisen became a Ph.D. candidate in media and communication in 1994 and wrote her first thesis on "three short films by female filmmakers and the feminist project" and worked as a marketing cosultant at the "Norsk filminstitutt" from 1996-1997. From 1997 to 2002, she was a stipend at the center for Women's and Gender Research (Senter for kvinne- og kjønnsforskning) at the University of Oslo. She finished her PhD. in 2003 with a dissertation on "Gender in Disorder; staging gender and sexuality in experimental talk show entertainment on NRK television. From 2003 to 2008 she was a post-doctoral fellow at the same institute. She was employed at the University of Stavanger from 2008 to 2014. Since 2014 she has been an indepedent project researcher.

Academic and literary work
She works primarily with queer theory, feminist/queer media theory and has written on how women (especially queer women) have been represented; other topics include sexuality in cinema, television, pop culture and contemporary culture.

In 2017 she published the epistolary novel, All gjeldende fornuft.

Books

 * 1996: Silikonpupper, skjønnhetens demokratisering og det naturliges terror
 * 2002: Kjønn i uorden: Iscenesettelse av kjønn og seksualitet i eksperimentell talkshowunderholdning på NRK fjernsynet (doktoravhandling, Institutt for medier og kommunikasjon, UiO)
 * 2003: Kjønn og sex på TV: norske medier i postfeminismens tid (Universitetsforlaget)
 * 2006: Kjønnsforskning: En grunnbok (red.med Jørgen Lorentzen) (Universitetsforlaget)
 * 2007: Sex og sånn. Funderinger om kjønn og seksualitet i kultur og medier Oslo: Spartacus
 * 2007: Meningen med sex. Noen kunstneriske, populærkulturelle og vitenskapelige undersøkelser (red.) med Christel Sverre (Pax forlag) Dagbladets anmeldelse
 * 2009: Norske Seksualiteter. (red. med Åse Røthing) Oslo: Cappelen.
 * 2011: Jeg skulle ha løftet deg varsomt over
 * 2015: Kanskje det ennå finnes en åpen plass i verden
 * 2017: All gjeldende fornuft: en brevroman
 * 2018: Hetetokt. Rabalder med overgangsalder
 * 2020: Redd deg selv, lille hjerte

Book Chapters

 * 1994 «Vibeke Løkkeberg som riksheks» i Gro Hagemann og Anne Krogstad (red.) Høydeskrekk. Kvinner og offentlighet. Oslo: Ad Notam.
 * 1999 «Umulig begjær. Da seksualitet ble politikk» i C. Sandnes, B. Nossum og C. Smith Eriksen (red.) Matriark. Oslo: Gyldendal.
 * 1999 «Female talkshowhosts: Crossing boundaries» i Godzic Wieslaw (red.) Aspects of Audiovisual Popular Culture. Krakow: Jagellonian Press.
 * 2001 «Hjelp – de kommer og tar meg» i D. Endsjø og Ø. Svare (red.) Lei av kjønn. Oslo: Cappelen.
 * 2002 «Blir så jævlig breibeint.' Iscenesettelse av kjønn hos programledere i TV2» i samarbeid med Hege Gundersen i Gunn Enli, Susanne Østby Sæther og Trine Syvertsen (red.) TV2 1992–2002: 'Et hjem for oss – Et hjem for deg'. Kristiansand: Høyskoleforlaget.
 * 2002 «Feminisering, kjønn og sex i fjernsynsoffentligheten» i Fjernsyn mellom høy og lav kultur. Espen Ytreberg (red.) Kristiansand: Høyskoleforlaget.
 * 2004 «Kjønnstrøbbel i dagens medieuttrykk» i P2-akademiet. Tilman Hartenstein (red.) Oslo: Transit.
 * 2004 «Baise-moi and femininism’s filmic intercourse with the aesthetics of pornography» i Femme Fatalities. Representations of Strong Women in the Media. Rikke Schubart og Anne Gjelsvik (red.) Göteborg: Nordicom.
 * 2005 «Dagens sex-bøker i den norske seksuelle offentlighet» i 2 – perspektiver på parforhold. Håkon Hårtveit (red.) Universitetsforlaget: Oslo.
 * 2006 «Kjønn, sex og humor på TV» i Humor i mediene. Yngvar Kjus og Birgit Hertzberg Kaare (red.) Oslo: Cappelen.
 * 2007 «Begjærets demokratisering eller lystens avvikling» i Meningen med sex. red. Wencke Mühleisen og Christel Sverre, Kunst populærkultur og forskning. Oslo: Pax forlag
 * 2007: «Mainstream sexualization as experimentation» i Youth, Gender and Pornography Eds. Susanne V. Knudsen, Lotta Löfgren-Mårtenson & Sven-Axel Månsson Copenhagen: Danish University of Education Press

Articles

 * 2015 «Den før så inkluderende middelklassen har lukket seg inn i normaliteten. Den lille lykke» i Klassekampen 2009 (med Hilde Danielsen) "Statens parkurs «Godt Samliv» i Tidsskrift for samfunnsforskning nr. 1. 2009 (med Åse Røthing og Stine Helena Svendsen) «Grenser for seksualitet Norske seksualitetsforståelser i innvandringsregulering» i Tidsskrift for kjønnsforskning nr. 4.
 * 2008 «Staging Gender and Sexuality in Experimental TV Entertainment» i Journal of Homosexuality, The Haworth.
 * 2007 «Mainstream sexualization and the potentials for Nordic new feminism» i Nora. Nordic Journal of Women’s Studies, no 2/3
 * 2007 «Kjønnsdrama på lerretet, kjønnsblindhet i bransjen» i Z Filmtidsskrift nr. 2.
 * 2005 «Den prostituerte: offer eller feminist?» ss. 28-24 i Samtiden 3/05
 * 2005 «Realism of convention and realism of queering: Sexual violence in two European artfilms», ss. 115–126 i Nora. Nordic Journal of Women’s Studies. 2/05.
 * 2004 «Postfeminisme, sex og pornografi på film med roadmovien Baise-moi som eksempel» ss.23-43 i Kvinneforskning nr. 1/04.
 * 2003 «Spenninger i postmoderne feminisme: Kjønnet som estetisk iscenesettelse i dagens medieverden» ss. 47-61 i Kvinneforskning nr. 1/03.
 * 2000 «Postmoderne moro på fjernsynet» ss. 33-41 i Kirke og kultur 1/00.
 * 2000 «Kjønn og sex: skeiv estetikk i fjernsynet» ss. 105–121 i Kvinneforskning 3-4/00.
 * 1999 «She-man performance» ss.30-34 i Utflukt 3/99.
 * 1998 «Direkte Lykke! A naivist parody of old-time tv hosted by a transgressive woman» ss. 255–271 i Nordicom Review 1/98.
 * 1998 «Baluba – et underholdningsprogram med en postfeministisk heltinne» ss.75-93 i Norsk Medietidsskrift 2/98.
 * 1996 «Kjønnsklister» ss. 20-23 i Utflukt 3-4/96.
 * 1994 «Kvinnelig erfaring & filmspråk» ss. 85-98 i Norsk Medietidsskrift 1/94.

= Boston Process Change Study Group = The Boston Process Change Study Group was a group of psychologists from the Boston era dedicated to the study of what led to change in the patient. It was founded in 1994 by Karlen Lyons-Ruth, Alexander C. Morgan, Jeremy P. Nahum, Louis W. Sander, Nadia Bruschweiler-Stern and Daniel N. Stern.

= Madeleine Baranger = Madeleine Baranger (née Coldefy, 23 January 1920, France - 19 June 2017, Buenos Aires) was a Latin-American psychoanalyst of French descent. Together with her husband

Willy Baranger, she formulated a number of concepts, such as the analytic field, baluarte (bulwark), parasituation, and second mirror. Many of these would prove infuential in the psychoanalytic world, in particular in the context of post-Bionian Field Theory (Antonino Ferro/Giuseppe Civitarese).

Life
Madeleine Coldefy was born on the 23rd of January 1920 in France. She obtained a degree in philology in 1941 from the University of Toulouse. In 1943 she married Willy Baranger. They emigrated to Argentinia in 1946, with Willy working as a teacher of philosophy. Both became interested in psychoanalysis and trained as analysts. Baranger became a member of the Asociación Psicoanalítica Argentina in 1959. She later founded, together with Willy Baranger, the Asociación Psicoanalítica Uruguaya. She worked as a teacher and training analyst at various institutes, and was the director of the Instituto de Psicoanálisis between 1955 to 1964. She passed away on the 19th of June 2017 in Bueno Aires.

Work
Most of Madeleine Baranger's work was co-authored with her husband Willy. Together they have developed a unique approach to psychoanalysis that has been refered to as "dynamic field theory".

Awards

 * 1994: Premio Konnex
 * 2008: Signourey Award

Reception
Madeleine Baranger's work has been highly influential in the Latin American context for several decades, and since the early 90s has also found its way abroad, such as in the work of Antonino Ferro or Giuseppe Civitarese who have built on it as part of their post-Bionian Field Theory.