User:Ianbohn761/sandbox

WEEK 2

Cory Doctorow Article Evaluation

the surname "Doctorow" is somewhat common among Jewish people of Eastern European descent - Relevancy

attended four universities without attaining a degree. - Vague and easily updated

feeling disappointed by London's "death" from Britain's choice of Conservative government. - Not verified

General tone appears to be that of one person. Their narrative comes across clearly, not very well written... Maybe from one interview with Cory?

WEEK 4

Karl Schwedler

Is the article's content relevant to the topic?

Yes, though there is a very limited amount of information about his role in the Nazi party and the impact of his musical propaganda. This would be two areas for improvement in the article.

Is it written neutrally?

Yes, overall the tone is neutral. Some of the phrasing is less formal than other Wikipedia pages.

Does each claim have a citation?

No.

Are the citations reliable?

They are reliable, though whoever did the research only took a cursory look at Schwedler. One of the citations is to an article in German, the other two are contemporary news articles relating to the artist and his band.

Censorship

Is the article's content relevant to the topic?

Yes, however the "history" section of the article is very underwhelming. This section of the article could be improved with a lot of relevant information.

Is it written neutrally?

Yes. The tone is formal and the article is generally well written throughout. It is obvious that a lot of people have worked on this page.

Does each claim have a citation?

It does not appear that every single claim has a citation, though a majority do.

Are the citations reliable?

Yes, they appear to be. This page has 75 references total.

BBC

Is the article's content relevant to the topic?

Yes. The article has a lot of relevant information. One potential content gap within the article is its discussion of the BBC as a censoring body within the U.K.

Is it written neutrally?

Yes. The article has an overwhelming tone of neutrality.

Does each claim have a citation?

The article is very well cited. I found two claims that don't have a citation.

Are the citations reliable?

Yes.

Ofcom

Is the article's content relevant to the topic?

Yes, though much of the information regarding the ways in which Ofcom censors British media are not discussed.

Is it written neutrally?

Yes.

Does each claim have a citation?

Yes. Of the four articles evaluated, this article has the most citations per word.

Are the citations reliable?

No. One citation led to a broken link on Ofcom's website.

The Broadcasting Standards Commission (new article)

This new article would be expanding on Censorship within the United Kingdom. The Broadcasting Standards Commission was a predecessor of Ofcom.

WEEK 5

BBC Bibliography

Radio diplomacy and propaganda : the BBC and VOA in international politics, 1956-64 - Gary D. Rawnsley

Truth betrayed - W.J. West

The churches and the British Broadcasting Corporation, 1922-1956 : the politics of broadcast religion - Kenneth M. Wolfe

The BBC : the first fifty years - Asa Briggs

Harold Nicolson, Ulysses, Reithianism: Censorship on BBC Radio, 1931 https://academic-oup-com.proxy.uchicago.edu/res/article/67/280/558/2451578

Radio modernism : literature, ethics, and the BBC, 1922-1938 - Todd Avery

Part of the Article to be Edited and Added to with increased attention paid to the ways in which Reith and others censored the media of Great Britain

The birth of British broadcasting, 1920 to 1922
Britain's first live public broadcast from the Marconi factory in Chelmsford took place in June 1920. It was sponsored by the Daily Mail 's Lord Northcliffe and featured the famous Australian soprano Dame Nellie Melba. The Melba broadcast caught the people's imagination and marked a turning point in the British public's attitude to radio.However, this public enthusiasm was not shared in official circles where such broadcasts were held to interfere with important military and civil communications. By late 1920, pressure from these quarters and uneasiness among the staff of the licensing authority, the General Post Office (GPO), was sufficient to lead to a ban on further Chelmsford broadcasts.

But by 1922, the GPO had received nearly 100 broadcast licence requests and moved to rescind its ban in the wake of a petition by 63 wireless societies with over 3,000 members. Anxious to avoid the same chaotic expansion experienced in the United States, the GPO proposed that it would issue a single broadcasting licence to a company jointly owned by a consortium of leading wireless receiver manufactures, to be known as the British Broadcasting Company Ltd. John Reith, a Scottish Calvinist, was appointed its General Manager in December 1922 a few weeks after the company made its first official broadcast. The company was to be financed by a royalty on the sale of BBC wireless receiving sets from approved domestic manufacturers. To this day, the BBC aims to follow the Reithian directive to "inform, educate and entertain".

From private company towards public service corporation, 1923 to 1926
The financial arrangements soon proved inadequate. Set sales were disappointing as amateurs made their own receivers and listeners bought rival unlicensed sets. By mid-1923, discussions between the GPO and the BBC had become deadlocked and the Postmaster-General commissioned a review of broadcasting by the Sykes Committee. The Committee recommended a short term reorganisation of licence fees with improved enforcement in order to address the BBC's immediate financial distress, and an increased share of the licence revenue split between it and the GPO. This was to be followed by a simple 10 shillings licence fee with no royalty once the wireless manufactures protection expired. The BBC's broadcasting monopoly was made explicit for the duration of its current broadcast licence, as was the prohibition on advertising. The BBC was also banned from presenting news bulletins before 19.00 and was required to source all news from external wire services.

Mid-1925 found the future of broadcasting under further consideration, this time by the Crawford committee. By now the BBC under Reith's leadership had forged a consensus favouring a continuation of the unified (monopoly) broadcasting service, but more money was still required to finance rapid expansion. Wireless manufacturers were anxious to exit the loss making consortium with Reith keen that the BBC be seen as a public service rather than a commercial enterprise. The recommendations of the Crawford Committee were published in March the following year and were still under consideration by the GPO when the 1926 general strike broke out in May. The strike temporarily interrupted newspaper production, and with restrictions on news bulletins waived, the BBC suddenly became the primary source of news for the duration of the crisis.

The crisis placed the BBC in a delicate position. On one hand Reith was acutely aware that the Government might exercise its right to commandeer the BBC at any time as a mouthpiece of the Government if the BBC were to step out of line, but on the other he was anxious to maintain public trust by appearing to be acting independently. The Government was divided on how to handle the BBC but ended up trusting Reith, whose opposition to the strike mirrored the PM's own. Thus the BBC was granted sufficient leeway to pursue the Government's objectives largely in a manner of its own choosing. The resulting coverage of both striker and government viewpoints impressed millions of listeners who were unaware that the PM had broadcast to the nation from Reith's home, using one of Reith's sound bites inserted at the last moment, or that the BBC had banned broadcasts from the Labour Party and delayed a peace appeal by the Archbishop of Canterbury. Supporters of the strike nicknamed the BBC the BFC for British Falsehood Company. Reith personally announced the end of the strike which he marked by reciting from Blake's "Jerusalem" signifying that England had been saved.

While the BBC tends to characterise its coverage of the general strike by emphasising the positive impression created by its balanced coverage of the views of government and strikers, Jean Seaton, Professor of Media History and the Official BBC Historian has characterised the episode as the invention of "modern propaganda in its British form". Reith argued that trust gained by 'authentic impartial news' could then be used. Impartial news was not necessarily an end in itself.

The BBC did well out of the crisis, which cemented a national audience for its broadcasting, and it was followed by the Government's acceptance of the recommendation made by the Crawford Committee (1925–26) that the British Broadcasting Company be replaced by a non-commercial, Crown-chartered organisation: the British Broadcasting Corporation.

1927 to 1939
The British Broadcasting Corporation came into existence on 1 January 1927, and Reith – newly knighted – was appointed its first Director General. To represent its purpose and (stated) values, the new corporation adopted the coat of arms, including the motto "Nation shall speak peace unto Nation".

British radio audiences had little choice apart from the upscale programming of the BBC. Reith, an intensely moralistic executive, was in full charge. His goal was to broadcast "All that is best in every department of human knowledge, endeavour and achievement.... The preservation of a high moral tone is obviously of paramount importance." Reith succeeded in building a high wall against an American-style free-for-all in radio in which the goal was to attract the largest audiences and thereby secure the greatest advertising revenue. There was no paid advertising on the BBC; all the revenue came from a tax on receiving sets. Highbrow audiences, however, greatly enjoyed it. At a time when American, Australian and Canadian stations were drawing huge audiences cheering for their local teams with the broadcast of baseball, rugby and hockey, the BBC emphasized service for a national, rather than a regional audience. Boat races were well covered along with tennis and horse racing, but the BBC was reluctant to spend its severely limited air time on long football or cricket games, regardless of their popularity.

'''John Reith and the BBC, with support from the Crown, determined the universal needs of the people of Britain and broadcasted content according to these perceived standards. Reith effectively censored anything that he felt would be harmful, directly or indirectly. While recounting his time with the BBC in 1935, Raymond Postgate claims that BBC broadcasters were made to submit a draft of their potential broadcast for approval. It was expected that they tailored their content to accommodate the modest, church-going elderly or a member of the Clergy. Until 1928, entertainers broadcasting on the BBC, both singers and "talkers" were expected to avoid biblical quotations, Clerical impersonations and references, references to drink or Prohibition in America, vulgar and doubtful matter and political allusions. The BBC excluded popular foreign music and musicians from its broadcasts, while promoting British alternatives. On March 5 1928, Stanley Baldwin, the Prime Minister maintained the censorship of editorial opinions on public policy, but allowed the BBC to address matters of religious, political or industrial controversy. The resulting political "talk series", designed to inform England on political issues, were criticized by member of Parliament, including Winston Churchill, Lloyd George and Sir Austen Chamberlain. Those who opposed these chats claimed that they silence the opinions of those in Parliament who are not nominated by Party Leaders or Party Whips, thus stifling independent, non-official views. In October 1932, the policemen of the Metropolitan Police Federation marched in protest of a proposed pay cut. Fearing dissent within the police force and public support for the movement, the BBC censored it coverage of the events, only broadcasting official statements from the government. '''

'''The closing of the 1930s brought on further censorship in the BBC. Throughout the decade, political broadcasts had been closely monitored by the BBC. In 1935, the BBC censored the broadcasts of Sir Oswald Mosley and Harry Pollitt. Mosley was a leader of the British Union of Fascists, and Pollitt a leader of the Communist Party of Great Britain. They had been contracted to provide a series of five broadcasts on their party's politics. The BBC, in conjunction with The Foreign Office of Britain, first suspended this series and ultimately cancelled it without the notice of the public. Less radical politicians faced similar censorship. In 1938, Winston Churchill proposed a series of talks regarding the state British domestic and foreign politics and affairs but was similarly censored. The censorship of political discourse by the BBC was a precursor to the total shutdown of political debate that manifested over the BBC's wartime airwaves. The Foreign Office maintained that the public should not be aware of their role in the censorship. From 1935-1939, the BBC also attempted to unite the British Empire's radio waves, sending staff to Egypt, Palestine, Newfoundland, Jamaica, India, Canada and South Africa. Reith personally visited South Africa, lobbying for state run radio programs which was accepted by South African Parliament in 1936. A similar program was adopted in Canada. Through collaboration with these state run broadcasting centers, Reith left a legacy of cultural influence across the empire of Great Britain with his departure from the Corporation in 1938. '''

BBC versus other media
The success of broadcasting provoked animosities between the BBC and well established media such as theatres, concert halls and the recording industry. By 1929, the BBC complained that the agents of many comedians refused to sign contracts for broadcasting, because they feared it harmed the artist "by making his material stale" and that it "reduces the value of the artist as a visible music-hall performer". On the other hand, the BBC was "keenly interested" in a cooperation with the recording companies who "in recent years ... have not been slow to make records of singers, orchestras, dance bands, etc. who have already proved their power to achieve popularity by wireless." Radio plays were so popular that the BBC had received 6,000 manuscripts by 1929, most of them written for stage and of little value for broadcasting: "Day in and day out, manuscripts come in, and nearly all go out again through the post, with a note saying 'We regret, etc.'" In the 1930s music broadcasts also enjoyed great popularity, for example the friendly and wide-ranging organ broadcasts at St George's Hall, Langham Place, by Reginald Foort, who held the official role of BBC Staff Theatre Organist from 1936 to 1938; Foort continued to work for the BBC as a freelance into the 1940s and enjoyed a nationwide following.

Experimental television broadcasts were started in 1930, using an electromechanical 30-line system developed by John Logie Baird. Limited regular broadcasts using this system began in 1934, and an expanded service (now named the BBC Television Service) started from Alexandra Palace in 1936, alternating between an improved Baird mechanical 240 line system and the all electronic 405 line Marconi-EMI system. The superiority of the electronic system saw the mechanical system dropped early the following year.

1939 to 2001
Statue of George Orwell outside Broadcasting House, headquarters of the BBC. A defence of free speech in an open society, the wall behind the statue is inscribed with the words "If liberty means anything at all, it means the right to tell people what they do not want to hear”, words from George Orwell's proposed preface to Animal Farm.

Television broadcasting was suspended from 1 September 1939 to 7 June 1946, during the Second World War, and it was left to BBC Radio broadcasters such as Reginald Foort to keep the nation's spirits up. The BBC moved much of its radio operations out of London, initially to Bristol, and then to Bedford. Concerts were broadcast from the Corn Exchange; the Trinity Chapel in St Paul's Church, Bedford was the studio for the daily service from 1941 to 1945, and, in the darkest days of the war in 1941, the Archbishops of Canterbury and York came to St Paul's to broadcast to the UK and all parts of the world on the National Day of Prayer. BBC employees during the war included George Orwell who spent two years with the broadcaster.

During his role as Prime Minister during the Second World War, Winston Churchill would deliver 33 major wartime speeches by radio, all of which were carried by the BBC within the UK. On 18 June 1940, French general Charles de Gaulle, in exile in London as the leader of the Free French, made a speech, broadcast by the BBC, urging the French people not to capitulate to the Nazis.

'''In 1938, John Reith and the British government, specifically the Ministry of Information, designed a censorship apparatus for the inevitability of war. Due to the BBC's advancements in shortwave radio technology, the Corporation could broadcast across the world during World War II. Within Europe, the BBC European Service would gather intelligence and information regarding the current events of the war in English. Regional BBC workers, based on their regional geo-political climate, would then further censor the material their broadcasts would cover. Nothing was to be added outside of the preordained news items. For example, the BBC Polish Service was heavily censored due to fears of jeopardizing relations with the Soviet Union. Controversial topics, i.e. the contested Polish and Soviet border, the deportation of Polish citizens, the arrests of Polish Home Army members and the Katyn massacre, were not included in Polish broadcasts. American radio broadcasts were broadcasted across Europe on BBC channels. This material also passed through the BBC's censorship office, which surveilled and edited American coverage of British affairs. By 1940, across all BBC broadcasts, music by composers from enemy nations was censored. In total, 99 German, 38 Austrian and 38 Italian composers were censored. The BBC argued that like the Italian or German languages, listeners would be irritated by the inclusion of enemy composers. Any potential broadcaster said to have pacifist, communist or fascist ideologies were not allowed on the BBC's airwaves. '''

There was a widely reported urban myth that, upon resumption of the BBC television service after the war, announcer Leslie Mitchell started by saying, "As I was saying before we were so rudely interrupted ..." In fact, the first person to appear when transmission resumed was Jasmine Bligh and the words said were "Good afternoon, everybody. How are you? Do you remember me, Jasmine Bligh ... ?" The European Broadcasting Union was formed on 12 February 1950, in Torquay with the BBC among the 23 founding broadcasting organisations.

Competition to the BBC was introduced in 1955, with the commercial and independently operated television network of ITV. However, the BBC monopoly on radio services would persist until 8 October 1973 when under the control of the newly renamed Independent Broadcasting Authority (IBA), the UK's first Independent local radio station, LBC came on-air in the London area. As a result of the Pilkington Committee report of 1962, in which the BBC was praised for the quality and range of its output, and ITV was very heavily criticised for not providing enough quality programming, the decision was taken to award the BBC a second television channel, BBC2, in 1964, renaming the existing service BBC1. BBC2 used the higher resolution 625 line standard which had been standardised across Europe. BBC2 was broadcast in colour from 1 July 1967, and was joined by BBC1 and ITV on 15 November 1969. The 405 line VHF transmissions of BBC1 (and ITV) were continued for compatibility with older television receivers until 1985. BBC Television Centre at White City, West London, which opened in 1960 and closed in 2013.

Starting in 1964, a series of pirate radio stations (starting with Radio Caroline) came on the air and forced the British government finally to regulate radio services to permit nationally based advertising-financed services. In response, the BBC reorganised and renamed their radio channels. On 30 September 1967, the Light Programme was split into Radio 1 offering continuous "Popular" music and Radio 2 more "Easy Listening". The "Third" programme became Radio 3 offering classical music and cultural programming. The Home Service became Radio 4 offering news, and non-musical content such as quiz shows, readings, dramas and plays. As well as the four national channels, a series of local BBC radio stations were established in 1967, including Radio London. In 1969, the BBC Enterprises department was formed to exploit BBC brands and programmes for commercial spin-off products. In 1979, it became a wholly owned limited company, BBC Enterprises Ltd.

In 1974, the BBC's teletext service, Ceefax, was introduced, created initially to provide subtitling, but developed into a news and information service. In 1978, BBC staff went on strike just before the Christmas of that year, thus blocking out the transmission of both channels and amalgamating all four radio stations into one. Since the deregulation of the UK television and radio market in the 1980s, the BBC has faced increased competition from the commercial sector (and from the advertiser-funded public service broadcaster Channel 4), especially on satellite television, cable television, and digital television services. In the late 1980s, the BBC began a process of divestment by spinning off and selling parts of its organisation. In 1988, it sold off the Hulton Press Library, a photographic archive which had been acquired from the Picture Post magazine by the BBC in 1957. The archive was sold to Brian Deutsch and is now owned by Getty Images. During the 1990s, this process continued with the separation of certain operational arms of the corporation into autonomous but wholly owned subsidiaries of the BBC, with the aim of generating additional revenue for programme-making. BBC Enterprises was reorganised and relaunched in 1995, as BBC Worldwide Ltd. In 1998, BBC studios, outside broadcasts, post production, design, costumes and wigs were spun off into BBC Resources Ltd.

The BBC Research Department has played a major part in the development of broadcasting and recording techniques. The BBC was also responsible for the development of the NICAM stereo standard. In recent decades, a number of additional channels and radio stations have been launched: Radio 5 was launched in 1990, as a sports and educational station, but was replaced in 1994, with Radio 5 Live, following the success of the Radio 4 service to cover the 1991 Gulf War. The new station would be a news and sport station. In 1997, BBC News 24, a rolling news channel, launched on digital television services and the following year, BBC Choice launched as the third general entertainment channel from the BBC. The BBC also purchased The Parliamentary Channel, which was renamed BBC Parliament. In 1999, BBC Knowledge launched as a multi media channel, with services available on the newly launched BBC Text digital teletext service, and on BBC Online. The channel had an educational aim, which was modified later on in its life to offer documentaries.

Interesting Quotation, hoping to work in at some point "We have endeavoured to exclude anything which might, directly or indirectly, be harmful" - John Reith, 1926, dinner address Sources to be added into the 1st and 2nd paragraphs - Included in the "Sources" section of the Page

Radio diplomacy and propaganda : the BBC and VOA in international politics, 1956-64 - Gary D. Rawnsley

Truth betrayed - W.J. West

The churches and the British Broadcasting Corporation, 1922-1956 : the politics of broadcast religion - Kenneth M. Wolfe

Crook, Timothy. 2014. BBC Radio Censorship Rows: Lessons From History. In: Richard Tait and John Mair, eds. 'Is The BBC in Crisis'. Bury St Edmunds, Suffolk: Abramis Academic Publishing, pp. 165-174. ISBN 9781845496210 [Book Section]

Articles To Assist With Last Paragraph

Sex, drugs and censorship : an investigation of selected songs banned from BBC Radio in the 1960s - Kristin Julia Steindl

Being Beastly to the Germans: music, censorship and the BBC in World War II - Robert MacKay

Shaping popular culture : radio broadcasting, mass entertainment and the work of the BBC Variety Department, 1933-1967 - Martin G.R. Dibbs

Political interference on the airwaves: the BBC broadcasts to Portugal during the Second World War - Nelson Ribeiro

The BBC Polish Service During the Second World War - Agnieszka Morriss