User:Iandsky/Postmodernism in China/Bibliography

You will be compiling your bibliography and creating an outline of the changes you will make in this sandbox.

Books
Harvey, David. A Brief History of Neoliberalism. Oxford University Press, 2007.

Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Oxford: Blackwell, 2011.

Jie, Lu. Dismantling Time: Chinese Literature in the Age of Globalization. Amsterdam: Brill Academic Publishers, 2012.

Link, Perry, Richard P. Madsen, and Paul G. Pickowicz, eds. Popular China: Unofficial Culture in a Globalizing Society. Lanham: Rowman & Littlefield, 2002.

Mostow, Joshua S., ed. The Columbia Companion to Modern East Asian Literature. New York: Columbia University Press, 2003.

Museum of Modern Art. Contemporary Chinese Art: Primary Documents. New York: Museum of Modern Art, 2010.

Soja, Edward W. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. Verso Books, 2011.

Yeh, Wen-hsin, ed. Becoming Chinese: Passages to Modernity and Beyond. Berkeley: University of California Press, 2000.

Zhang, Yingjin. China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford University Press, 1998.

Journal Articles and Book Chapters
Barmé, Geremie R. "To Screw Foreigners is Patriotic: China's Avant-Garde Nationalists." The China Journal 34 (1995): 209-234.

Chen, Jian. "China and the Cold War after Mao." The Cambridge History of the Cold War, Vol. 3 Endings, edited by Melvyn P. Leffler, Odd Arne Westad, Cambridge University Press, 2010, chapter 9, pp. 181-201.

Doleželová-Velingerová, Milena. "Incomplete Modernity: Rethinking the May Fourth Intellectual Project: Leo Ou-fan Lee". In The Appropriation of Cultural Capital: China’s May Fourth Project edited by Milena Doleželová-Velingerová, Oldřich Král, and Graham Sanders, 29-65. Leiden, The Netherlands: Harvard University Asia Center, 2001.

Ferguson, Niall. “Introduction: Crisis, What Crisis? The 1970s and the Shock of the Global.” The Shock of the Global: The 1970s in Perspective, edited by Niall Ferguson et al., Harvard University Press, 2010, pp. 1–22.

McGrath, Jason. "The Independent Cinema of Jia Zhangke: From Postsocialist Realism to a Transnational Aesthetic" ,In The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-first Century, edited by Zhang Zheng, 82-–115, Durham: Duke University Press, 2007

Rofel, Lisa B. “‘Yearnings’: Televisual Love and Melodramatic Politics in Contemporary China.” American Ethnologist 21, no. 4 (1994): 700–722.

Wang, Hui. "Contemporary Chinese Thought and the Question of Modernity." Social Text 55 (1998): 9-44.

Wang, Ning. "The Mapping of Chinese Postmodernity." In Postmodernism and China, edited by Arif Dirlik and Xudong Zhang, 21-40. Durham: Duke University Press, 2000.

Zhang, Xudong. “Postmodernism and Post-Socialist Society: Cultural Politics in China after the New Era.” New Left Review I, no. 237 (September-October 1999): 63-88.

Zhang, Xudong. “Introduction: Postmodernism and China.” In Postmodernism and China, edited by Arif Dirlik and Xudong Zhang, 1-16. Durham: Duke University Press, 2000.

Zhang, Zhen. "Introduction:", In The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-first Century, edited by Zhang Zheng, 1–46,, Durham: Duke University Press, 2007

Zhang, Yingjin "Rebel Without a Cause? China’s New Urban Generation and Postsocialist Filmmaking", In The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-first Century, edited by Zhang Zheng, 49–81,Durham: Duke University Press, 2007

Online Sources
“Modernism and Postmodernism in Chinese Literature.” Oxford Bibliographies. Accessed November 17, 2023. https://www.oxfordbibliographies.com/view/document/obo-9780199920082/obo-9780199920082-0029.xml.

Outline of proposed changes
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