User:Iapasumodel/Umberto Boccioni

Between 1906 and 1915, he used his mother, Cecilia Forlani Boccioni, as a key figure in at least forty-five works of various media. Using cubist distortions and fragmentation to embrace her matronly proportion, harmony, and beauty, he contrasts the misogyny in Futurism articulated in Marinetti's Founding Manifesto of Futurism.