User:InterXection/Lindsay Vickery

InterXection (talk) 07:50, 31 January 2010 (UTC) Lindsay Vickery (born 1965) is an Australian composer and performer.

Biography Lindsay Vickery was born in Perth. He studied composition with John Exton and Roger Smalley at the University of Western Australia. He has written much ensemble and interactive electronic music , exploring readymades and collage (notably interrogating the work of Charlie Parker) as well as improvisation, nonlinear writing and computer-performer pieces . His chamber opera Rendez-vous: An Opera Noir is based on the Nouveau Roman “DJINN: un trou rouge entre les pavés disjoints” by French author Alain Robbe-Grillet .

His interactive electronic music often employs experimental interfaces such as the Yamaha MIBURI and other self-devised alternative controllers .

He has performed on reed instruments, electronics or as a conductor in the groups alea new music ensemble, Magnetic Pig, HEDKIKR, SQUINT, Candied Limbs and Decibel, and with artists such as Jon Rose (Music in the Age of Shopping, The People’s Music ), Stelarc, Amy Knoles and Cat Hope. His works have been performed by groups such as The California Ear Unit, Topology, Clocked Out, Ensemble Scintilla Divina, the MATA Ensemble, The Collective and artists such as Michael Kieran Harvey, Ross Bolleter and Hiroshi Chu Okubo.

He has performed at the Shanghai International Arts Festival, Sydney Festival, Perth International Arts Festival, Adelaide Festival of the Arts, Music at the Anthology, Totally Huge New Music Festival, Scintilla Divina Festival, Audio Art Festival, NWEAMO, REV01, BEAP, the NowNow, What is Music, The Knitting Factory, Make-it-Now, DC 8th International Dance+ Improvisation Festival, ACMI, SDSU, University of Illinois, STEIM, HarvestWorks, CEMI and Kyoto Seika University.

Honours include a Sounds Australian Award (1989) and a Churchill Fellowship (1995) to study electronic music in the United States and Europe.

Selected works

 * Twilight's Last Gleamings (1986): in Reeds (Ed. Ross Hazeldine) Red House Editions RH943
 * Savoy Trifle (1988): Alto Saxophone, Percussion and Piano
 * Blackpool Tower: Elegy for John Lennon (1989): Clarinet, Guitar, Percussion and Piano
 * Leo Szilard (1990): Soprano, Tenor and Baritone Saxophone, Piano, Marimba, Cello and Bass Guitar
 * cyphers of the obscure gods (1991): Tenor Saxophone, Cello, Synthesizer and Percussion
 * Zealous Activity (1992): in Australian Piano Miniatures (Ed. Ross Hazeldine) Red House Editions RH947
 * Web of Indra (1993): Soprano Saxophone, Cello, Percussion and Keyboard
 * [descent of the celestial monkey wrench] (1997), 2 Sopranos, saxophone, cello, piano and percussion
 * strange tides (redraw my boundaries) (1997): solo soprano saxophone and digital delay
 * Oubliette (1998): in Australian Guitar Miniatures (Ed. Ross Hazeldine) Red House Editions RH947
 * whythisandnotanother? (1999): score-film, interactive audio, saxophone, cello, and KAT
 * noir (1999): MIBURI, Roland 505, tenor saxophone, piano, samplers and MIDI controlled lights
 * horology (1999): flute, clarinet, violin, cello, piano and marimba and percussion
 * delicious ironies series (2001-): live instrument(s) and electronics
 * rendez-vous: an opera noir (2001): after the Novel Djinn by Alain Robbe-Grillet. Libretto by the Composer: 2 Sopranos, Mezzo, Baritone, Boy Actor and Male Actor, Violin, Cello, Saxophone, Piano,
 * Splice (2002): soloist and Max/MSP software
 * invisible symmetries (2002): violin, soprano saxophone, double bass, percussion and piano
 * InterXection (2002): percussion and electronics
 * your sky is filled with billboards of the sky (2002): MIBURI, Max/MSP and Image-ine.
 * Scan (2002): MIBURI and interactive video/sound
 * Kreuz des Suedens (2003): violin and cello
 * Hey Jazz Fans! (2003): solo alto saxophone and MAX/MSP
 * Parallel Trajectories (2003): ensemble
 * Exit Points (2003): soprano saxophone, violin, viola, double bass, piano
 * éraflage (2007): flute, harp, string quartet, double bass and percussion
 * Tectonic (2007), wind, brass, string, percussion and piano groups and electronics
 * corridors, stairways, night and day (2009): bass clarinet and interactive electronics
 * Antibody (2009): alto flute, clarinet, viola, cello, keyboard and electronics