User:J. Finkelstein/Sandbox/Latin literature

Latin literature, the body of written works in the Latin language, remains an enduring legacy of the culture of ancient Rome. The Romans produced many works of poetry, comedy, tragedy, satire, history, and rhetoric, drawing heavily on the traditions of other cultures and particularly on the more matured literary tradition of Greece. Long after the Western Roman Empire had fallen, the Latin language continued to play a central role in western European civilization.

Latin literature is conventionally divided into distinct periods. Few works remain of Early and Old Latin; among these few surviving works, however, are the plays of Plautus and Terence, which have remained very popular in all eras down to the present, while many other Latin works, including many by the most prominent authors of the Classical period, have disappeared, sometimes being re-discovered after centuries, sometimes not. The period of Classical Latin, when Latin literature is widely considered to have reached its peak, is divided into the Golden Age, which covers approximately the period from the start of the 1st century BC up to the mid-1st century AD, and the Silver Age, which extends into the 2nd century AD. Literature written after the mid-2nd century has often been disparaged and ignored; in the Renaissance, for example, when many Classical authors were re-discovered and their style consciously imitated. Above all, Cicero was imitated, and his styled praised as the perfect pinnacle of Latin. Medieval Latin was often dismissed as "Dog-Latin"; however, in fact, many great works of Latin literature were produced throughout Late Antiquity and the Middle Ages, although they are no longer as widely known as the ancient Romans. For most of the Medieval era, Latin was the dominant written language in use in western Europe. After the Roman Empire split into its Western and Eastern halves, Greek, which had been widely used all over the Empire, faded from use in the West, all the more so as the political and religious distance between the Catholic West and the Orthodox, Greek East steadily grew. The vernacular languages in the West, the languages of modern-day western Europe, developed for centuries as spoken languages only: most people did not write, and it seems that it very seldom occurred to those who wrote to write in any language other than Latin, even when they spoke French or Italian or English or another vernacular in their daily life. Very gradually, in the late Middle Ages and the early Renaissance, it became more and more common to write in the Western vernaculars.

It was probably only after the invention of printing, which made books and pamphlets cheap enough that a mass public could afford them, and which made possible modern phenomena such as the newspaper, that a large number of people in the West could read and write who were not fluent in Latin. Still, many people continued to write in Latin, although they were mostly from the upper classes and/or professional academics. As late as the 17th century, there was still a large audience for Latin poetry and drama; no-one found it strange, for example, that, besides his works in English, Milton wrote many poems in Latin, or that Francis Bacon oder Baruch Spinoza wrote mostly in Latin; on the other hand, many people did find it strange that Shakespeare, having received very little formal education, was not fluent in Latin; his lack of Latin was unusual for a playwright of his time, and is one of the main reasons for the persistent accusations that he did not write the plays which appeared under his name.

Although the number of works of fiction and poetry, history and philosophy written in Latin has continued to dwindle, the Latin language is still not dead. Well into the nineteenth century, some knowledge of Latin was required for admission into many universities, and theses and dissertations written for graduate degrees were often required to be written in Latin. Treatises in chemistry and biology and other natural sciences were often written in Latin as late as the early 20th century. Up to the present day, the editors of Latin and Greek texts in such series as the Oxford Classical Texts, the Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana and some others still write the introductions to their editions in polished and vital Latin. Among these Latin scholars of the 20th and 21st centuries are R A B Mynors, R J Tarrant, L D Reynolds and John Brisco.

Poetry

 * Ennius

Comedy

 * Plautus
 * Terence

Poetry

 * Lucretius : On the Nature of Things
 * Catullus
 * Virgil : Aeneid
 * Horace
 * Ovid : Metamorphoses
 * Tibullus
 * Propertius

Prose

 * Julius Caesar : Gallic Wars
 * Cicero : Catiline Orations

History

 * Nepos
 * Sallust
 * Livy

Poetry

 * Manilius
 * Lucan
 * Persius
 * Statius

Prose

 * Petronius : Satyricon
 * Pliny the Elder : Natural History
 * Quintilian
 * Pliny the Younger
 * Aulus Gellius
 * Apuleius
 * Asconius

Theater

 * Seneca

Satire

 * Juvenal
 * Martial

History

 * Tacitus
 * Suetonius, especially Lives of the Twelve Caesars

Christians

 * Saint Augustine of Hippo
 * Boethius and Consolation of Philosophy
 * Paulinus of Nola
 * Prudentius
 * Sidonius Apollinaris
 * Sulpicius Severus

non-Christians

 * Ammianus Marcellinus
 * Ausonius
 * Distichs of Cato
 * Claudian
 * Eutropius
 * Ambrosius Theodosius Macrobius
 * Scriptores Historiae Augustae (anonymous)
 * Quintus Aurelius Symmachus

Theology and Philosophy

 * Pierre Abélard
 * Aetheria
 * Albertus Magnus
 * Thomas Aquinas : Pange Lingua : Summa Theologiae
 * Roger Bacon
 * Jean Buridan
 * Duns Scotus
 * Gildas
 * Gregory of Tours
 * Saint Jerome : Vulgate
 * Siger of Brabant
 * Tommaso da Celano : Dies Iræ
 * Venantius Fortunatus
 * Walter of Châtillon
 * William of Ockham

Poetry

 * The Archpoet
 * Carmina Burana
 * Goliards
 * Peter of Blois

History

 * Albert of Aix
 * Bede
 * Einhard
 * Fulcher of Chartres
 * Matthew Paris
 * Orderic Vitalis
 * Otto of Freising
 * William of Malmesbury
 * William of Tyre

Pseudo-History

 * Geoffrey of Monmouth

Encyclopedia

 * Isidore of Seville : Etymologiæ

many different genres

 * Alcuin

Renaissance and Neo-Latin
(Most of these authors wrote in their various vernaculars as well as in Latin, but each produced a body of Latin work significant in quantity and quality.)


 * Francis Bacon
 * Jacob Bidermann
 * Giovanni Boccaccio
 * Dante Alighieri
 * Erasmus
 * John Milton
 * Thomas More
 * Petrarch
 * Baruch Spinoza