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The Dixie Hummingbirds are an influential American gospel music group, spanning more than 80 years from the jubilee quartet style of the 1920s, through the "hard gospel" quartet style of Gospel's golden age in the 1940s and 1950s, to the eclectic pop-tinged songs of today. The Hummingbirds inspired a number of imitators, such as Jackie Wilson and James Brown, who adapted the shouting style and enthusiastic showmanship of hard gospel to secular themes to help create soul music in the 1960s.

(1928-1938)
Formed in 1928 in Greenville, South Carolina, by James B. Davis along with his classmate Barney Parks under the name the Sterling High School Quartet. After seeing the success of other quartet groups and realizing that there was not much work for African Americans in the south outside of low-paying labor jobs, the quartet decided leave school and pursue their dream of being professional spiritual entertainers. By making this move, they had to change the name of the group to cut ties with the school. Davis changed their name to the Dixi Hummingbirds "“I figured that was the only bird could fly both backwards and forwards. Since that was how ours career seemed to be going [laughs], I figure that was a good name, and the guys went along with it”"

The Hummingbirds traveled around the South singing spirituals. It was not until 1938 when James Bryant (formerly with the Heavenly Gospel Singers) joined the group that they start to sing Gospel. In September of 1939 (Davis disputes the year as being 1938) The Hummingbirds drove to New York using contacts that Bryant had to record with Decca Records.

(1938-1939)
Lead singer Ira Tucker joined the group in 1938 at age 13 After the Hummingbirds came back from making records in New York. Due to the group clashing with Bryant, he abruptly left. With engagements picking up, they had to find a replacement. That is when they heard of a young singer from nearby Spartanburg. In addition to his formidable vocal skills, Tucker introduced the energetic showmanship - running through the aisles, jumping off stage, falling to his knees in prayer - copied by many quartets that followed. Tucker also took the lead in the stylistic innovations adopted by the group, combining gospel shouting and subtle melismas with the syncopated delivery made popular by The Golden Gate Quartet, as well as adventuresome harmonies, which the group called "trickeration", in which another member of the group would pick up a note just as Tucker left off.

(1940-1944)
As time progressed, the Hummingbird had to move up north. The north provided better opportunities and was better in dealing with justice for African Americans. In 1941, the Hummingbirds moved to Washington D.C, where Davis had an Aunt with whom they could stay with. The group would eventually go to Philadelphia Pennsylvania where Barney Parks’ father lived. Most importantly, they were promised work from Charlie Newsome, a booking agent they had met in Jacksonville, Florida, who had been managing a group called the Royal Harmony Singers. In 1942, the Hummingbirds would make the move with James Davis, Barney Parks, Ira Tucker, Wilson Baker and William Henry. Charlie Newsome arranged an audition fro the Hummingbirds with John Hammond, an unofficial musical director for the Café Society in New York. Hammond was looking for an Gospel act to work in the club. Impressed with the Hummingbirds, they were given the gig. Hammond did not like the “Dixi” in their name. They changed their name so that they would not convey any sentiments to slavery. At that time they were performing under 3 names: The Dixi Hummingbirds in Churches, the Swanee Quintet in Philadelphia, and the Jericho Quintet when at the Café Society. While performing at the Café Society, the Hummingbirds were often backed by Lester Young’s sextet. William Henry was drafted in 1943. William Bobo replaced him. Hammond was fond of Henry and ended their contract with Café Society over that.

(1945-1951)
Ira Tucker was asked to leave the Hummingbirds and join the Golden Gate Quartet. He told Davis and he urged Tucker to try them out. Tucker tried them out for a day and a half, but could not stay with them. Barney Parks had to leave the group due to being drafted. Before he left, he helped find a replacement. He found Beachy Thompson of the Willing Four out of Baltimore, who at the time recently opened for the Hummingbirds at their anniversary program. The Hummingbirds signed to Regis Records, which changed its name to Manor Records, owned by Irving Berman, in 1945. In 1946, The Hummingbirds signed a record deal with Apollo Records, a growing New York Based label. Apollo Records also signed Mahalia Jackson.

(1952-1959)
The Hummingbirds had signed and recorded with Gotham and Okeh Records. They recorded for both labels and did not have any hits from either label.They continued to tour heavy. The Hummingbirds decided that they needed a new label. They went out to Texas the sign and record with Peacock Records under Don Robey. These recordings proved successful and the Hummingbirds were back in the billboards. Around this time, The Hummingbirds asked Howard Carroll to be apart of the group, replacing Paul Owens. Carroll did not do much of singing; he preferred to play the guitar.

(1960-1976)
1973 The group sang the backup vocals on Paul Simon's "Loves Me Like a Rock", and "Tenderness", from his album "There Goes Rhymin' Simon". In 1973, Robey sold Peacock to ABC Records, which released a cover of "Loves Me Like a Rock," produced by Walter "Kandor" Kahn and the group's lead vocalist Ira Tucker, which reached #72 on Billboard Magazine's Top 100 R&B Singles chart. The single also won a Grammy for "Best Soul Gospel Performance". Kahn and Tucker produced an album for ABC entitled We Love You Like A Rock. The album contained Stevie Wonder's "Jesus Children", on which Wonder played keyboards.

(1977-Present)
In 2003, the Hummingbirds were the subject of an award-winning book about their 75-year career span, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music [Oxford University Press] by Jerry Zolten. The book was favorably reviewed in The New York Times. 2-26-2003. In February 2008, the first feature-length documentary/concert film featuring the life and history of the Dixie Hummingbirds was released in commemoration of their extraordinary eighty years as performers. The Dixie Hummingbirds: Eighty Years Young has been shown on the Gospel Music Channel and has played at numerous film festivals. Produced and directed by award-winning filmmaker Jeff Scheftel, and executive produced by University of Hawaii musicologist Jay Junker, the film is now available on DVD, featuring extensive interviews with Ira Tucker, Sr.,Abraham Rice, Cornell McKnight, Lyndon Jones, Willie Coleman, Torrey Nettles ,and William Bright with archival footage, and following the current group as they perform in numerous venues and rehearse under Mr. Tucker's spirited guidance, in their hometown of Philadelphia, and across the vast landscape of America. Ira Tucker, Sr. died due to complications from heart disease on the morning of June 24, 2008, at the age of 83. The group will go on, thereby preserving the rich legacy left by Tucker, James Davis, William Bobo, Beachey Thompson, James Walker, Howard Carroll, et al., with possible new additions to their personnel down the road.

Grammy Hall of Fame
Recordings inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."