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Myra Melford is an American avant-garde jazz pianist and composer. A 2013 Guggenheim Fellow, Melford was described by the San Francisco Chronicle as an "explosive player, a virtuoso who shocks and soothes, and who can make the piano stand up and do things it doesn't seem to have been designed for.”

Early life and education
Melford was born in Evanston, Illinois and was raised in a house designed by Frank Lloyd Wright. At 3, she started playing the piano on her own, climbing onto the piano bench and improvising, and began taking lessons when she was in kindergarten. She developed a strong relationship with her teacher, Erwin Helfer, a classically-trained boogie-woogie player. Helfer introduced her to classical composers such as Bach before moving on to contemporary composers, such as Bartók, and later taught her to play the blues. Melford attended blues festivals, and because of her relationship with Helfer, she was often invited backstage, where she encountered many of Chicago's most acclaimed performers. Independently, Melford also began to explore improvisation.

Pushed towards performing classical repertoire, Melford attended a Northwestern University extension program in high school. She described her experience as a classical piano student as "not right," and while she continued to play informally, she stopped her formal studies in high school.

Melford enrolled at Evergreen State College in Olympia, Washington, where she intended to study environmental science. Although she wasn't then listening to jazz, and hadn't grown up listening to it, she knew that it involved improvisation, and when she saw an advertisement for jazz piano lessons in a local restaurant, she began studying again. Shortly thereafter, she switched her major to music; following her graduation in 1981 she attended Cornish College of the Arts and studied with Art Lande and Gary Peacock.

While living in Olympia, Melford met prominent avant-garde musicians including Muhal Richard Abrams, Oliver Lake, Joseph Jarman, Roscoe Mitchell, and Leroy Jenkins, whose performance with Amina Claudine Myers and Pheeroan akLaff inspired an “an ecstatic feeling" which intensified her commitment to improvisation.

Career
Melford moved to New York City in 1984, where she studied composition with saxophonist Henry Threadgill, who she would later cite as a major influence on her perception of organic composition. She also studied privately with pianist Don Pullen, whose percussive mannerisms she successively adapted.

After arriving in New York, Melford performed in the bands of Threadgill, Leroy Jenkins, and Butch Morris, among others. In the late '80s she played and recorded with flutist Marion Brandis, and formed a trio with bassist Lindsey Horner and drummer Reggie Nicholson. Her career accelerated in the early 90s, as she participated in the first Knitting Factory tour of Europe, and recorded three albums with Horner and Nicholson: Jump (1990), Now & Now (1991), and Alive in the House of Saints, a live album, in 1993.

Later in the 90s, Melford moved toward larger groupings with diverse instrumentation, and added trumpeter Dave Douglas and reed player Marty Ehrlich to her trio lineup to create a quintet, the Myra Melford Extended Ensemble. She also formed a second five-piece, the Same River, Twice, featuring Douglas, cellist Erik Friedlander, reed player Chris Speed, and drummer Michael Sarin. Their self-titled debut album was released on Gramavision in 1996, followed by 1999's Above Blue on Arabesque. Melford also appeared as an improvisational collaborator on the 1996 Hatology release Eleven Ghosts, featuring duets performed with Dutch drummer Han Bennink; and Equal Interest, a 1999 Omnitone release by the trio of the same name, featuring Melford with Jenkins and Jarman. With Equal Interest, Melford performed on harmonium as well as piano. By the close of the decade, Melford had become one of the downtown jazz scene's most celebrated performers and composers, with the Seattle Times describing her in 1999 as an "explosive pianist who alternately caresses and pounds the keyboard and weaves brilliant swatches of composed material into free-form improvisation."

In 2000, Melford formed Crush, a trio in which she played piano and harmonium with Kenny Wollsen on drums and Stomu Takeishi on electric bass. Arabesque released the trio's Dance Beyond the Color later that year. In September, she traveled to Calcutta to study harmonium with Sohanlal Sharma as a Fulbright scholar. She spent several months with Sharma, focusing on raga and Hindustani classical music, but she found him to be "not a particularly good or nice person," and traveled to Delhi and Rajistan, where she studied with several other musicians.

After returning to the United States, Melford lived at an upstate New York ashram. She subsequently formed an ensemble expressly to play music based on her studies in India, Myra Melford's Be Bread. Although it remained unreleased until 2006, Be Bread's debut album, The Image of Your Body (whose title was derived from a Rumi poem), was recorded in 2003, as was Where the Two Worlds Touch by Myra Melford's The Tent. Inspired by the poetry of 13th century Sufi mystic Jalal al-Din, the album was released by Arabesque

Melford relocated to Berkeley, California in 2004 to accept a position as Associate professor of contemporary improvised music, University of California Berkeley. In 2006, along with bassist Mark Dresser and drummer Matt Wilson,  Melford formed Trio M, who released their debut albumThe Big Picture on Cryptogramophone in 2007. It was followed by The Guest House on Enja/Yellowbird'' in 2012.

Additionally, she performs with clarinetist/composer Ben Goldberg, who she met just after she moved to Berkeley, in the duo Dialogue (stylized as ::Dialogue::). Melford formed a new quintet, Snowy Egret, featuring bassist Takeishi, guitarist Liberty Ellman, trumpeter Ron Miles, and drummer Tyshawn Sorey in 2012. Snowy Egret performed the music for Melford's multimedia project Language of Dreams, which was commissioned by the Yerba Buena Center for the Arts in November 2013.

Melford released her first solo album in October 2013. Titled Life Carries Me This Way, the album is a collection of work inspired by the paintings of the late visual artist Don Reich. That same year, she was named a Guggenheim Fellow and received both the Doris Duke Charitable Foundation’s Performing Artist Award and a Doris Duke Residency to Build Demand for the Arts for her efforts to re-imagine the jazz program at San Francisco’s Yerba Buena Center for the Arts.

At Berkeley, Melford has developed and taught a series of courses in contemporary jazz and improvisation-based music for performers and composers in addition to lecturing on innovations in jazz since the 1960s and other topics in contemporary improvised music.

Selected honors, fellowships, and awards

 * Guggenheim Fellowship (2013)
 * Doris Duke Charitable Foundation’s Performing Artist Award (2013)
 * Alpert Award in the Arts for Music (2012)
 * Jazz Journalists Association Pianist of the Year (2008, 2009)
 * Jazz Journalists Association Composer of the Year (2004)
 * Fulbright scholar (2000)
 * New York Foundation for the Arts Composition Fellowship (1998,2002, 2008)

Selected discography

 * Alive in the House of Saints (1993)
 * Even the Sounds Shine (1995)
 * The Same River, Twice (1996)
 * Dance Beyond the Color (2000)
 * The Image of Your Body (2006)
 * The Whole Tree Gone (2010)
 * Guest House (2011)
 * Life Carries Me This Way (2013)