User:Jacksondk3/The Other Francisco

Lead
This wiki assignment I chose is about a Cuban film by the English name of The Other Francisco. This is more or a way to board the scoop and provide more information towards the film. Since a good chunk of the plot is absent from the article so I hope to get some clarity of the film. Also to explore the relationship that exists between the written words of the novel and the recreation/changes made in the film to modify a well-established text.

Histroy
El otro Francisco (The Other Francisco) is based of novel called "Francisco" made by Anselmo Suárez y Romero in which takes a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film and novels goal consist of realistic expose of slavery conditions throughout the American History. It also offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint. El otro Francisco (The Other Francisco) film has a view point of two different scenarios, one is a more of a straight adaptation of the novel and a host of Romantic clichés about a tragic love story. While the second approach only broadens the story’s scope in a Marxist critique that includes an uglier version of slavery that was ignored by the author.

Plot
The film is a narrative commentary on the two different perspective on how El otro Francisco (The Other Francisco) could have gone.

The film starts of with the perspective of Anselmo Suárez y Romero original novel, Francisco was sold at the age of 10 but was taught how to read and write by the head mistress of the sugar cane plantation named Senora Mendlzabal. Francisco worked in the stables for a number of years and discovered one of the maids working for Senora named Dorota. The two quickly fell in love and Francisco pleaded to Senora to marry Dorota a multitude of times but was constantly denied. They're secret love was discovered by Senora however and was quickly put a stop to by whipping Francisco and moving Dorota to work for a Frenchmen for a time. During the time Dorota was gone a incident with Francisco occurred with the story of him assaulting an overseer and letting out a number of horses. This story landed Francisco into working in the fields hours on end by an overseer and commanded by Senora's son named Ricardo who has a secret attraction to Dorota. Dorota returns in shock about the news of Francisco and pleads to Senora to pardon Francisco. Senora refused and saying she was too disappointed with Francisco to deserve a pardon right now. After advising Dorota to forget about Francisco, Senora leaves the planation. Ricardo tries to force himself onto but senses that Dorota still has feelings for Francisco. After this rejection, anytime anything went wrong all the blame would be put on Francisco. Francisco was contently working in the fields to the point of dehydration and was whipped as punishment. After finding Francisco at the nursing home barley conscious after the whipping. Dorota agrees to sleep with Ricardo in order to clam his anger against Francisco. Later, Francisco was finally pardon by Senora and could marry Dorota but Dorota rejects him. She reveled to Francisco that she had to sleep with Ricardo in order to save Francisco life and that he should forget about her. After this revel she leaves in tears, Francisco is left in anger and frustration in the woods. Francisco was discovered sometime later reveling that he had hanged himself.

The film has a interview with the author of Angelo Suárez y Romero that goes on to explain on why he written the story of a love triangle instead of the tragedy of being a slave. Anselmo Suárez y Romero said "he was too young to fully comprehend the suffering of being a slave" and he doesn't consider Francisco a regular slave due to his ability to read and write. This interview goes on how this novel softens the blow on what true slavery was and was tamed in order to be successful novel.

The film moves into it's second act with a slave who tried to run away but is dragged back to the plantation. They force the slave to wear a cowbell at all times to know where he's at, chain up his feet and left him in the shed for hours. Francisco then comes by and offers the slave some water. They quickly bond and the slave invites Francisco to a rebellion meeting where they plan to sabotaging the plantation. They burn down a bagasse shed which angers the overseers. The film then shifts to a interview of a man named Richard Madden who is an agent of the British Empire. Madden revels that slaves are becoming more and more unnecessary with the increase of machines, the Spanish Empire has enough power to stop the slave trade but doesn't have to the desire to, that more colored people live on the Cuban Island then white people and that fear is the only thing holding back the slaves from revolting. Madden then visits the plantation in order to seek any violations of the treaty Spain has in order to end the slave trade, reason being if the slave trade was gone, then the British Empire could attain economic balance to permit capitalist growth and in order to secure a market for the rise of machines. One of the slaves sabotage a sugar cane machine and Ricardo demanded the overseer to find out who did it. Overseer blames Francisco and is the one made example of and brutally whipped to death. The film ends in a bloody rebellion. Slaves begun burning crops and sheds. They resorted into killing their overseers. The film then concludes with the many rebellions that was happening in Cuba around the early 1800's.

Refences
Nicolás Hernández Jr. (2005). QUILOMBO AND EL OTRO FRANCISCO: A POST-MODERNIST ATTEMPT TO REWRITE CONTEMPORARY HISTORY AND COLONIAL SLAVERY IN BRAZIL AND CUBA. Chasqui, 97–. https://vcu.primo.exlibrisgroup.com/permalink/01VCU INST/6i0npe/cdi proquest journals 220546202

Kaisary, Philip. (2019). Black Agency and Aesthetic Innovation in Sergio Giral’s El otro Francisco. PALARA. 23. 22-32. 10.32855/palara.2019 https://www.researchgate.net/publication/339321069_Black_Agency_and_Aesthetic_Innovation_in_Sergio_Giral's_El_otro_Francisco

https://www.imdb.com/title/tt0073499/