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Later life and death
In the latter part of her career, Mary Farl Powers emerged as a prominent figure in the Irish art scene. In 1972, she held her first solo exhibition at The Peacock Theatre Gallery, showcasing prints and sculptures. Subsequently, she became a fixture in Dublin and Belfast art scenes, regularly presenting one-person shows and extending her artistic reach to Minnesota. Mary gained international recognition, representing Ireland in exhibitions across the UK, Germany, Spain, Poland, Yugoslavia, Norway, India, the USA, and Mexico. Notable institutions such as the Arts Council of Ireland, the Ulster Museum, University College Dublin, Listowel Permanent Collection, the Contemporary Art Society, and Lalit Kala Akademi in New Delhi house her significant works.

The Irish Museum of Modern Art (IMMA) in Dublin boasts a collection of over 50 of Mary's artworks, generously donated by her family.

In 1975, she achieved a milestone by winning the gold medal at the Listowel Graphics Exhibition for her work titled "Torso." The same year, she participated in "The Male Nude," a groundbreaking exhibition featuring six women artists at the Project Arts Centre in Dublin.

Mary's dedication to her craft was recognized in 1978 when she received a year's subsistence grant from the Arts Council. In 1980, she further solidified her impact on the art community by being appointed printmaker in Residence at the Northern Irish Art Council’s print workshop.

A pivotal moment in her career was the founding of Aosdána in 1981, where she served as a Toscaireacht member. During her residency in Belfast, she played a vital role in relocating Graphic Studio Dublin from Upper Mount Street to a spacious warehouse in Green East Street. A committed advocate for printmaking, Mary was instrumental in establishing the Graphic Studio Gallery in 1983.

Mary Farl Powers extended her influence beyond creating art. She became a teacher and mentor, guiding fellow artists in exploring the realms of etching and lithography. Her efforts significantly advanced the practice of printmaking in Ireland. Despite her impactful contributions, Mary's life was tragically cut short by breast cancer at her Dublin home on April 4th, 1992, leaving behind a lasting legacy in the Irish art world.