User:Jamespcomer/Sandbox

1st iteration - sandboxed page: jamespcomer > richard macaulay, screenwriter.

1st citation, credited - sandboxed page: hal erickson, biographer - rovi.com >
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American screenwriter Richard Macaulay began his seven-year association with Warner Bros. in 1935, when his novel Women Make Bum Newspapermen was filmed as Front Page Woman. Macauley's subsequent Warners assignments included The Roaring 20s (1939), They Drive by Night (1940) and Across the Pacific (1942). He moved to 20th Century-Fox in 1943, thence to RKO. During the Hollywood Blacklist era, the staunchly conservative Richard Macaulay gained fame (or notoriety) as a "friendly witness" before the HUAC, at one point naming 29 fellow Hollywoodites as communists.

1st citation, edited - sandboxed page: jamespcomer > novel, title corrected: women are bum newspapermen

2nd iteration - sandboxed page: jamespcomer > richard macaulay, related - grandfather, maternal > sharon louise comer, daughter.

3rd iteration - sandboxed page: jamespcomer > richard macaulay, author.

1st citation, credited - sandboxed page: william contento, editor - the fictionmags index >
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MACAULAY, RICHARD (1909-1969) (stories) 1. The Cockeyed Wonder (ss) The Saturday Evening Post, Feb. 24, 1934; 2. The Amateur Spirit (ss) The Saturday Evening Post, Jul. 14, 1934, (tennis); 3. The Magic Toe (ss) The Saturday Evening Post, Sep. 29, 1934; 4. All is Confusion (ss) The Saturday Evening Post, Nov. 3, 1934; 5. Horseplay (ss) The Saturday Evening Post, Nov. 24, 1934; 6. A Bed for Benvenuto Cellini (ss) The Saturday Evening Post, Dec. 1, 1934; 7. Watch Out for Show Girls (ss) The Saturday Evening Post, Jan. 5, 1935; 8. Sound Effects (ss) The Saturday Evening Post, Feb. 2, 1935; 9. Prize Money (ss) The Saturday Evening Post, Mar. 23, 1935; 10. A Change of Management (ar) Liberty, Mar. 30, 1935; 11. Speed, Incorporated (ss) The Saturday Evening Post, Apr. 13, 1935; 12. Git Out o’ t’ Game (ss) The Saturday Evening Post, Jun. 15, 1935; 13. Press Relations (ss) The Saturday Evening Post, Jul. 27, 1935; 14. Music Hath Charms (ss) The Saturday Evening Post, Aug. 17, 1935; 15. Ready, Willing and Able (ss) The Saturday Evening Post, Sep. 14, 1935; 16. Special Arrangements (ss) The Saturday Evening Post, Nov. 9, 1935; 17. Take a Number (ss) The Saturday Evening Post, Mar. 7, 1936; 18. Hard to Handle (ss) The Saturday Evening Post, May 9, 1936; 19. Interview (ss) The Saturday Evening Post, Jun. 20, 1936; 20. Vacation—With Pay (ss) The Saturday Evening Post, Dec. 12, 1936; 21. California-Bound (ss) The Saturday Evening Post, Aug. 14, 1937; 22. Elmer Takes It Easy (ss) The Saturday Evening Post, Jul. 8, 1939; 23. The Long Last Ride (ss) The Saturday Evening Post, Jun. 3, 1944; 24. The Merry Assassin (ss) Collier’s, Aug. 13, 1949; 25. Wanted for Murder (sl) The Saturday Evening Post, Aug. 20, 1949, etc.; 26. Love Set (ss) Family Circle, Sep. 1950; 27. Sneak Attack (ss) The Saturday Evening Post, Apr. 7, 1951; 28. Massacre Under the Lights (ss) The Saturday Evening Post, Feb. 2, 1952; 29. I Am a Thief (ss) The Saturday Evening Post, Mar. 28, 1953; 30. The Killer Came Back (ss) The Saturday Evening Post, Mar. 13, 1954; 31. Crisis at Cleary’s (ss) The Saturday Evening Post, Jul. 26, 1958; 32. What a Boy Wants (ss) The Saturday Evening Post, Oct. 3, 1959.

2nd citation, credited - sandboxed page: hal erickson, biographer/reviewer - rovi.com >
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Year - Title / Credit 1935 - Front Page Woman / Short Story Author; 1936 - Earthworm Tractors / Screenwriter; 1937 - Hollywood Hotel / Screenwriter; 1937 - Melody for Two / Short Story Author; 1937 - Ready, Willing and Able / Short Story Author; 1937 - Riding on Air / Short Story Author, Screenwriter; 1937 - Varsity Show / Screenwriter; 1938 - Brother Rat / Screenwriter; 1938 - Garden of the Moon / Screenwriter; 1938 - Gold Diggers in Paris / Screen Story; 1938 - Hard to Get / Screenwriter; 1939 - Naughty But Nice / Screenwriter; 1939 - On Your Toes / Screenwriter; 1939 - The Kid from Kokomo / Screenwriter; 1939 - The Roaring Twenties / Screenwriter; 1940 - Brother Rat and a Baby / Screenwriter; 1940 - Flight Angels / Short Story Author; 1940 - They Drive by Night / Screenwriter; 1940 - Three Cheers for the Irish / Screenwriter; 1940 - Torrid Zone / Screenwriter; 1941 - Manpower / Screenwriter; 1941 - Million Dollar Baby / Screenwriter; 1941 - Navy Blues / Screenwriter; 1941 - Out of the Fog / Screenwriter; 1942 - Across the Pacific / Screenwriter; 1942 - Captains of the Clouds / Screenwriter; 1942 - Wings for the Eagle / Screenwriter; 1943 - Hello, Frisco, Hello / Screenwriter; 1944 - Tampico / Screenwriter; 1946 - Young Widow / Screenwriter; 1947 - Born to Kill / Screenwriter; 1947 - Buck Privates Come Home / Short Story Author; 1954 - The Good Die Young / Book Author; 1959 - Maverick: Betrayal / Screenwriter; 1959 - Perry Mason: The Case of the Caretaker's Cat / Screenwriter.

4th iteration - sandboxed page: jamespcomer > richard macaulay, HCUA "friendly witness".

1st citation, credited - sandboxed page: robert mayhew, author - Ayn Rand and Song of Russia: Communism and anti-Communism in 1940s Hollywood >
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Ayn Rand - response made during a 1960s interview when asked whether she supported the blacklisting of communist actors and writers at the time of her HCUA testimony in 1947: http://books.google.com/books?id=O16HVcMyzUEC&lpg=PA91&ots=Kyrhb8Qb5e&dq=richard%20macaulay%20hcua%20friendly%20witness&pg=PA91#v=onepage&q&f=false

2nd citation, credited - sandboxed page: larry ceplair, steven englund, authors - The inquisition in Hollywood: politics in the film community, 1930-1960 >
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http://books.google.com/books?id=HvC3WaGZF3UC&lpg=PA281&dq=richard%20macaulay%20hcua%20friendly%20witness&pg=PA280#v=onepage&q&f=false