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First movement

 * rwar test
 * rwar test


 * First theme

Like most of Schubert's early symphonies, the D.615 symphony opens with a slow introduction, which is cast in the key of D minor. Its beginning is somewhat reminiscent of the slow introduction to Joseph Haydn's 104th symphony, but it quickly moves into harmonically more remote territory, going as far as the tritone-related key of A-flat major. This moves into a conventional sonata-form movement in D major, with a transition making heavy use of triplets with the second theme in the dominant key of A major, but the sketch terminates at the end of the exposition. Near the end of the exposition, cadences in C major are alternated with those in A major. Brian Newbould sees a falling off of quality during the exposition, saying that "despite some promising ideas it runs out of wind before Schubert rests his pen".