User:Jcookie7/Grande Otelo

Grande Otelo, the stage name of Sebastião Bernardes de Souza Prata, was a Brazilian actor, comedian, singer, producer, and composer. A great artist of carioca casinos and the so called "teatro de revista" (vaudeville), he participated in many successful Brazillian films. Among these are the famous chanchadas of the 1940s and 1950s, in which he co-starred with the comic Oscarito, and the cinematographic version Macunaíma, produced in 1969. He is frequently cited as one of the most important actors in the history of Brazil.

1920: Childhood and Youth
Otelo was the son of Antenor Prata and Maria das Dores de Souza. His father, who was a cowboy, died when Sebastião was only two years old. Acording to the actor himself, his career in acting began a few short years after in UIberlândia in 1924 in a circus ring:"'To me, the first entry that I made was beautiful because I was already a city clown, with my young age. Therefore, in that day the circus was full to see Bastiãozinho (...). I was about seven years old...Bastiãozinho dressed in a long dress and a pillow on the butt, wiggling arm in arm with the clown. Everyone laughed, everyone found it funny...'"When the young boy was eight years old, his mother gave him up for adoption and he was taken to São Paulo. In the city, he fled from his adopted family a few times, which always led him to the juvenile court. In 1927, though still a child, he participated in the Companhia Negra de Revistas which was funded by Jayme Silva and the black artist De Chocolat who also had had Pixinguinha as a conductor. His presentations quickly became well known, leading to the following quote from the Jornal do Comércio (Newspaper of Commerce): "'As part of the cast as a great attraction the great Othelo, a little six year old artist, is a real astonishment. The great little artist sings in diverse languages, with a verve and an extraordinary spontaneity. Newspapers of São Paulo and many other citys have called him the greatest artist of the Portuguese language.'"After a few escape attempts, he passed from tutor to tutor until being adopted by the family of the politician Antonio de Queiroz. Otelo then studied at the Heart of Jesus Lyceum until he was in junior high.

Personal Life
His life was full of a variety of tragedies. His father died from a stabbing before Grande Otelo was born and his mother was an alcoholic. In 1948, he officially married his first companion Lucia Maria Pinheiro. In the following year, Lucia shot the six year old child and then killed herself. In 1954, Otelo married for a second time, this time to Olga Vasconcellos. He remained in a relationship with her for 20 years. His final marriage was to a dancer named Joséphine Helene, which lasted 13 years.

He had four children, one of whom also became an actor: José Prata ("O Pratinha"), who initiated his artistic career at 14. He acted in the 1986 version of the soap opera Sinhá Moça (in the role of Bentinho) in addition to participating in the sitcom As Aventuras do Tio Maneco, and in the plays "O Pagador de Promessas" and “A Turma do Pererê”. In the 2010s, Pratinha worked as a cellphone repairman. Another of Otelo's Children, Carlos Sebastião Vasconcelos Prata, had become homeless around the same time.

Effects of Racism on his Career
Grande Otelo is seen by many as a great success story. He is widely known today because of the prolific nature of his acting career. However, his career was marked by racism and prejudice. In one of his first roles, that of Sebastião in the film Onde Estás Felicidade, Grande Otelo's character is subject to many racial stereotypes. Incorrect stereotypes were a theme in many of his works, even well into his later years. Additionally, Grande Otelo faced prejudice against his acting abilities. It was and still is difficult to obtain leading roles for black actors. The leading roles that he managed to secure were all shared with a white co-star.