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Norah Borges

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Prisma (1921), Proa (1924-1926), Martin Frierro ans Sur (1925-1942), Grecia (1918-1920)

- In the Spanish literary magazine, Grecia, she was asked to redesign the graphic design elements of four covers and a new header for their opening page at the age of eighteen.

- In 1924, Borges created a woodcut cover for the Mexican journal, Antena. Two years later, two of her illustrations were in the magazine Amauta. When creating for Amauta, she was underneath José Carlos Mariátegui, who used illustration has a tool to help women artists in Latin American advertise their artwork.

- In the September-October 1924 issue of Martin Fierro, Borges first collections of poems called Calle de la tarde are displayed.

( Sutherland, Camilla. “‘El Pájaro de Cuatro Notas’: The Reception of Argentine Women Writers and Artists’ Work in Avant-Garde Magazines.” Journal of Iberian and Latin American Studies, vol. 23, no. 3, Dec. 2017, pp. 399–416. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2018320897&site=ehost-live. )

- Norah's protest and imprisonment were eventually represented in her art, such as her painting, Recuerdos de la prisión (1948-1949).

- Norah's arrest was odd because her paintings didn't seem to have any political context before. Norah's later paintings were considered to be more "female-centered".

-Norah wasn't very vocal about her political views, even with the arrest and her association to the Sur. (refused to make statements)

( Mccarthy, Eamon. “Recuerdos de La Prisión: The Politics of Being Norah   Borges.” Hispanic Research Journal, vol. 14, no. 5, Routledge, Oct. 2013, pp. 409–26, doi:10.1179/1468273713Z.00000000058. )

- Growing up, Norah lived in the shadow of her famous writer brother. It wasn't until later in life that she gained her own personal popularity. /emerged from her brother's shadow

-After three years of school, Norah was told by professor Maurice Sarkisoff to leave the way of the academy to grow in her individual style.

( Bach, Caleb. “The Other Borges: Often in the Shadow of Her Older Brother, Norah Borges Embodies the Artistic Movement of the Early Twentieth Century.” Americas (English Edition), no. 2, 2007, p. 36. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=edsglr&AN=edsgcl.161023419&site=eds-live. )