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Christine Corday is an American painter and sculptor. Her work draws from earlier studies in astronomy, cultural anthropology, chemistry, and sensory perception science. Corday's artistic approach consist of manipulation of matter into different states, producing massive sculptures that viewers are meant to experience through touch, leaving memories on the surface of her work. Her works are found in private international collections: Paris, Madrid, Dublin, Tokyo, Los Angeles, San Miguel de Allende, Dubai, Brussels, Washington DC, and New York City. With Corday's first solo exhibition: PROTOIST SERIES: SELECTED FORMS, presented at the Los Angeles County Museum of Art.

Early life and education
A Maryland native, Corday's interest in the arts and science was marked by her classical training in piano during her formative years. In 1991, before receiving her B.A. in Communication Arts (1992), she wrote an original research paper which led to an Astrophysics internship at NASA Ames Research Center. Corday continued her academic studies later on in graduate courses in Cultural Anthropology at Washington University. From 1992-1999, she worked in graphic and structural design for advertising companies, such as Wieden+Kennedy, Bartle Bogle Hegarty, and SKUzzio Design. In 1999 and 2000, Corday began devoting her time to painting. She spent one year in Tokyo, Japan, then would later go to Seville, Spain for three years working on her sound and tidal energy project called Instrument for the Ocean to Play. Corday's work and experiences in Spain shifted her palette to black, hand-making her own tar-like paint through raw pigments, charcoal, and synthetic polymers, and fabricated tools to apply the paint to raw linen and canvas. Corday's black palette painting are considered to be early blueprints of her sculptural work.

Awards and Prizes
Corday received the Edison Ingenuity Prize in Montreal, Canada and has also won a number of international design awards for her patented glass bottle for the Republic of Tea. In 2000, Corday was selected for a Short Story prize from Francis Ford Coppola's fiction magazine Zoetrope.