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Ridinghouse is an imprint committed to publishing primary documents, art historical research, first monographs and anthologies of interviews and writings. Established in 1995, the organisation has been rapidly expanding since 2004 and it currently produces 8-10 publications a year. Several themes run through Ridinghouse’s books, including anthologies of writings on and conversations with artists, such as 'Talking Art: Interviews with Artists Since 1976' [2007] , edited by Patricia Bickers and ch-ch-ch-changes: artists talk about teaching [2009]. Books that examine the relationship between art and law including The Trials of Art [2007], an anthology of essays by art historians and lawyers, edited by Daniel McClean. Ridinghouse also publishes PhDs on art historical themes that have been neglected such as Unconcealed, The International Network of Conceptual Artists 1967-77: Dealers Exhibitions and Public Collections by Sophie Richard [2009] as well as first monographs including Bob Law: A Retrospective [2009]. Ridinghouse has developed a series of collected reviews and critical texts that charts the gradual reception of a single artist over time; so far these include titles on each Carl Andre, Dan Flavin and Robert Ryman.