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Cold Spring Harbor is the debut studio album by American recording artist Billy Joel, released on November 1, 1971, by Family Productions.

Composition and recording
Cold Spring Harbor was named after a hamlet of the same name in the Town of Huntington, New York. It is located on Long Island Sound near Joel's hometown. The front cover was photographed at Harbor Road in Cold Spring Harbor.

His song "Tomorrow Is Today" drew from his period of depression and hospitalization the year before. Joel later released live versions of "She's Got a Way" and "Everybody Loves You Now", first included on this album, in his Songs in the Attic (1981), recorded in live performances. "She's Got a Way" was also released as a single in early 1982, and peaked at No. 23 on the Billboard Hot 100 chart.

Mastering
Through an error in the album's mastering, the songs played slightly too fast, causing Joel's voice to sound unnaturally high (one-half of a semitone higher—Joel joked that he sounded more like one of Alvin and the Chipmunks than himself). According to a long-standing rumor, when Joel first heard the finished product, he "ripped it off the turntable, ran out of the house, and threw [the record] down the street." Arthur "Artie" Ripp, owner of Family Productions and hence the owner of the original master tapes, was responsible for the production error, and the mistake cost him his friendship with Joel. He had originally signed the 22-year-old Joel to a ten-record contract that stripped Joel of all rights to the original tapes and to the publishing rights to all current and future songs.

As part of a deal with Columbia Records to release Joel from his contract, Ripp was still able to collect royalties on sales of Joel's records long after Joel's acrimonious departure from Family Productions (up until 1986's The Bridge). Ripp only sold the publishing rights to Joel's song catalog back to Joel reluctantly after intense pressure from CBS/Columbia Records president Walter Yetnikoff, who claimed he had to threaten Ripp to finalize the deal.

Remix
In July–September 1983, Ripp and Larry Elliot remixed Cold Spring Harbor at Ripp's Fidelity Studios in Studio City, California. The album's pitch was adjusted in order to make Joel's vocal tone more mature. In order to enhance the album's sound, Ripp brought in studio musicians Mike McGee (drums), Al Campbell (synthesizers), and L.D. Dixon (Fender Rhodes) to overdub new rhythm sections on "Everybody Loves You Now" and "Turn Around." In addition, "You Can Make Me Free" was truncated by nearly three minutes (removing most of the original tail-end, fadeout jam), and the bass, drums, and orchestration on "Tomorrow Is Today" were removed.

The remix was released through Columbia Records, without any involvement from Joel. In a 2011 interview with actor Alec Baldwin, Joel stated that despite the remix, he believes that the album still does not sound very good.

Track listing
All songs written by Billy Joel.

Personnel
Musicians
 * Billy Joel – acoustic piano, Hammond organ, harpsichord, harmonica, vocals
 * Rhys Clark – drums on "Everybody Loves You Now" (1971 mix), "Falling of the Rain", "Turn Around" (1971 mix), and "Tomorrow Is Today" (1971 mix), cymbals on "She's Got a Way"
 * Sal DiTroia – guitar
 * Don Evans – guitar
 * Jimmie Haskell – arrangements, conductor
 * Sneaky Pete Kleinow – pedal steel guitar on "Turn Around"
 * Larry Knechtel – bass
 * Joe Osborn – bass
 * Artie Ripp – arrangements, conductor
 * Denny Seiwell – drums on "You Can Make Me Free" and "You Look So Good to Me"
 * Mike McGee – drums on "Everybody Loves You Now" and "Turn Around" (1983 remixes)
 * Al Campbell – keyboards on "Turn Around" (1983 remix)
 * L. D. Dixon – Fender Rhodes on "Turn Around" (1983 remix)

Production
 * Artie Ripp – producer, engineer, remixing, editing, director
 * Irwin Mazur – executive producer, art direction
 * Larry Elliott – engineer, remixing, editing
 * John Bradley – engineer
 * Michael D. Stone – second engineer
 * Gordon Watanabe – assistant engineer
 * Bob Huges – mastering (LP)
 * Doug Sax – mastering (1987 CD)
 * Joseph Palmaccio – remastering (1998 CD)
 * Ted Jensen – remastering (2011 CD)