User:Knechti1/Quillwork

History
The Blackfoot Native American tribe in the Northwest region of North America also put much significance on women who did quillwork. For the Blackfoot, women doing Quillwork had a religious purpose to it such as wearing special face paint that consisted of yellow ochre and animal fat which would be mixed in the palm of one's hand and then a 'V' marking would be made across the forehead to the nose; This face paint was meant to protect the women who was participating in quillwork and would always be done before doing so. Red paint would then be used to draw a vertical line from the bridge of the nose to the forehead and altogether this would resemble the foot of a crow. They would also wear sacred necklaces each time they did quillwork as another form of protection. When a woman would become too old to continue her craft she would have a younger woman become an initiate, generally a relative, so that the craft could be passed on. Being a woman who made quillwork in the Blackfoot tribe held major importance as the few women who did quillwork would chose who would become the next assume the craft of quillwork. After being initiated, the young woman would be expected to craft a moccasin and would then would take it and place it on top of a hill as a form of offering to the sun.

The Arapaho and Odawa tribes also had religious significance for women in Quillwork as their works would represent sacred beings and connections to nature. Colors and shapes also had unique meanings allowing for diverse and unique designs carrying many cultural or religious meanings. The Odawa tribe in particular used many of the same colors as the Blackfoot tribe with the addition of white, yellow, purple, and gold.