User:Krayon95/sandbox/Charan

Ancient Era

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In ancient Sanskrit literature texts, the Cāraṇas are depicted chanting hymns eulogizing the gods and as priests worshipping temple icons.

Historically perceived of being associated with a divine origin, the sacrility of the Cāraṇas was corollary to their inviolability; harming whom was considered a sin comparable to brahmahatya.  Because of the institutionalized and religiously sanctioned protection which they enjoyed, they could fearlessly criticize and admonish the kings and their actions, act as mediators in political disputes among the rulers, and serve as protectors of mercantile activity throughout the conflict-ridden regions of western India.

Poets & Historians
Rajasthani & Gujarati literature from the early and medieval period, upto the 19th century, has been mainly composed by Charans. The relationship between Charans and Rajputs is deeprooted in history. As Charans used to partake in battles alongside Rajputs, they were witnesses not only to battles but also to many other occasions and episodes forming part of the contemporary Rajput life. The poems composed about such wars and incidents had two qualities: basic historical truth and vivid, realistic and pictorial descriptions, particularly of heroes, heroic deeds and battles.

The Chāran poetry is mostly descriptive in style and can be categorized in two forms: narrative and stray. The narrative form of Charan poetry goes by various names viz., Rās, Rāsau, Rūpak, Prakās, Chhand, Vilās, Prabandh, Āyan, Sanvād, etc. These poems are also named after metres such as, Kavitt, Kundaliyā, Jhūlaņā, Nīsāṇī, Jhamāl and Veli etc. Poems of stray form also use a variety of such metres. Written in Dingal, the various sources, known as bata (vata), khyata, vigata, pidhiavali, and vamsavali, form the most important body of primary data for the study of the medieval period.

Although, for Charans, poetic composition and recitation was only a hereditary 'pastime', subordinate to the primary income producing occupations of military service, agriculture, and horse and cattle trading. Ambitious and talented boys, however, pursued traditional education from other learned Charans for comprehensive guidance. When accepted by them as students, they would receive training in the basics of poetic composition and narration as well as the specialized languages by precept and example, with emphasis on memorization and oral recitation. Students would in turn recite the compositions, constantly improving their style. Knowledge of languages such as Dingal, Sanskrit, Urdu, and Persian was also acquired with the aid of specialized masters. Thus, subjects studied included not only history and literature, but also religion, music, and astrology.

Renowned Charan poets of the time were part of the royal courts, attaining the rank of Kaviraja or "court-laureate" and assuming positions of great influence. Such learned Charans were exceptionally honoured by the rulers. The rulers bestowed awards whose value amounted to lakh(a hundred thousand) or krore(in million), hence these were termed as Lakh Pasav or Krore Pasav. These awards comprised of sasan lands, horses, elephants, and ornaments.