User:LegoOrchid/The Frogs

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The Frogs was written and performed during the final stages of the Peloponnesian War. Sophocles and Euripides, two Greek playwrights regarded as some of the most talented poets of their time, had recently died. During the creation of the narrative, Sparta and its allies had blockaded Athens and within 6 months succeeding the production of The Frogs, Athens was defeated in a battle at sea, surrendering to Sparta.

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Plot:

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-Critical Analysis-

Politics:

W. Geoffrey Arnott argues that The Frogs is used as a tactic to educate and advise the public. There are many passages within the play that paint poets and playwrights as educators and teachers. There is a particular section in which the character “Aeschylus” claims that after he produced his play “Persians”, he educated Athenian audiences to be resilient in vanquishing their enemies. The theme of poets functioning as advisors within The Frogs is driven by the play's three main characters: Aeschylus, Euripides, and Dionysus.

Aristophanes himself acts as an educator and advisor regarding political issues through his writing. This is most prevalent during the Parabasis in which the chorus pleads to the audience for the return of exiled oligarchs who had been cast out during the restoration of the Athenian democracy in 410. This parabasis has been credited as one of the biggest reasons for the The Frogs success at the Lenaea of 405. The Frogs 1st place victory at Lanaea may have assisted in the development of a political environment that held more favor towards those exiled. In 405 those exiled, although not ordered to, were granted the ability to return to Athens and re-collect their citizenship rights under a set of conditions preserved in Andocides’ speech On the Mysteries.

*portion of politics section* The Frogs influence on political issues at the time of its performance are clear. This can be used as an example to support Aristotle’s claims about society and political participation: ''“Hence it is evident that the state is a creation of nature, and that man is by nature a political animal. And he who by nature and not by mere accident is without a state, is either a bad man or above humanity; he is like the: Tribeless, lawless, hearthless one,’ whom Homer denounces—the natural outcast is forthwith a lover of war; he may be compared to an isolated piece at draughts.”''

- Aristotle Politics 1.2 Here Aristotle is arguing that it is in human nature to be involved in politics and being uninvolved is a negative trait. The Frogs can be examined through this lens, relating its emphasis on the political change to the attitudes sustained in Athens regarding education and civil duty. Aristotle further claims that theatre is used to comment on societal issues, and present solutions through their demonstration and the use of realism in theatre : “...supposing the charge is "That is not true," one can meet it by saying "But perhaps it ought to be," just as Sophocles said that he portrayed people as they ought to be and Euripides portrayed them as they are...”

- Aristotle Poetics 1460b *J.T. Sheppard section*

Restructuring bottom half of Critical Analysis section, changing it to a Place in Greek Theatre section with sub-headings: Development in Theatre:

The Frogs proved to be a revolutionary piece of media. Through its fascination with education and authorship, the play greatly advances ideas on criticism in theatre that are still seen in contemporary debates and cultural politics. The text is dissected and analyzed, quite literally weighted, within the play itself, prompting the audience to also do so in their viewership. Lines throughout the play point to the intelligence of the newly literate Athens: 'lay out your arguments... and if you're afraid of any ignorance in the audience, don't worry about that, because that's no longer how things stand today. They're all experienced! Each has a book and knows the clever points;  their natural skills are top-notch, indeed, they're razor-sharp'

- The Frogs (1105-16) In an Athens filled with educated citizens, dramatic performance traditions can be scrutinized for the audience's amusement. Within the wider net of social and political judgment, critiquing poetry can reveal what the audience values and what ideas they promote within the city of Athens. The Frogs can also be identified as a piece dedicated to the poetic tradition as it is reaching the end of its era with the deaths of Sophocles and Euripides. Within the story, poets debate about cultural politics ranging from poetry to education in the newly democratic city. These arguments present questions about what drama should be about, what poets actually teach to their audiences, and the type of language poets and playwrights should use. The Frogs exhibit the ways in which civic life and drama are intertwined, enabling the analysis of theater’s impact on politics and cultural development that has continued today. Canonization:

The Frogs acts as an early form of Greek canonization. After the deaths of Euripides and Sophocles, the importance of written work in Ancient Greece became highly regarded throughout the region. Although the two authors could no longer produce new plays, their previous works could remain in the minds of Geek audiences through the form of written text. Since the plays were written down, they could also be reperformed. The Frogs presents the beginnings of the Greek literary canon by displaying Euripides, Aeschylus, and Sophocles as some of the most witty, eloquent, topical, and culturally influential playwrights of the time.

The Frogs highlight Athenian cultures' transition into a more literary society. Many passages in the play reference the sophisticated intellectualism that became associated with Athenians who could and would often read and write. The play’s focus on featuring famous playwrights of the time emphasizes the scholarly advances occurring during the 5th century BCE, serving the goal of preserving cultural memory.

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Sophocles:

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