User:Lemuellio/sandbox

Father Brown stories

 * "The Honour of Israel Gow}} (as (as
 * The Saturday Evening Post 5 November 1910
 * "The Eye of Apollo"
 * The Saturday Evening Post 25 February 1911
 * "The Sign of the Broken Sword"
 * The Saturday Evening Post 7 January 1911
 * "The Three Tools of Death"
 * The Saturday Evening Post 24 June 1911
 * The Saturday Evening Post 7 January 1911
 * "The Three Tools of Death"
 * The Saturday Evening Post 24 June 1911
 * The Saturday Evening Post 24 June 1911

2. The Wisdom of Father Brown (1914)
 * "The Absence of Mr Glass | magazine = McClure's Magazine'' November 1912
 * "The Paradise of Thieves | magazine = McClure's Magazine'' March 1913
 * "The Duel of Dr Hirsch"
 * "The Duel of Dr Hirsch"
 * "The Duel of Dr Hirsch"


 * "The Man in the Passage | magazine = McClure's Magazine'' April 1913
 * "The Mistake of the Machine"
 * "The Mistake of the Machine"


 * "The Head of Caesar | magazine = The Pall Mall Magazine'' June 1913
 * "The Purple Wig | magazine = The Pall Mall Magazine'' May 1913
 * "The Perishing of the Pendragons | magazine = The Pall Mall Magazine'' June 1914
 * "The God of the Gongs"
 * "The Salad of Colonel Cray"
 * "The God of the Gongs"
 * "The Salad of Colonel Cray"
 * "The Salad of Colonel Cray"


 * "The Strange Crime of John Boulnois | magazine = McClure's Magazine'' February 1913
 * "The Fairy Tale of Father Brown"
 * "The Fairy Tale of Father Brown"

3. The Incredulity of Father Brown (1926)
 * "The Resurrection of Father Brown"
 * "The Arrow of Heaven" (Nash's Pall Mall Magazine, Jul 1925)
 * "The Oracle of the Dog" (Nash's [PMM], Dec 1923)
 * "The Miracle of Moon Crescent" (Nash's [PMM], May 1924)
 * "The Curse of the Golden Cross" (Nash's [PMM], May 1925)
 * "The Dagger with Wings" (Nash's [PMM], Feb 1924)
 * "The Doom of the Darnaways" (Nash's [PMM], Jun 1925)
 * "The Ghost of Gideon Wise" (Cassell's Magazine, Apr 1926)

4. The Secret of Father Brown (1927)
 * "The Secret of Father Brown" (framing story)
 * "The Mirror of the Magistrate"
 * "The Man with Two Beards"
 * "The Song of the Flying Fish"
 * "The Actor and the Alibi"
 * "The Vanishing of Vaudrey" (Harper's Magazine, Oct 1925)
 * "The Worst Crime in the World"
 * "The Red Moon of Meru"
 * "The Chief Mourner of Marne" (Harper's Magazine, May 1925)
 * "The Secret of Flambeau" (framing story)

5. The Scandal of Father Brown (1935)
 * "The Scandal of Father Brown | magazine = The Story-Teller'' Nov 1933}}
 * "The Quick One | magazine = The Saturday Evening Post'' Nov 25, 1933}}
 * "The Blast of the Book/The Five Fugitives" (Liberty Aug 26,1933)
 * "The Green Man" (Ladies Home Journal, November 1930)
 * "The Pursuit of Mr Blue"
 * "The Crime of the Communist" (Collier's Weekly, Jul 14, 1934)
 * "The Point of a Pin" (The Saturday Evening Post, Sep 17, 1932)
 * "The Insoluble Problem" (The Story-Teller, Mar 1935)
 * "The Vampire of the Village" (Strand Magazine, August 1936); included in later editions of The Scandal of Father Brown

6. Uncollected Stories (1914, 1936)
 * "The Donnington Affair" (The Premier, November 1914; written with Max Pemberton)
 * "The Mask of Midas" (1936)


 * }


 * Most collections purporting to be The Complete Father Brown reprint the five compilations, but omit one or more of the uncollected stories. Penguin Classics' 2012 edition (ISBN 9780141193854) is the only truly complete one, including 'The Donnington Affair', 'The Vampire of the Village' and 'The Mask of Midas'.
 * The Collected Works of G. K. Chesterton, vols. 12 and 13, reprint all the stories including the three not included in the five collections published during Chesterton's lifetime.

Hepworth's Alice in Wonderland
Cecil Hepworth, who began making films in 1899, was well known for actuality films (short pieces of documentary footage) and trick films; he and the "Brighton School" of filmmakers, such as James Williamson and G. A. Smith, experimented lavishly with early special effects techniques. Hepworth went on to become the foremost British film producer of the 1905–1914 period.

The scene with parading playing cards imitates the style of a popular film genre of the time, actuality films of real-life processionals and pageants.

The film uses technical tricks and special effects popular in early British filmmaking, such as multiple exposures (to allow the Cheshire Cat to appear in a hedge and Alice to change size) and the substitution splice (to allow the Duchess's baby to change into a pig).

The film was sold both complete and as individual scenes.