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In 2008-2009, she re-exhibited Heart Wall, a 24 ft. installation in the lobby of 340 Madison Avenue, New York, New York for 18 months.

In 2015 through August 8th - September 6th, 2015, her exhibition Shifting Ecologies II, curated by Marianne Van Lentwas at The Athens Cultural Center.

In 2016 through October 1st-30th, 2016, her exhibition On Knowing Unknowing: A Material Narrative was at the Ortega y Gasset Projects.

In 2018 through October 7th - November 25, 2018, her exhibition Crossing Boundaries: Material As Message was at the RoCA, Rockland Center of the Arts.

In 2019 through January 18th- February 16, 2019, her exhibition Art on Paper was at the Brooklyn Gallery.

In 2019 through May 17th - June 30,2019, her exhibition Labyrinths of the Mind was at the Woodstock Byrdcliffe Guild, Kleinert/James Center for the Arts. "An exhibition displaying artists withdrawing from the digital, media, and public fray within which we live to make their art out of their own mind experience." [7]

In 2019 through August 24th-October 6,2019, her exhibition The Meeting of the Birds was at the Kaaterskill Gallery. "Nancy Azara’s work in the upcoming exhibition, Meeting of the Birds, includes: seven mixed media works, collages on paper from the Crow and Sandal Series, three banners made with crow imagery, sized to the gallery’s windows; a series of sculptures carved in wood with steel, painted and gilded, and a selection of small paintings" [8]

Her most recent exhibition, Ink: New Print was at the Brooklyn Gallery through January 31- February 29, 2020. This exhibition shows the rapid changes of printmaking through the last three decades, including technological developments and modes of production.

Feminism in Writing and Art

Starting her Feminism Art journey in the 1970's, she found an empowerment within by exploring feminism through consciousness raising sessions. Azara performed 'primitive' drawings and sculptures that went against her lessons in art school. Simple shapes and forms became her muse, "realizing they had emotional import as an expression in shapes and colors of the emotional dialogue taking place" [17] Azara’s work records a journey of spirit, memory, and ideas around the unseen and the unknown, reflecting on time and mortality through facets of her personal history as a female artist.

“In 1970, I would rarely find women’s art in a public setting. When I did find women’s art in exhibits, it was a single artist’s work here and there, usually tucked in among the men’s work. It’s been a long struggle, but a heartening one to come to, to find so many women artists working, and showing, speaking in their art about their visions, their lives, translating into color and form their unique voices—making public their presence. We may not so easily realize it now, but considering millenniums of lack of recognition and rejection, making and showing art is a courageous act for women.” [18]

Her works following the feminist agenda making sculptures, carving pieces of wood that are logs or milled lumber, ranging in size from 1 foot to 12 feet or more. The work is often gilded with metal leaf, painted with tempera, encaustic, and oils, stained and sometimes burned or bleached. These formal properties are the psychic outer layer. Within the psychic inner layer is the voice of my heart and what resides within it. Azara discusses the meaning of her artworks, which is about the nature of memory, yearning and desire. "All my work is about the brilliance of light, about the shadows and the darkness, about a history of what was, about the nature of memory, yearning, and desire" [19]

The Orange Branch with Goldby Nancy Azara 32" x 20" x 12" was carved, painted wood with gold leaf Orange Branch with Gold is a homage to the unique nature of the tree, its treeness celebrated in its bright startling hot orange light presence. And Tree Altar, carved, painted wood with gold leaf, Tree Altar-made from a Christmas tree that was once chosen for its beauty, adorned someone's home, and was subsequently discarded when no longer useful-has been retrieved in this sculpture and given a new interior beauty. Specifically, Orange Branch with Gold and Tree Altar are about the memory of what was, in the sense that they are memorial trees [20]