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= Anna Marley = Anna Marley is a Curator, Art Historian, Scholar, and Writer. She is the current Curator of Historical American Art at the Pennsylvania Academy of the Fine Arts, and the Director of the Center for the Study of the American Artist.

At the Academy, Marley has curated over 15 shows on varying topics such as Henry Ossawa Tanner, Hudson River School, William Trost Richards, and Violet Oakley.

Education
Marley attended Vassar College, where she obtained a B.A. in Art History and then went on to get an M.A. in museum studies from the University of Southern California. In 2009, Marley got her PH.D. from the University of Delaware, where she wrote her dissertation entitled “Rooms with a View: Landscape Representation in the Late Colonial and Early National American Domestic Interior” about 18th and early 19th century landscape painting.

Career
In 2001, Marley interned with the National Park Service in Yosemite, CA and in 2005 she worked at the National Gallery of Art in Washington DC. In 2009, Marley was made the Curator of Historical American Art at the Pennsylvania Academy of the Fine Arts and has since expanded the Academy’s collection with a focus on 18th, 19th and early 20th century American Art with an interest in African-American and women artists, as well as artists of the Hudson River School. In 2016 Marley became the Director of the Pennsylvania Academy of the Fine Arts Center for the Study of the American Artist, which supports the museum’s mission to collect, conserve, exhibit, and interpret works of art, as well as the rich archival collections that document the history of the institution and the men and women that helped shape American Art and Art Education. The Center provides a wide range of research services in support of students, scholars, faculty, staff, and the general public. In 2017, Marley was a visiting professor at the University of Delaware, where she taught a course about Exhibitions and Curatorial Practice. Marly was recently named as a fellow of the Center for Curatorial Leadership 2020 Fellowship.

Exhibitions

 * 2019: “From the Schuylkill to the Hudson: Landscapes of the Early American Republic”
 * 2017: “Graphic Women”
 * 2016: Thomas Eakins: Photographer
 * 2016: “Life, Liberty, Happiness?”
 * 2015: “The Artists Garden: American Impressionism and the Garden Movement, 1887-1920”
 * 2014: “Spiritual Strivings: A Celebration of African American Works on Paper”
 * 2013: Hidden Treasures Unveiled: Watercolors”
 * 2013: Modern Women at PAFA: From Cassatt to O’Keeffe
 * 2012: “A Mine of Beauty: Landscapes by William Trost Richards”
 * 2012: “A New Look: Samuel F. B. Morse’s Gallery of the Louvre”
 * 2012: “Henry Ossawa Tanner: Modern Spirit”
 * 2011:  “Anatomy/Academy”
 * 2010: “American Art Starts Here: PAFA Refreshed, Reloaded”
 * 2010: Virgins, Soldiers, Angels, and Saints: Violet Oakley's Religious Art from the PAFA Collection
 * 2009: “Public Treasures/Private Visions: Hudson River School Masterworks”
 * 2006: “The Art of Edward L. Loper, Sr.: On the Path of the Masters”
 * 2002: “Global Address”

Publications and Books

 * From the Schuylkill to the Hudson: Landscapes of the Early American Republic . Philadelphia: PAFA and Lucia/Marquand, 2019.


 * “Painting History in the United States Capitol Rotunda”, The Capitol Dome: A Magazine of History published by the United States Capitol Historical Society. Vol. 55, No. 1. December 2018. https://www.e-digitaleditions.com/i/1052459-2018-dome-55-1


 * “Von Cassatt zu O’Keeffe – Der Aufstieg professionaller Kunstlerinnen in den USA” in Once Upon a Time in America: Three Centuries of American Art. Cologne: Wallraf-Richartz-Museum & Fondation Corboud, 2018.


 * “Landscapes of the New Republic at Thomas Jefferson’s Monticello” in Building the British Atlantic World. Bernie Herman and Daniel Maudlin Editors. Chapel Hill: University of North Carolina Press, 2016.


 * “Henry Ossawa Tanner” in The Art of Handwriting, Mary Savig Editor. New York: Archives of American Art and Princeton Architectural Press, 2016.


 * The Artist’s Garden: American Impressionism and the Garden Movement, 1887-1920. Philadelphia: University of Pennsylvania Press, 2014.
 * A Mine of Beauty: Landscapes by William Trost Richards. Seattle: Marquand Press, 2012.


 * Henry Ossawa Tanner: Modern Spirit. Berkeley: University of California Press, 2012.


 * Anatomy/Academy, Philadelphia: Nexus of Art and Science, Philadelphia: Pennsylvania Academy of the Fine Arts, 2011.


 * “Violet Oakley Windows” Museum Accessions column The Magazine Antiques, Summer 2010.


 * “The Parlor Car and the Papoose: Viewing Class, Race, and Domesticity in Gilded Age Transcontinental Tourist Guides and Travel Literature.” Material Culture Symposium for Emerging Scholars: Selected Papers 2003-2007. Newark, DE: Small Wonder Press and Raven Press at the University of Delaware, 2008.


 * “The Art of Edward L. Loper Sr.: On the Path of the Masters.” The Art of Edward l. Loper Sr.: On the Path of the Masters. Newark, DE: University Museums of the University of Delaware, 2007
 * “Here and Nowhere: Los Angeles, Globalization and Location,” and “Dead Country: Miles Coolidge’s Global Landscape.” Global Address Exhibition Catalogue. Los Angeles: Fisher Gallery, 2002.