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Java
The Indonesian island of Java is known for its rich musical culture, centered around gamelan music. The two oldest gamelan instrument sets, dating from the twelfth century, are housed in the kraton s (palaces) in the cities of Yogyakarta snd Surakarta. Gamelan music is and integral part of the Javanese culture: it is a part of religious ceremonies, weddings, funerals, palace activities, national holidays, and local community gatherings. In recent years, there has been an increasing market for gamelan associated tourism: several companies arrange visits for tourists wishing to participate in and learn gamelan.

Gamelan music has a distinct pedagogical approach. The term maguru panggul, translated means “teaching with the mallet” describes the master-apprentice approach that is used most often when teaching the music. The teacher demonstrates long passages of music at a time, without stopping to have the student demonstrate comprehension of the passage, as in a western music pedagogy. A teacher and student will frequently sit on opposite sides of a drum or mallet instrument, so that both can play it. This provides the teacher an easy way to demonstrate, and the student can study and mimic the teacher's actions. The teacher trains the kendang player, who is the leader of the ensemble. The teacher works one on one with them and repeats the parts as many times as necessary until the piece is rhythmically and stylistically accurate. The Kendang player is sometimes relied on to transmit the music to their fellow gamelan members.

Some Western conservatories and colleges now offer Gamelan instruction, but these institutions tend to make use of the western-style of teaching music, more oriented towards trial and intervention than modeling and apprenticeship.