User:LynetteBurroughs/sandbox

Lynette M.F. Bosch, Ph.D. (Art Historian) is a SUNY Distinguished Professor and the Chair of the Art History/Museum Studies Department at the State University of New York at Geneseo, where she has taught since 1999. She specializes in Italian and Spanish Renaissance Art and Contemporary Latin American Art, with an area of special interest in Cuban-American Art. She is also an internationally renowned Curator of Latin American art.

Degrees Ph.D., Princeton University, Department of Art& Archaeology;M.A. also from Princeton University, Department of Art & Archaeology;M.A. from Hunter College, C.U.NY.;and B.A. from Queen College, C.U.N.Y.

Fellowships, Honors and Awards 2014 – Rothkopf Scholar Award, Lafayette College, Regional recognition for Teaching and Scholarship 2005 - National Endowment for the Humanities Grant for Summer Seminar for College and University Professors "Negotiating Cuban-American Identity in Philosophy, Literature and Art”             With, Jorge Gracia, Distinguished Professor, University of Buffalo and              Isabel Alvarez Borland, College of the Holy Cross, National Recognition      2005 - Daniel Silberberg Lecture, Institute of Fine Arts, New York University            “Diego Velázquez, Victoria Gitman, Maria Brito and Ernesto Barreda:              Postcolonialismo and Postmodernismo,” Invitational Lecture, National               recognition 2004 - Franklin Research Grant, American Philosophical Society, National            recognition 2001 - Eleanor Tufts Book Award, American Society of Hispanic Art Scholars             for Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada, Penn State Press (2000) 1998-99 - Fellow, The Bunting Institute, Radcliffe College, Harvard University 1998 - Program for Cultural Cooperation Between Spain's Ministry of Culture and United States Universities, International Recognition 1991 - New York State Decentralization Grant, SUNY, Cortland Arts Council Lecture series: "Women, Art and Religion" 1989 - American Philosophical Society Research Grant

1989 - National Endowment for the Humanities, Travel Award

1986 - National Endowment for the Humanities, Travel Award 1986 - American Council of Learned Societies Research Grant

1984 - Andrew W. Mellon Fellowship, The Metropolitan Museum of Art

1983 - Fulbright/Spanish Government Grant, declined for an AAUW Fellowship

1983 - American Association of University Women Fellowship

1979 - Renaissance Society of America, Summer Paleography Workshop Grant

BOOKS AND EXHIBITION CATALOGUES IN PRINT (RENAISSANCE ART)

2014 - Agnolo Bronzino: The Muse of Florence, Editor, Liana De Girolami Cheney New Academia Press, Washington, D.C., contributed two chapters: “Orthodoxy and Heterodoxy in Agnolo Bronzino’s Paintings for Bartolomeo and Lucrezia Panciatichi,” by Lynette M.F. Bosch, pp. 35-130 And “A Room with Many Views:” Eleonora de Toledo’s Chapel by Agnolo Bronzino in the Palazzo Veechio,” by Lynette M.F. Bosch, pp. 175-300

2001 - Leaves of Gold, Exhibition Catalogue, Philadelphia Museum of Art, Philadelphia, Pa., contributed catalogue entries on Spanish manuscripts

2000 - Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada, Penn State Press, 292 pages, Awarded the Eleanor Tufts Book Prize (2001), American Society of Hispanic Art Scholars

1998 – The Word Made Image: Religion, Art and Architecture in Spain and Spanish America: 1500-1600, Editor: Jonathan Brown, Isabella Steward Gardner Museum, Boston, Ma., contributed one chapter: “Image and Devotion in Late Fifteenth and Sixteenth Century Spanish Painting,” by Lynette M. F. Bosch, 30-45.

1996 - The Artistic Splendor of the Spanish Kingdoms: the Art of Fifteenth-Century Spain, with Judith Berg Sobré, Exhibition Catalogue, Isabella Stewart Gardner Museum, Boston, Ma., contributed entries on Spanish manuscripts. Pp. 56-69.

ARTICLES (RENAISSANCE - ITALIAN AND SPANISH)

1999 - "Genesis, Holy Saturday, and the Sistine Ceiling," The Sixteenth Century Journal, vol. XXX, 3, Fall, 643-53

1996 - The Dictionary of Art, Mac Millan Press, London Entries: Master of the Cypresses, Arnau de la Pena, Juan and Pedro de Carrion, Garcia de San Esteban y Gormaz, Breviary of King Martin, Serra Family, Sanchez Family, Pedro Juan Ballester, Master of the Privileges, Master of San Marco

1993 - "Los Libros Seculares de Juan de Carrion," Archivo Español de Arte, No. 264, 261-271

1991 - "Giorgione's Tempest Revisited," Source, Winter, Vol. X, No. 2, 7-15

1991 - "Iluminación en Avila y Segovia Durante el Siglo XV: Los Libros Litúrgicos           del Grupo de Juan Carrión," Parte II," Archivo Español de Arte, No. 256, 1991, 474-487

1991 - "Iluminación en Avila y Segovia Durante el Siglo XV: Los Libros Litúrgicos              del Grupo de Juan de Carrión, Parte I," Archivo Español de Arte, No. 253, September, 54-64

1990 - "Bronzino's London Allegory: Love vs Time," Source, IX, 2, Winter, 30-35

1990 - "A Subject Proposal for a Pastoral Landscape," Source, IX, Winter, 1988, 9-12

1990 - "Una Atribución Nueva a Cano de Aranda, Miniaturista Toledano," Archivo Español de Arte, No. 249, January, 1990, 69-79

1983 - "Bronzino's Primavera and the Vindication of Innocence," Mitteilungen des Kunsthistorischen Institutes in Florenz, June, 74-82

1982 - "Bomarzo: A Study in Personal Imagery," Journal of the Society of Garden History, Autumn, 97-101

1982 - "A terminus ante quem for two of Martin Schongauer's Crucifixions," The Art Bulletin, December, 632-635

BOOK REVIEWS

2005 - Chiyo Ishikawa, Spain In The Age of Exploration, 1492-1819, College Art Association, Online Reviews

2001 - Christine Boeckl, Images of Plague and Pestilence: Iconography and Iconology, College Art Association, Online Reviews

1997 - Clive Hart and Kay Gilliland Stevenson, Heaven and the Flesh, The Journal of          the History of Sexuality, Volume 7, No. 4, April, 604-606

1993 - Paul Barolsky, Michelangelo's Nose; Why the Mona Lisa Smiles and Other Tales from Vasari and Giotto's Father, Oxford art Journal, Volume 16, No. 2 62-72

1992 - Marilyn Lavin, The Place of Narrative in Italian Painting, Oxford Art Journal, September, 113-119

1993 - Leonard Barkan, Transuming Passion: Ganymede and the Erotics of            Humanism, The Journal of the History of Sexuality, Volume 2, No. 3, 491-494

CONFERENCES PAPERS - RENAISSANCE Upcoming: 2018 - "Dating Michelangelo's "Crucified Christ" for Vittoria Colonna: Fra Ambrogio Catarino Politi And St. Paul" Renaissance Society of America, New Orleans, March

2018 - "From the Ars Nova to the Maniera Moderna: Alberti To Vasari," Renaissance Studies at Bari, Bari, Italy, May

2017 – “Wearing the Rosary: Lucrezia Panciatichi’s Book of House and Dante’s Mystic Rose,” Renaissance Society of America, Chicago, March

2016 – “Honor and Madness in Benvenuto Cellini’s Autobiography,” Renaissance Society of America, Boston, March

2015 – “Pontormo’s Diary and the Lost San Lorenzo Frescoes,” SECAC, Pittsburgh, Pa, October

2015 – “Michelangelo’s Last Judgment and the Roman Liturgy,” Renaissance Society of America, Annual Conference, Berlin, March

2015 – “Giorgio Vasari’s La Vita di Pontormo,” College Art Association, Annual Conference, New York City, February

2014 – “Liturgical Iconography: Pontormo’s Frescoes for the Choir of San Lorenzo,” Renaissance Society of America, New York City, March

2013 – “Spiritual Experimentation in Florence: 1500-1545: Bronzino’s Panciatichi Portraits,” Sixteenth Century Studies Conference, San Juan, Puerto Rico, October

2012 - “Counter Reformation Style and Spirituality: Juan de Valdes and Jusepe Ribera,” Renaissance Society of America, Washington, D.C., March

2011 – “God in his Heaven and in Vasari’s Lives,” Bristol University, UK, Interdisciplinary Conference “Heavenly Discourses, March

2011 – “Vasari and God,“ Renaissance Society of America, Annual Conference, Montreal, March

2010 – “Mannerism and Cognition,“ Sixteenth Century Studies, Annual Conference, Montreal, March

2010 – “Signorelli’s ‘Pan,” Renaissance Society of America, Venice, Italy, April

2009 – “Altered States of Mannerism: From the Spiritual, to the Erotic to the Courtly,” Sixteenth Century Studies, Annual Conference, Geneva, Switzerland, May 2009 – “Mannerism and Spirituality: The Artist as Alternate Priest,” Renaissance Society of America, Annual Conference, Los Angeles, April

2007 – “Mannerism, Orthodoxy and Heterodoxy,” Sixteenth Century Studies, Annual Conference, Minneapolis/St. Paul, October

2006 – “Giorgione's Tempest: A Sign of Troubled Times,” Sixteenth Century Studies, Annual Conference, Salt Lake City

2006 – “Barcelona and Modernity: State of Research,” College Art Association, Panel on Barcelona and Modernity, Boston, February

2005 – “From Vasari to Now: What Does Iconography Mean Today?” Renaissance Society, Annual Conference, April, Cambridge, U.K

2004 – “Jusepe Ribera: Spanish Artist in the Neapolitan Enclave,” Sixteenth Century Studies Conference, Toronto, October

2004 – “Bronzino's Portraits of the Lucrezia and Bartolommeo Panciatichi,” Renaissance Society of America, Annual Conference, New York, April

2003 – “Real-World Monks: Jusepe Ribera and the Certosa di San Martino,” Sixteenth Century Studies Conference, San Antonio, Texas, October

2001 – “Mannerism and Spirituality at the Medici Court,” Sixteenth Century Studies, Annual Conference, Denver, Co.

2000 – “The Venus of Urbino Revisited," Sixteenth Century Studies Conference,                Cleveland, Ohio

1999 – “Hyper-realism and Devotion in Carlo Crivelli's Paintings,” College Art Association, Annual Meeting, Los Angeles, February

1998 – “The Holy Saturday Liturgy and the Sistine Ceiling,"              Sixteenth Century Studies Conference, Annual Meeting, Toronto, October 1997 – “Pictures, Prayers and Poetry in Sixteenth Century Spain,” Sixteenth Century               Centuries Studies, Annual Conference, Atlanta, October

1996 – “Reading the Sistine Ceiling: Frederick Hart and Iconography VS Edgar Wind and the Liturgy,” Sixteenth Century Studies, Annual Conference, St.              Louis, Mo., October

1995 – “From Kings and Jews Descended: Ancestry and Liturgy in Bronzino's                Cappella Eleonora,” Sixteenth Century Studies, Annual Conference, San Francisco, October

1994 – “When the Methodological Shoe Pinches: Vasari to Jesus Dominguez Bordona,” Sixteenth Century Studies, Annual Conference, Toronto, October

1992 – “The Querelle des Femmes and the Renaissance Literature of Misogyny,” St.            Lawrence University, Canton, N.Y., April

1991 – “Isabella of Castile's Resurrection in the Choirbooks of Toledo Cathedral: From Flanders and Germany to Spain,” College Art Association, Annual Conference, Washington, D.C.

1988 – “ Giorgione's Tempest Revisited," Renaissance Society of America, Annual              Conference, Harvard University, March

1986 – “A Mythological Interpretation of Agnolo Bronzino's Allegory of Venus, Cupid and Time, “ College Art Association, Annual Conference, New York, February

PAPERS DELIVERED AT SYMPOSIA (RENAISSANCE)

2008 – “The Unseen Caller in Titian’s ‘Venus of Urbino’, “ Center for European Medieval and Renaissance Studies, SUNY, Binghamton, N.Y.

1996 – “Devotional Paintings and Spiritual Exercises in Sixteenth Century Spain,” Isabella Steward Gardner Museum, Boston, Ma. Organizer: Jonathan Brown

1993 – “Don Inigo Lopez de Mendoza y el Estilo Hispano-Flamenco en Castilla: Herencia Social y Politica de Isabel la Catolica," Fundacion del Duque y la            Duquesa de Soria, Soria, Spain, July Organizer: Jonathan Brown

1991 – “Sixteenth Century Drawings of Spain and France,” The Drawings Society, New York, N.Y.

1990 – “The Use and Function of Drawings in Michelangelo's Sistine Ceiling and Raphael's Stanza della Segnatura,” The Drawings Society, New York, N.Y., February

1980 – “Time, Truth and Destiny: Some Iconographic Themes at the Court of Cosimo I de' Medici," The Frick Collection, New York, April

1980 – “Crivelli’s Madonna and Child with St. Bonaventura,” Philadelphia Museum of             Art, Philadelphia, Pa, December

BOOKS (LATIN AMERICAN)

AT PRESS: 2017 - Demi: Painting Dreams Of Childhood In Cuban-American Art, Rizzoli Press, forthcoming, December 2017

IN PRINT

2014 - Life Streams: The Cuban and American Art of Alberto Rey, co-edited with Mark Denaci, Contributed chapters: Introduction - “Life Streams: The Cuban and American Art of Alberto Rey,” 1-12 Chapter 1 - “Alberto Rey: Intersections,” 13-46 Chapter 5 - “Trout as Form and Symbol,” 105-142 Conclusion – “Bioregionalism and Animal Studies,”with Mark Denaci, 201-206 Biographical Timeline – “Artist Inteview” 207-228

2010 – Reprint (paperback) Cuban-American Literature and Art, SUNY Press

2009 – Reprint (paperback) Identity, Memory and Diaspora: Voices of Cuban- American Philosophers, Writers, Poets and Artists, SUNY Press, January

2009 - Cuban-American Literature and Art, co-editors, Isabel Alvarez Borland & Lynette M.F. Bosch, SUNY Press, January, Contributed: “Introduction,” with Isabel Alvarez Borland, 1-14 Chapter 8 – “From the Vanguardia to the United States: Cuban and Cuban American Identity in the Visual Arts,” 129-144

2007 - Identity, Memory and Diaspora: Voices of Cuban-American Philosophers, Writers, Poets and Artists, co-editors, Jorge Gracia, Isabel Alvarez Borland, Lynette M.F. Bosch, SUNY Press, November, Contributed “Part I: The Artists,” 1-113.

2004 - Cuban-American art in Miami: Exile, Identity and the Neo-Baroque, Ashgate/Lund Humphreys Press, 2004, 192 pages

1996 - Ernesto Barreda: Contemporary Chilean Painter, Editorial Morgan, Santiago de                 Chile, 262  pages, text in Spanish and English

ARTICLES (LATIN AMERICAN – PEER REVIEW, SCHOLARLY)

FORTHCOMING: 2018 – “The Cuban-American Exile Vanguardia: Towards a Theory of Collecting Cuban-American Art,” Proceedings from A Moveable Nation: Cuban Art & Cultural Identity in the Pérez Art Collection at FIU (June 23, 2017)

1998 - "Demi: Paintings of Children," The Woman's Art Journal, Fall/Winter, 1998-99, Volume 19, No. 2, 30-34

EDITORIAL REVIEW

1994 - "Painting the Subconscious: Arturo Rodriguez," Latin American Art Magazine, Volume 6, No. 1, 50-53

1994 - "Profile: Ramon Guerrero," Latin American Art Magazine, Volume 5, No. 4, 57-61

1994 - "Metonymy and Allegory in the Work of Maria Brito," Latin American Art Magazine, Volume 5, No. 3, 20-23

ESSAYS IN EXHIBITION CATALOGUES

2013 - “Regions of the Mind: The Paintings and Drawings of Jake Fernandez,” in Altered Realities, Lighthouse Art Center Museum, Tequesta, FL

2013 – “Ophrah Shemesh: Current Work” New York, NY. With Serge Gavronsky and Stanley Crouch

2012 - “Juan Carlos Llera” Cremata Gallery, Wynwood, Miami, Fla.

2011 – “Demi: One More Day on Earth,” Salamatina Gallery, Manhasset, NY

2008 – “Tom MacPherson: The Italian-American Family Album,” The Windows Project in the Warehouse Gallery of International Contemporary Art, Syracuse University, Syracuse, NY

2006 – “ Emilio Falero: A Retrospective, “ Belen Academy, Miami, Fla.

2006 – “Layers: Collecting Cuban-American Art,” University of Buffalo Art Gallery, Exhibition Catalogue, July/September,

2005 – “Art on the Hyphen: Cuban-American Artists of Western New York State,” Burchfield -Penney Art Center, Buffalo, N.Y.

2005 – “Paintings by Alberto Rey: In the Still Waters of Deep Streams," Erie County                Museum of Art

2004 – “Demi and Arturo Rodríguez,” Gulf Coast Museum of Art, Lago, Fla.

2000 - “Alberto Rey,“ Bertha Lederer Gallery, S.U.N.Y., Geneseo

2000 – “Victoria Gitman,” Elite Fine Arts, Coral Gables, Fla.

2000 – “Ernesto Barreda,” Elite Fine Arts Gallery, Coral Gables, Fla.

1999 – “Luis Vega,” Elite Fine Arts Gallery, Coral Gables, Fla.

1998 – “Arturo Rodríguez,” Elite Fine Arts Gallery, Coral Gables, Fla. 1998 – “Demi: Paintings of Children,” Dreitzer Gallery, Brandeis University

1997 – “Silent Passages: The Paintings of Deborah Huacuja,” Dreitzer Gallery, Brandeis University

1997 – “Past Cuba: Identity and Identification in Cuban-American Art, “ University Galleries at Fairfield University and St. Lawrence University

1996 – “Our Faces: Women of Mexico, Israel and the United States: The Paintings of Deborah Huacuja,” Dreitzer Gallery, Brandeis University

1996 – “Mario Bencomo: Verbum,” Elite Fine Arts Gallery, Coral Gables, Fla.

1994 – “The Drawings of Mario Bencomo,” Lehigh University Gallery, Lehigh, Pa.

1994 - “Arturo Rodriguez and Demi: Crossings,” Museum of Art, Fort Lauderdale, Fla.

1993 – “Islands in the Stream: Seven Cuban-American Artists,” S.U.N.Y. Cortland College Gallery

1993 – “Five Contemporary Sephardic Artists,” Starr Gallery, Newton, Ma.

1993 – “Northern Renaissance and Baroque Master Prints,” S.U.N.Y., Cortland College Gallery

BOOK REVIEWS

2013 - Andrea O’Reilly Herrera, Cuban Artists Across the Diaspora: Setting the Tent Against the House, New West Indian Guide, Royal Netherlands Institute of Asian and Caribbean Studies, KITLV

1994 - Luis Camnitzer, New Art of Cuba, Latin American Art Magazine, Volume 6, No. 1, 79

CURATORIAL ACTIVITY

2007 - Visiting Scholar/Curator, Case Western Reserve University (SAGES) Curated Three Exhibitions: "Latin American Art From Two Private Cleveland Collections," September 30- October 11

"Tom Mac Pherson: The Italian American Family Album" October 14 -October 25 Organized Opening Symposium with Geneseo Student Speakers: Lana Webb, Justine Meccio, Jared Chamberlin

"Alberto Rey: Cuban-American Artist" October 28 - November 8 Organized Symposium - "ALBERTO REY: CUBAN-AMERICAN             ARTIST" Speakers: Alberto Rey, Distinguished Professor of Painting, SUNY, Fredonia; Jorge Gracia, Samuel H. Capen Distinguished Professor of Philosophy, SUNY University at Buffalo; Isabel Alvarez Borland, Professor of Modern Languages and Literature, College of the Holy Cross; Mark Denaci, Assistant Professor of Contemporary Art History, St. Lawrence University; Lynette Bosch, Professor of Art History, SUNY, Geneseo

"Tres Amigos: Eladio González, Baruj Salinas, Rafael Soriano" November 11 - November 16

2006 - "Emilio Falero: A Retrospective," Belen Academy Gallery, Miami, Fla.              October/November

2006 - "Layers: Collecting Cuban-American Art," University of Buffalo Gallery Exhibition Catalogue, July/September and College of the Holy Cross, January/February 2007.

2005 – “Art on the Hyphen: Cuban-American Artists of Western New York State,"            Burchfield-Penney Art Center, Buffalo, N.Y.

2000 – “Alberto Rey,” Bertha Lederer Gallery, S.U.N.Y., Geneseo

1998 – “Demi: Paintings of Children,“ Dreitzer Gallery, Brandeis University 1997 – “Silent passages: The Paintings of Deborah Huacuja,” Dreitzer Gallery, Brandeis University

1997 – “Past Cuba: Identity and Identification in Cuban-American Art,” University Gallery, Fairfield University, Fairfield, Ct

1997 – “Ernesto Barreda: Fifty-Year Retrospective, “ Museo de Bellas artes, Santiago de Chile

1996 – “Our Faces: Women of Mexico, Israel and the United States - the paintings of              Deborah Huacuja, “ Dreitzer Gallery, Brandeis University

1993 – “Islands in the Stream: Seven Cuban-American Artists, “ S.U.N.Y. Cortland College Gallery

1993 – “Five Contemporary Sephardic Artists, “ Starr Gallery, Newton Jewish Community Center, Newton, Ma

1993 – “Northern Renaissance and Baroque Master Prints, “S.U.N.Y., Cortland College Gallery

1992 – “Material Culture,” S.U.N.Y., Cortland College Gallery

PAPERS DELIVERED AT SYMPOSIA (LATIN AMERICAN) 2017 - “The Cuban-American Exile Vanguardia: Towards a Theory of Collecting Cuban-American Art,” A Moveable Nation: Cuban Art & Cultural Identity in the Pérez Art Collection at Florida International University (June 23, 2017)

2014 – “The Aesthetics of Identity in the Art of Alberto Rey,” Burchfield, Penney              Center, Buffalo, NY,  Thirteenth Samuel P. Capen Symposium, Sponsored by University of Buffalo, Departments of Philosophy and Comparative Literature  Organized: Jorge Gracia, Distinguished Samuel P. Capen Professor

2007 – “Alberto Rey: Time and Memory as Identity,” Case Western Reserve University, Cleveland, Ohio

2005 – “Cuban-American Art,” Burchfield-Penney Art Center, Buffalo, N.Y.

2002 – “Adventures in Research in the Hispanic World: From Spain to Latin America,” S.U.N.Y., Binghamton

2002 – “Postmodernism and the Neo-Baroque in Cuban-American Art, “ Symposium on Cuban and Cuban-American Art, Florida International University, Miami, Fla.

2001 – “Cuban-American Artists in Miami,” Maier Museum, Randolph Macon University, Lynchburg, VA.

2000 – “Culture and Education in Cuban-American Art,” Wellesley College, Wellesley, Ma., March

1997 – “Ernesto Barreda,” Museo de Bellas Artes, Santiago de Chile, October

1999 – “Exile and Experience in Cuban-American Art,” Bunting Institute, Radcliffe College, Harvard University

1995 - “Currents in Contemporary American art: The Cuban-American Contribution, “ University of Massachusetts, Lowell, October

1994 – “Cultural Paradoxes in Cuban-American Art,” New England Conference of              Latin American studies, Harvard University

1993 – “Maria Brito,” Cornell University, November, "Revelations/Revelaciones:                           Seven Latin American Sculptors

1994 – “Against the Odds: Cuban-American Artists in the United States, “ University of Virginia, Charlottesville, April

1994 – “Balancing the Paradox: Cultural Plurality, Aesthetic Diversity and Politics in the Work of Maria Brito, Demi and Arturo Rodriguez,” College Art Association, Annual Conference, New York, February

1992 – “Myth or Critical Assessment: Demi, Maria Brito, Maria Martinez Canas as             Artists, Cuban-Americans and Women,” Southeastern College Art Conference, Annual Meeting, Birmingham, Al., October

SYMPOSIA ORGANIZED

2007 - Case Western Reserve University, Alberto Rey: Cuban-American Artist

2005 - Burchfield Penney Art Center, Cuban and Cuban- American Art

1994 - Brandeis University, Afrocubanismo and the Latin American Heritage in           Contemporary Art

1998 - Brandeis University, Art Against Child Abuse

1996 - Brandeis University, Our Faces: Women of Israel and the United States,

CONFERENCE ORGANIZATION

2010 - Sixteenth Century Studies Conference, Montreal, Sixteenth and Seventeenth Century Artistic Developments, Co-Chair with Larry Silver (University of            Pennsylvania)

2010 - College Art Association, Chicago, Classicisms, Mannerisms and Baroquisms in             Sixteenth and Seventeenth Century Art in Europe And the Americas, Co- Chair with Larry Silver (University of Pennsylvania)

2005 - College Art Association, Atlanta, New Research, American Society of Hispanic Art Scholars

2004 - College Art Association, Seattle, Cultural Crossings: Spain, Italy, the Netherlands and the Americas, Chair and Organizer.

2003 - College Art Association, New York, American Society of Hispanic Art Scholars Organized session at the Hispanic Society with Marcus Burke

2002 - College Art Association, Philadelphia, Art Against Child Abuse, Committee on           Women and the Arts, Chair and Organizer

2002 - Sixteenth Century Studies Conference, Organizer for Art History Sessions

2001 - College Art Association, Co-Chair with Walter Melion, Private and Public Images of Devotions (16th-17th Centuries), Chicago, February

2000 - Sixteenth Century Studies Conference, Co-Chair with Catherine Scallen and Barbara Wisch, What's on Our Minds, Toronto, October

1995-98 - Sixteenth Century Studies Conference, Organizer for Art History Sessions

1995 - College Art Association, Refiguring the Mask: Mannerism and Cultural Values, San Antonio, February Co-Chair: Dorothy Limouze, St. Lawrence University

1994 - Sixteenth Century Studies Conference, Chair, Exploding Myths: Italy, Spain and the Netherlands, Two Sessions St. Louis, October

1993 - New England Renaissance Society Meeting, Co- Organizer, Brandeis University - "The Renaissance City", Waltham, October

1993 - Sixteenth Century Studies Conference, Chair, Sex and the Renaissance Woman: Norm and Form in Literature and Art, St. Louis, October

SCHOLARLY RECOGNITION (BOOK REVIEWS OF EXHIBITION CATALOGUES/BOOKS)

2009 – University of Notre Dame, Institute for Latino Studies, added to their archive collection my exhibition catalogues: “Past Cuba: Identity and Identification in Cuban-American Art” and “Islands in the Stream: Seven Cuban-American Artists.”

2009 – International Center for the Arts of the Americas at The Museum of Fine Arts Houston, requested permission to archive the following catalogues: “Past Cuba: Identity and Identification in Cuban-American Art”;”Islands in the Stream: Seven Cuban-American Artists”

2004 – Choice Reviews Online. Humanities-Art and Architecture, N6538, Review of           “Cuban-American Art in Miami: Exile, Identity and the Neo-Baroque.” 42-4446

2004 – Speculum, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,”July, 740

2003 – College Art Association Reviews, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,” 3 pages

2003 – Studies In Iconography, 24, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,” 236-238

2003 – Journal of Hispanic/Latino Theology, August 2002, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,” Vol. 10, No. 1, 67-68

2002 – Sixteenth Century Journal, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,”XXXIII/3, 886-887

2002 – Renaissance Quarterly, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,”September, 22, 715-716.

2002 – Archivo Español de Arte, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,” LXXV, 299, 335

2001 – Gazette des Beaux-Arts, Review of “Art, Liturgy and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada,”Decembre, 17

1997 – Art Nexus, Review of “Ernesto Barreda: Contemporary Chilean Painter”no. 23,             45-46

PRESS ARTICLES 2015 – “Museum Studies officially offered as a minor,” The Lamron, p. 5, October 2

2015 – “Museum Studies minor enhances art curriculum,” Nicole Smith, The Lamron, September 19, p 4

2014 – “Art, Spirituality and Poetry: A Preview To The School of Night,” Lynette M.F. Bosch, Island Project, News, October 2 – review of a series of drawings by Arturo Rodriguez

2014 – “Invasion of Privacy: Art enthusiast Lynette Bosch maps revelation in art, mind,” Maya Lucyshyn, The Lamron, p. 5, February 27

2014 – “Museum Studies Course hosts Milne Exhibit,” Daniel O’Brien, The Lamron, p. 15

2014 – “Cuban Art, Architecture, Music,” Cuban Art News, Review feature of “Life Streams: Alberto Rey’s Cuban and American Art,” Monday 29 December

2005 – “The Art of Exile: Memories of Havana-Miami Childhood Lead to              Historian’s Life Work,” The Miami Herald, feature article about the significance of my scholarly work on Cuban-American art, Sunday 13 January, 3M

2005 – “The Cuban Connection,” The Buffalo News,” Review of Burchfield-Penney Art Center Exhibition, which I curated, “Cuban-American Artists of Western New York State,” Sunday 9 January, Section G, 1

2005 – “Art on Main Street,” Lvingston County News, article I wrote about how art appears in Geneseo’s businesses, Thursday, 31 March, A12

2005 – “The Artwork of Deborah Huacuja,” Jamaica Plain Art News, Jamaica Plain, Ma., Review of exhibition at the Dreitzer Gallery, Brandeis University Exhibition, which I curated, 12 November, 4-5

1996 – “Searing, emotionally provocative art from a generation of Cubans who fled Castro,” Campus Currents, Fairfield University, 4, December 17, 1996, reviews exhibition I curated, “Past Cuba”

1997 – “Faculty Recognized for Excellence in Teaching,” Faculty Notes, Brandeis University, 8, Summer

1997 – “Barreda Inaugura en MNBA,” El Mercurio, 12 October, 32 – review of the exhibition at the Museo de Bellas Artes, which mentions me as the curator

1997 – “Para Hoy,” La Epoca, 23 October, 1997, 29, press release on Barreda retrospective

1997 – “Para Hoy: Conferencia Artista Chileno,” La Epoca, 16 October, 1997, 29, press release on the talk at the Museum Symposium on Ernesto Barreda

1997 – “Ernesto Barreda,” Panorama, 18 October, 1997, 12, press release on the exhibition, mentions me as the curator.

1997 – “Un Libro Para Lynette,” El Nuevo Herald, article covering the publication of              my book “Ernesto Barreda: Contemporary Chilean Painter”, Sunday 5 January, Galeria, 1E & 3E

1997 – “Ser Cubanoamericano … y artista,” El Nuevo Herald, critical review of           “Past Cuba: Identity and Identification in Cuban-American Art,” Saturday 12 April, 13A

1997 – “Professor Lynette Bosch Enhances Fine Arts Department, The Justice, 10, November 18, 1997.

1997 – “Vida Social: Retrospectiva de Ernesto Barreda,” El Mercurio, A22, 18 October, 1997, mentions me as the curator

1997 – “Dos paîses, un solo arte,” El Nuevo Herald, Review of “Past Cuba: Identity and Identification in Cuban-American Art,”Sunday, 26 January, 1E

1997 – “Chilean artist Ernesto Barreda,” The Brandeis Reporter, 2, May 2, 1997

1994 – “Lynette Bosch. De la Edad Media a los pintores cubanos contemporáneos,” El Nuevo Herald, feature article about my work and its significance, Sunday 3 April, Galeria, 4E

1993 – “Latin art course a first for region,” Barbara Blumenthal, The Brandeis Reporter, 7, November 12

1993 – “Un doctorado en arte con un “toque” histórico muy especial,” El Nuevo Herald, Galeria, 2E, feature article about me as a noteworthy Cuban-American.

1993 – “Islas en la corriente,” El Nuevo Herald, Review of SUNY Cortland exhibition “Islands in the Stream: Seven Cuban-American Artists,” Sunday 10 April, Galeria, 1E & 4E

1988 – “Beauty’s in Ears of These Beholders,” Helen Peterson, Daily News, 44, July 27, article about a course I taught at the Jewish Guild for the Blind, New York City, as an introductory course for students who were blind since birth or had lost their sight

1983 – “Several Princeton University Graduate Students receive AAUW Fellowships,” The Princeton Packet, 11B, March 9, 1983

EMPLOYMENT 1999-2016 – SUNY Distinguished Professor and Chair, Department of Art History, SUNY Geneseo

1983-1999 - Visiting Assistant Professor in Art History: Brandeis University School of the Museum of Fine Arts Boston (1994) Cornell University (Spring 1992) Seton Hall University (1988-1990) Tufts University (1986-1988) Hunter College, CUNY (1983-1986) Lafayette College (1984-1986) Trenton State College (1983-1984)