User:Lzdenise/sandbox

 Bold text Maura Reilly A professor of Art History and Museum Studies at the Arizona State University, Maura Reilly has written a large number of articles and monographs on curation, feminism, and global contemporary artists. Maura completed both an MA and a Ph.D. writing her thesis under the supervision of Professor Linda Nochlin. Reilly is also the director of a new Museum and Heritage Studies Program at the Arizona State University. Maura has many accomplishments and recognition all over the Art industry.

Early Life and Education
Maura graduated from Hingham High School in 1982 and her education continued at Providence College where she earned her bachelor's degree in Art History and Criticism. Maura attended New York University where she managed to get her MA, in Art history and her Ph.D. in the same field.

Work
Maura Reilly was the founding curator at Elizabeth A, Sackler Center for Feminist Art in Brooklyn. She had this job for 6 years and 4 months. Then she was the Professor and Chair of the Department of Art Theory for Griffith University. This job was located in Australia and lasted 5 years and 3 months. Her most recent job was Executive Director for the National Academy Museum and School of Final Arts.

Accomplishments
1.	In 2005 she won the Future Leadership Award for ArtTable 2.	In 2006 she won a President's Award for Women’s Caucus for Art 3.	In January 2015 she was named the top 50 most influential people in the art world 4.	In Dec 2018 she received an award for the Top 10 Best Art Books of 2018 by the New York Times 5.	She is trilingual and her three languages are English, French, and Spanish 6.	She earned her Ph.D. in the history of modern contemporary art. 7.	Maura authored over sixty articles about contemporary artists. 8.	She served as the Executive Director of the National Academy of Design 9.	Reilly is the Founding Curator of the Elizabeth Sackler Center for Feminist Art in Brooklyn Museum 10.	One of her books Women Artists: THE LINDA NOCHLIN READER was named “Best of 2020” by the New York Times.