User:Mac Musica

Respective Picking is a Guitar Playing Technique using Alternating Picking in a continuous manner of the fastest Rhythm being used and either hitting or missing the strings for each Rhythm respectively to any combinations of such e.g. Semi-quavers with Quavers and Crotchets. It is widely used for Chord Accompaniment Chord aka "Rhythm Playing" but is well suited to organise picking for Lead Playing also as it provides the accents with Down Picks for the Strong Pocket of the Beats in a Bar. It was so named by Guitar Teacher PAUL MACKAY Bmus as a means of differentiating the basic term of Alternate Picking which does not go towards how to Pick Mixed-Rhythms. Therefore each note is Picked respective to it's position within a beat which incidentally was wrongly termed Subdivisions as that confuses Subdivisions for irregular lengths to build Sequences and Polyrhythms but was termed by Jazz Teachers and got adopted by false of habit to sound Uber amongst other teaching Theory. Hence there is no "Subdivisions Tree" and no "Polysubdivisions" and no "Subdivision Playing" and no "Subdivision Pickup" on a Gibson LP Guitar Selector!

This is not uncommon for Americans to name things wrongly but further major mistakes of terms are found by the Fender Company (by own admission) of their Tremolo System on the Stratocaster as it is used for Vibrato in which the pitch oscillates up/down rather than the volume on/off rate similar to a Sheep call! Then later they made the Vibroverb Amp which had a "Vibrato" Knob to add Tremolo rather than Vibrato!

Examples of Respective Picking will follow soon...