User:Magnolia moon/Al Good

Alan Ronald Good (born Amato Guariglia; 24 November 1916 - 5 March 2003) was an American big band orchestra leader in the United States from the 1940's to the early 2000's, best known as the leader and founder of The Al Good Orchestra.

Early Life

Born into a Italian family in San Mauro Cilento, Italian, Morgan was encouraged to express himself musically from the age of seven. His father, a coal-mine foreman, was a former musician who played drums in a local band in his spare time. Morgan's mother had been a pianist in a vaudeville act. Morgan began to study piano and also went to work in the mines to earn money to help support his family and pay for his lessons.[1]

At fourteen, Morgan earned extra money as a pianist in a theater in Scranton. He also purchased a trombone and learned to play it. In 1921, he played trombone with a local band, the Scranton Sirens, which became popular in Pennsylvania during the 1920s. Besides Morgan, several of its members later became famous, including Jimmy Dorsey on sax and clarinet, Billy Lustig on violin and Tommy Dorsey on trombone (who took Morgan's place when Morgan left the band). Good's career spanned almost 60 years, and he has been described as "one of the most popular and influential frontmen in the history of x".[7] Good's distinctive x and performance, along with x style, have been the trademark of the x throughout the career of the band. X gained press notoriety for his x and x involvements, and was often portrayed as a x figure.

Early career[edit] In 1922, Morgan decided to go to New York. Three years later, at the age of twenty-one, he did arrangements for both John Philip Sousa and Victor Herbert. He then joined Paul Specht's orchestra and toured throughout Europe with the orchestra. Colleagues of Morgan in Specht's orchestra included Arthur Schutt, Don Lindley, Chauncey Morehouse, Orville Knapp, Paul Whiteman, Charlie Spivak and Artie Shaw.[1]

On his return from Europe, Jean Goldkette invited Morgan to Detroit to organize, lead and arrange for his new band. Some members of the all-star Goldkette orchestra were his old associates. The band included Tommy and Jimmy Dorsey, Chauncey Morehouse, Joe Venuti, Eddie Lang, Bix Beiderbecke and Fuzzy Farrar.[1]

Morgan's first records were made for OKeh in mid 1930 exclusively for their short lived Parlophone PNY and Odeon ONY series, usually under the name "Russell Brown and his Orchestra". During the early 1930s, Morgan joined the group of anonymous studio groups recording pop tunes for the dime store labels, which included Banner, Melotone, Oriole, Perfect, Romeo, Conqueror, Vocalion, and (probably) the rare gold Domino labels.

For a short time in 1934, Morgan arranged for Fletcher Henderson's Orchestra. In 1935, he played trombone with the Original Dixieland Jazz Band when they recorded four sides for Vocalion. On September 12, 1935, Morgan, playing piano and Joe Venuti on violin cut two sides for Brunswick, “Red Velvet” and “Black Satin.” Most of the songs were written by Morgan and Venuti.

Radio work[edit] Morgan's biggest success came when he was offered the position of Musical Director for Detroit Radio Station WXYZ. His show, "Music in the Morgan Manner", became one of the most popular radio shows. At one time during his radio run, he was directing nine commercial programs. While in Detroit, he did arranging for the Detroit 102 piece Symphony Orchestra demonstrating his varied musical experience and ability.[1]

In the early 1930s, Morgan was in an automobile accident that almost ended his career. After several months in the hospital he started again in New York City as arranger for bands like the George White Scandals, The Cotton Club Revue and the Capitol Theatre. When not arranging for the Broadway shows, Morgan worked with leading orchestras in New York, such as Phil Spitalny, Eddie Gilligan, Ted Fio Rito and Freddy Martin, as pianist and/or trombonist.

He joined the Freddy Martin Orchestra in 1934 as a piano player, but worked chiefly as trombonist and arranger with the band. While with Martin's orchestra, he also was a musical director at Brunswick Records in New York, where he met Shirley Gray, whom he married in 1939.

Morgan had his own program, the Russ Morgan Show, on Mutual beginning in September 1949. Originating from San Francisco, the show featured Morgan "as master of ceremonies of a program built around guest entertainers."[2]

Movie work[edit] The Great Man 1956

Mister Cory 1957

Mid-career[edit] While at Brunswick, Morgan met Rudy Vallee, who was impressed with Morgan's musical ability. He insisted he form an orchestra of his own. He then invited Russ to appear as a guest on his popular Fleishman Yeast radio show. Vallee was also instrumental in getting Morgan his first engagement in New York City, along with his own orchestra, at the Biltmore Hotel. This first engagement was indicative of the audiences' reaction to Morgan's appearances. He started with a four-week contract. The contract was extended and Morgan remained at the hotel for two years. In the next few years, he was able to add musical directorship to the Rinso-Lifebuoy Show on NBC for thirty-nine weeks and the Philip Morris radio series on NBC and CBS for two years to his growing list of achievements.

Some of his other triumphs were his record-breaking runs in famed hotels, ballrooms and theatres across the country. A few of these engagements were at the Biltmore Hotel, Los Angeles; Claremont Hotel, Berkeley, California; Edgewater Beach Hotel, Chicago; Aragon and Trianon, Chicago; Strand, Chicago; the Statler Hotel, New York; Orpheum, Los Angeles; Palladium, Hollywood; to name a few.

Chart success[edit] In 1949, four songs he recorded made it big on the charts. They were "So Tired", "Cruising Down the River", "Sunflower" and "Forever and Ever." On the latter he used a vocal quartet that was just starting out and would later become famous as the Ames Brothers. The Decca Records recording of Dogface Soldier, released to coincide with the film version of To Hell and Back, based on the best-selling novel by Audie Murphy, sold over 300,000 copies.

Late career and death[edit] During the 1950s, his orchestra continued to be a popular one for dancing and listening music. He continued to set house records with his appearances in California and New York as well as his many tours across the entire nation. During this decade, it was mostly the long-established veteran "sweet bands" that were supplying the music for dancers, and Russ Morgan was one of them. The veterans included Jan Garber, Sammy Kaye, Wayne King, Guy Lombardo, Freddy Martin and Lawrence Welk.

In 1950, Morgan had a program, In the Morgan Manner, on ABC television.[3] He had another TV program on CBS in 1956, with Helen O'Connell as the featured singer.[4]

In 1958, Morgan's nineteen-piece band had been reduced to eleven men, with his sons Jack Morgan on trombone and David Morgan on guitar. In 1965, he was booked for an eight-week engagement at the Top O' The Strip at the Dunes Hotel in Las Vegas. The engagement ended up lasting until 1977, a total of twelve years.

In 1969, Morgan died at the age of sixty-five in Las Vegas. Morgan’s son, Jack, took over the leadership and has led the band ever since. Morgan has a Star on the Hollywood Walk of Fame for his contributions to recording.

Morgan was survived by his wife, Shirley, sons Jack and David, and daughters Judy and Patty.[5]