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FURTHER READING

Chapter 1

Alexander Bevilacqua, The Republic of Arabic Letters: Islam and the European Enlightenment. Cambridge, MA, 2018.

Cynthia Brokaw and Kai-wing Chow (eds), Printing and Book Culture in Late Imperial China. Berkeley, CA, 2005.

Robert Darnton, ‘What is the History of Books?’ Daedalus, 11 (Summer, 1982): 65-83.

Caroline Davis and David Johnson (eds), The Book in Africa: Critical Debates. Basingstoke and New York, 2015.

Elizabeth Eisenstein, The Printing Press as an Agent of Change: Communications and Cultural Trans- formations in Early-Modern Europe 2 vols. Cambridge, 1979; and The Printing Revolution in Early Modern Europe 2nd edn, Cambridge, 2005.

Elizabeth Eisenstein, Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending. Philadelphia, 2011.

Lucien Febvre and Henri-Jean Martin, trans. D. Gerard The Coming of the Book: The Impact of Printing 1450-1800, London, 1976; originally published 1958.

Gérard Genette, Paratexts: Thresholds of Interpretation, trans. Jane E. Lewin. Cambridge and New York, 1997.

Jan Loop (ed.), special issue of the Journal of Quranic Studies on The Quran in Europe. Edinburgh, 2018.

Joseph P. McDermott, A Social History of the Chinese Book: Books and Literati Culture in Late Imperial China. Hong Kong, 2006.

D.F. McKenzie, Bibliography and the Sociology of Texts. London, 1985.

Philip Gaskell, New Introduction to Bibliography. Oxford, 1972.

James Raven, What is the History of the Book? Cambridge, 2018.

Henry Woudhuysen and Michael Suarez (eds), Oxford Companion to the History of the Book, 2 vols. Oxford, 2010.

Chapter 2

GENERAL AND THEMATIC

Peter D. Damerow, ‘The Origins of Writing as a Problem of Historical Epistemology’, Cuneiform Digital Library Journal 2006: http://cdli-ucla.edu/pubs/cdlj/2006/cdlj2006_oo1.html

Joshua Engelhardt (ed.), Agency in Ancient Writing. Boulder, CO, 2012.

Marcus Hilgert (ed.), Understanding Material Text Cultures: A Multidisciplinary View. Berlin, 2017. Open access online: http://degruyter.com/view/product/455268

Kathryn E. Piquette and Ruth D. Whitehouse (eds), Writing as Material Practice: Substance, Surface and Medium. London, 2013. Open access online: http://ubiquitypress.com/site/books/detail/ 7/writing-as-material-practice/

404 Further Reading

Christopher Woods (ed.), Visible Language: Inventions of Writing in the Ancient Middle East and Beyond. Chicago, 2010. Open access online: https://oiuchicago.edu/sites/oi.uchicago.edu/files/ uploads/shared/docs/oimp32.pdf

CHINA

Paola Dematté, ‘The Origins of Chinese Writing: the Neolithic Evidence’, Cambridge Archaeological Journal 20 (2010): 211-28 doi:10.1017/S0959774310000247.

Mark Edward Lewis, Writing and Authority in Ancient China. Albany, NY, 1999.

Li Feng and David Prager Branner (eds), Writing and Literacy in Early China. Seattle and London, 2011.

Edward L. Shaughnessy, Rewriting Early Chinese Texts. Albany, NY, 2006.

Tsuen-hsuin Tsien, Written on Bamboo & Silk: the Beginnings of Chinese Books & Inscriptions, 2nd edn. Chicago, 2004.

Tsuen-hsuin Tsien, Collected Writings on Chinese Culture. Hong Kong, 2011.

Wang Haicheng, Writing and the Ancient State: China in Comparative Perspective. Cambridge, 2014.

THE MIDDLE EAST AND MEDITERRANEAN

Roger S. Bagnall (ed.), The Oxford Handbook of Papyrology. Oxford, 2009.

Thomas E. Balke and Christina Tsouparopoulou (eds), Materiality of Writing in Early Mesopotamia (Berlin, 2016). Open access online: http://degruyter.com/view/product/467525

Chris Eyre, The Use of Documents in Pharaonic Egypt. Oxford, 2013.

Wouter F.M. Henkelmann, ‘Administrative Realities: The Persepolis Archives and the Archae- ology of the Achaemenid Heartland’, in Daniel T. Potts (ed.), The Oxford Handbook of Iranian Archaeology. Oxford, 2013, pp. 528-46.

George W. Houston, Inside Roman Libraries: Book Collections and Their Management in Antiquity. Chapel Hill, NC, 2014.

Jason Konig, Katerina Oikonomopoulou, and Greg Woolf (eds), Ancient Libraries. Cambridge, 2013.

André Lemaire, Levantine Epigraphy and History in the Achaemenid Period (539-332 BCE). Oxford, 2015.

Christopher Rollston, Writing and Literacy in the World of Ancient Israel: Epigraphic Evidence from the Iron Age. Atlanta, GA, 2010.

Pierre Tallet and Gregory Marouard, ‘The Harbor of Khufu on the Red Sea Coast at Wadi al-Jarf, Egypt’, Near Eastern Archaeology 77 (2014): 4-14.

THE AMERICAS

Elizabeth H. Boone and Walter D. Mignolo (eds), Writing Without Words: Alternative Literacies in Mesoamerica and the Andes. Durham, 1994.

Elizabeth H. Boone and Gary Urton (eds), Their Way of Writing: Scripts, Signs and Pictographies in Pre- Columbian America. Washington, D.C., 2011.

Candace S. Greene and Russell Thornton (eds), The Year the Stars Fell: Lakota Winter Counts at the Smithsonian. Lincoln, NB, 2007.

Maarten Jansen and Laura Broekhoven (eds), Mixtec Writing and Society: Escritura de Nuu Dauzi, Amsterdam, 2009. Open access online: https://openaccess.leidenuniv.nl/handle/1887/14164

Maarten Jansen and Gabina Aurora Pérez Jiménez, The Mixtec Pictorial Manuscripts: Time, Agency and Memory in Ancient Mexico. Leiden, 2010.

Jeffrey Quil Austin, ° Kathryn E. Issue of Gary Urton 2003. Gabrielle V

Charles Bar NJ, 2002 Michelle Br Barbara Crc Texts ana Casey Dué, Eusebius, L: Maria Evag Papers 6: Harry Y. Gé CT, 1995 George Ho: Hill, NC John Lowd John Lowd Hugo Lund Roy MacCl New Yo M. McCorn Reviel Netz 2 vols. € Carl Nord Evangelie Eva Nystro Lidia Perria Vatican I. Pérez Mé Criticism James Rave 2004. IM. Resnic] (1992): 1 Colin H. R« John L. Shi London, P.L. Tucci, Archaeok

Further Reading 405

Jeffrey Quilter and Gary Urton (eds), Narrative Threads: Accounting and Recounting in Andean Khipu. Austin, TX, 2002.

Kathryn E. Sampeck (ed.), Colonial Mesoamerican Literacy: Method, Form, and Consequence: Special Issue of Ethnohistory 62:3 (2015).

Gary Urton, Signs of the Inka Khipu: Binary Coding in the Andean Knotted-String Records. Austin, TX, 2003.

Gabrielle Vail. ‘The Maya Codices’, Annual Review of Anthropology 35 (2006): 497-519.

Chapter 3

Charles Barber, Figure and Likeness: On the Limits of Representation in Byzantine Iconoclasm. Princeton, NJ, 2002.

Michelle Brown (ed.), In the Beginning. Bibles to the Year 1000. Washington, D.C., 2006.

Barbara Crostini and G. Peers (eds), A Book of Psalms from Eleventh-Century Byzantium: the Complex of Texts and Images in Psalter Vat. gr. 752, Studi e Testi. Vatican City, 2016.

Casey Dué, Recapturing a Homeric Legacy. Washington, D.C., 2009.

Eusebius, Life of Constantine, ed. and trans. A. Cameron and S.G. Hall, Oxford, 1999.

Maria Evagelatou, ‘Word and Image in the Sacra Parallela (MS Paris. gr. 923)’, Dumbarton Oaks Papers 62 (2008): 113-97.

Harry Y. Gamble, Books and Readers in the Early Church: A History of Early Christian Texts. New Haven, CT, 1995.

George Houston, Inside Roman Libraries. Book Collections and their Management in Antiquity. Chapel Hill, NC, 2014.

John Lowden, The Octateuchs: a Study in Byzantine Manuscript Illustration. University Park, PA, 1992.

John Lowden, The Jaharis Gospel Lectionary: the Story of a Byzantine Book. New York, 2009.

Hugo Lundhaug and Lance Jenott, The Monastic Origins of the Nag Hammadi Codices. Ttibingen, 2015.

Roy MacCleod (ed.), The Library of Alexandria, Centre of Learning in the Ancient World. London and New York, 2000, repr. 2005.

M. McCormick, ‘The Birth of the Codex and the Apostolic Life-Style’, Scriptorium 39 (1985): 150-8.

Reviel Netz, William Noel, Natali Tchernetska, and Nigel Wilson (eds), The Archimedes Palimpsest, 2 vols. Cambridge, 2011.

Carl Nordenfalk, Die spatantiken Kanontafeln: Kunstgeschichtliche Studien tiber die eusebianische Evangelien-Konkordanz in den vier ersten Jahrhunderten ihrer Geschichte. Gothenburg, 1938.

Eva Nystrém, Containing Multitudes: Codex Upsaliensis Graecus 8 in Perspective. Uppsala, 2009.

Lidia Perria, Tpagis. Per una storia della scrittura greca libraria (secoli IV a.C—xXVI d.C.). Rome and Vatican City, 2011 (English trans. forthcoming).

I. Pérez Martin and J. Signez Codofier (eds), Textual Transmission in Byzantium: Between Textual Criticism and Quellenforschung. Turnhout, 2014.

James Raven (ed.), Lost Libraries: the Destruction of Great Book Collections since Antiquity. Basingstoke, 2004.

I.M. Resnick, ‘The Codex in Early Jewish and Christian Communities’, Journal of Religious History 17 (1992): 1-17.

Colin H. Roberts and T.C. Skeat, The Birth of the Codex. Oxford, 1983.

John L. Sharpe III and Kimberly Van Kampen (eds), The Bible as Book. The Manuscript Tradition. London, 1998.

P.L. Tucci, ‘Galen’s Storeroom, Rome's Libraries, and the Fire of AD 192’, Journal of Roman Archaeology 21 (2008): 133-49.

406 Further Reading

Kurt Weitzmann and Massimo Bernabo, The Byzantine Octateuchs. Princeton, NJ, 1999. Kurt Weitzmann and George Galavaris, The Monastery of Saint Catherine at Mount Sinai. The Illuminated Greek Manuscripts. I. From the Ninth to the Twelfth Century. Princeton, NJ, 1990.

WEBSITES

http://sinaipalimpsests.org/technologies https://ancientlives.org http://pinakes.irht.cnrs.fr http://ngv.vic.gov.au/essay/illuminating-words/

Chapter 4 CHINA

Cynthia Brokaw, Commerce in Culture: The Sibao Book Trade in the Qing and Republican Periods. Cambridge, MA, 2007.

Lucille Chia, ‘Of Three Mountains Street: The Commercial Publishers of Ming Nanjing’, in Cynthia Brokaw and Kai-wing Chow (eds), Printing and Book Culture in Late Imperial China. Berkeley, CA, 2005, pp. 107-51.

Lucille Chia, Printing for Profit: The Commercial Publishers of Jianyang, Fujian (uth-17th Centuries). Cambridge, MA, 2002.

Kai-wing Chow. Publishing, Culture, and Power in Early Modern China. Stanford, CA, 2004.

Soren Edgren. ‘Southern Song Printing at Hangzhou’. Bulletin of the Museum of Far Eastern Antiquities 61 (1989): 1-212.

Ronald Egan, ‘“To Count Grains of Sand on the Ocean Floor”: Changing Perceptions of Books and Learning in Song Dynasty China’, in Lucille Chia and Hilde de Weerdt (eds), Knowledge and Text Production in an Age of Print, 900-1400. Leiden, 2011, pp. 33-62.

Yuming He, At Home and the World: Editing the ‘Glorious Ming’ in Woodblock-Printed Books of the Sixteenth and Seventeenth Centuries. Cambridge, MA, 2013.

Robert Hegel, Reading Illustrated Fiction in Late Imperial China. Stanford, CA, 1998.

Philip K. Hu, Visible Traces: Rare Books and Special Collections from the National Library of China. New York and Beijing, 2000.

Joseph P. McDermott, A Social History of the Chinese Book: Books and Literati Culture in Late Imperial China. Hong Kong, 2006.

Tsuen-hsuin Tsien, Paper and Printing. Vol. 5, Part I of Science and Civilisation in China. ed. Joseph Needham. Cambridge, 198s.

Jiang Wu and Lucille Chia (eds), Spreading Buddha’s Word in East Asia: The Formation and Trans- formation of the Chinese Buddhist Canon. New York, 2016.

KOREA

Peter H. Lee and Wm. Theodore de Bary (eds), Sources of Korean Tradition. Vol. 1: From Early Times through the Sixteenth Century. New York, 1997.

Beth McKillop, ‘The History of the Book in Korea’, in Michael F. Suarez and H.R. Woudhuysen (eds), The Oxford Companion to the Book. 2 vols. Oxford, 2010, pp. 366-73.

Young Kyun Oh. Engraving Virtue: The Printing History of a Premodern Korean Moral Primer. Leiden, 2013.

Young Jung Ok, Early Printings in Korea. Seongnam, 2013.

Further Reading 407

Pow-key Sohn, ‘Early Korean Printing’, Journal of the American Oriental Society 79.2 (April-June 1959): 96-103.

Suyoung Sun, ‘Transmitting Haogiu zhuan in Eighteenth-Century Chosén Korea’, East Asian Publishing and Society 3:1 (2013): 3-30.

Boudewijn Walraven, ‘Reader’s Etiquette, and Other Aspects of Book Culture in Chos6n Korea’ in Wilt L. Idema (ed.), Books in Numbers: Seventy-Fifth Anniversary of the Harvard-Yenching Library Conference Papers. Cambridge, MA, 2007, pp. 237-65.

JAPAN

Mary Elizabeth Berry, Japan in Print: Information and Nation in the Early Modern Period. Berkeley, CA, 2006.

Jack Hillier, The Art of the Japanese Book. 2 vols. London, 1987.

Roger S. Keyes, Ehon: The Artist and the Book in Japan. New York, 2006.

Peter Kornicki, The Book in Japan. A Cultural History from the Beginnings to the Nineteenth Century. Leiden, 1998.

Chapter 5

Bernhard Bischoff, Manuscripts and Libraries in the Age of Charlemagne. Cambridge, 1994.

Michael Camille, Images on the Edge: The Margins of Medieval Art. Cambridge MA, 1992.

Joyce Coleman, Public Reading and the Reading Public in late medieval England and France. Cambridge, 1996.

Christopher De Hamel, A History of Illuminated Manuscripts, 2nd edn. London, 1994.

Christopher De Hamel, Scribes and Iluminators. London, 1992 [reissued as Making Medieval Manuscripts. Oxford, 2017].

Rosamond McKitterick, The Carolingians and the Written Word. Cambridge, 1989.

M.B. Parkes, Their Hands before Our Eyes. A Closer Look at Scribes. Aldershot, 2008.

Pamela Robinson and J. Roberts (ed.), The History of the Book in the West: 400 AD-1455. London, 2010.

R.H. Rouse and M.A. Rouse, Manuscripts and their Makers: Commercial Book Producers in Medieval Paris, 1200-1500. Turnhout, 2000.

Kathryn Rudy, Piety in Pieces: How Medieval Readers Customised their Manuscripts. 2016: http:// openbookpublishers.com/product/477/

Don Skemer, Binding Words: Textual Amulets in the Middle Ages. University Park, PA, 2006.

R.S. Wieck, Time Sanctified: the Book of Hours in Medieval Art and Life. Baltimore, MD, 1988.

Chapter 6

Barbara Biehkowska and Halina Chamerska, Books in Poland: Past and Present. Wiesbaden, 1990.

Guy Bechtel, Gutenberg et l'invention de limprimerie. Une enquéte. Paris, 1992.

Roger Chartier, trans. Lydia G. Cochrane, The Order of Books: Readers, Authors and Libraries in Europe Between the 14th and 18th Centuries. Stanford, CA, 1985.

Roger Chartier, trans. Lydia G. Cochrane, The Cultural Uses of Print in Early Modern France. Princeton, NJ, 1987.

Melissa Conway, The Diario of the Printing Press of San Jacopo di Ripoli 1476-1484. Commentary and Transcription. Florence, 1999.

Martine Delaveau and Yann Sordet (eds), Edition et diffusion de l'Imitation de Jésus-Christ (1470-1800). Etudes et catalogue collectif. Paris, 2011.

408 Further Reading

Elizabeth Eisenstein, The Printing Revolution in Early Modern Europe, 2nd edn. Cambridge, 2005.

Lucien Febvre and Henri-Jean Martin, trans. D. Gerard, The Coming of the Book: The Impact of Printing 1450-1800. London, 1976; originally published 1958.

Alexandra Gillespie, Print Culture and the Medieval Author: Chaucer, Lydgate, and their Books 1473-1557. Oxford, 2006.

Anthony Grafton, Commerce with the Classics: Ancient Books and Renaissance Readers. Ann Arbor, MI, 1997.

Anthony Grafton, The Culture of Correction in Renaissance Europe. London, 2013.

Antony Griffiths, The Print Before Photography. An introduction to European Printmaking 1550-1820. London, 2016.

R.A. Houston, Literacy in Early Modern Europe: Culture and Education 1500-1800, 2nd edn. Harlow, 2002.

Wytze Gerbens Hellinga, H. de la Fontaine-Verwey, and G.W. Ovink (eds), 2 vols. Copy and Print in the Netherlands: an Atlas of Historical Bibliography. Amsterdam, 1960-2.

Rémi Jimenes, Les caractéres de civilité. Typographie & calligraphie sous Ancien Régime. France, XVIe—XIXe siécles. Paris, 2011.

Albert Kapr, trans., D. Martin, Johann Gutenberg: The Man and his Invention. Aldershot, 1996.

Jeffrey Todd Knight, Bound to Read: Compilations, Collections, and the Making of Renaissance Literature. Philadelphia, 2013.

David McKitterick, Print, Manuscript and the Search for Order, 1450-1830. Cambridge, 2003.

Ian Maclean,. Scholarship, Commerce, Religion: The Learned Book in the Age of Confession, 1560-1630. Cambridge, MA and London, 2012.

Paul Needham, The Printer and the Pardoner: An Unrecorded Indulgence Printed by William Caxton for the Hospital of St. Mary Rounceval, Charing Cross. Washington, D.C., 1986.

Angela Nuovo, The Book Trade in the Italian Renaissance (trans. Lydia G. Cochrane). Leiden and Boston, MA, 2013.

Goran Proot, ‘Converging Design Paradigms: Long-Term Evolutions in the Layout of Title Pages of Latin and Vernacular Editions Published in the Southern Netherlands, 1541-1660’, Papers of the Bibliographical Society of America, 108:3 (Sept. 2014): 269-305.

James Raven, Naomi Tadmor, and Helen Small (eds), The Practice and Representation of Reading in England: Essays in History and Literature. Cambridge, 1996.

James Raven, The Business of Books: Booksellers and the English Book Trade 1450-1850. London and New Haven, CT, 2007.

Brian Richardson, Printing, Writers and Readers in Renaissance Italy. Cambridge, 1999.

Margaret M. Smith, The Title-Page: Its Early Development, 1460-1510. London and New Castle, DE, 2000.

Hendrik D.L. Vervliet, Sixteenth-Century Printing Types of the Low Counties. Amsterdam, 1968.

Hendrik D.L. Vervliet, French Renaissance Printing Types: A Conspectus. London and New Castle, DE, 2010.

Hendrik D.L. Vervliet, The Palaeotypography of the French Renaissance: Selected Papers on Sixteenth- Century Typefaces, 2 vols. Leiden, 2008.

Eric White, Editio princeps: A History of the Gutenberg Bible. Turnhout, 2017.

Chapter 7

Luigi Balsamo, trans. A. Pettas, Bibliography: History of a Tradition. Berkeley, CA, 1990.

Wolfgang Behringer, ‘Communications Revolutions: A Historiographical Concept’, trans. Richard Deveson, German History 24:3 (2006): 333-74.

Ann Blair, Too Much To Know: Managing Scholarly Information Before the Modern Age. New Haven, CT, 2010.

Further Reading 409

Peter Burke, A Social History of Knowledge: From Gutenberg to Diderot. Cambridge and Malden, MA, 2000.

Liesbeth Corens, Kate Peters, and Alexandra Walsham, The Social History of the Archive: Record- Keeping in Early Modern Europe. Past and Present Supplement 11 (Oxford, 2016).

James Delbourgo and Staffan Miiller-Wille, ‘Listmania. How lists can open up fresh possibilities for research in the history of science’, Isis 103:4 (Dec. 2012): 710-52.

George Hoffman. Montaigne’s Career. Oxford, 1998.

Sachiko Kusukawa. Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany. Chicago, 2012.

Hilde De Weerdt, Information, Territory, and Networks: The Crisis and Maintenance of Empire in Song China. Boston, MA, 2016.

Juliet Fleming, William Sherman, and Adam Smyth (eds), a special edition of the Journal of Medieval and Early Modern Studies 45:3 (2015) on ‘Renaissance Collage: Towards a New History of Reading’.

John-Paul A. Ghobrial, The Whispers of Cities: Information Flows in Istanbul, London, and Paris in the Age of William Trumbull. New York and Oxford, 2013.

Michael Lackner, ‘Diagrams as an Architecture by means of Words: the Yanji tu’ in Francesca Bray, Vera Dorofeeva-Lichtmann, and George Métailié (eds), Graphics and Text in the Production of Technical Knowledge in China. The Warp and the Weft. Leiden, 2007, pp. 341-77.

David McKitterick, Print, Manuscript and the Search for Order, 1450-1830. Cambridge, 2003.

Robin Myers, Michael Harris, and Giles Mandelbrote (eds), Books For Sale: The Advertising and Promotion of Print since the Fifteenth Century. New Castle, DE and London, 2009.

Brian Ogilvie, The Science of Describing: Natural History in Renaissance Europe. Chicago, 2006.

Andrew Pettegree, The Book in the Renaissance. New Haven, CT, 2010.

Andrew Pettegree, The Invention of News: How the World Came to Know about Itself. New Haven, CT, 2014.

Daniel Rosenberg and Anthony Grafton, Cartographies of Time. Princeton, NJ, 2012.

Chad Wellmon, Organizing Enlightenment. Info Overload and the Invention of the Modern Research University. Baltimore, MD, 2015.

Chapter 8

GENERAL

George Atiyeh (ed.), The Book in the Islamic World: The Written Word and Communication in the Middle East. Albany, NY, 1995.

Sheila Blair, Islamic Calligraphy. Edinburgh, 2006.

Sheila Blair and Jonathan Bloom (eds), By the Pen and What They Write: Writing in Islamic Art and Culture. London, 2017.

EARLY MANUSCRIPTS OF THE QUR’AN

Francois Déroche et al., Islamic Codicology: An Introduction to the Study of Manuscripts in Arabic Script. London, 2005.

David James, Qur’ans and Bindings from the Chester Beatty Library. London, 1980.

Francois Déroche, The Abbasid Tradition: Qur'ans of the 8th to the 10th Centuries. London, 1992.

Francois Déroche, La transmission écrite du Coran dans les débuts de islam: Le Codex Parisino- petropolitanus. Leiden, 2009.

Adam Gacek, Arabic Manuscripts: A Vademecum for Readers. Leiden, 2009.

Francois Déroche, Qur’ans of the Umayyads: A First Overview. Leiden, 2014.

410 Further Reading

Alain George, The Rise of Islamic Calligraphy. London, 2010. Gregor Schoeler, The Oral and the Written in Early Islam. London, 2006. Gregor Schoeler, The Genesis of Literature in Islam: From the Aural to the Read. Edinburgh, 2009.

THE TRANSITION TO PAPER

Jonathan Bloom, Paper before Print: The History and Impact of Paper in the Islamic World. New Haven, CT, 2001.

Konrad Hirschler, The Written Word in the Medieval Arabic Lands: A Social and Cultural History of Reading Practices. Edinburgh, 2012.

Ibn al-Nadim, trans. B. Dodge, The Fihrist of al-Nadim. New York, 1970.

David James, The Master Scribes: Qur’ans of the 10th to 14th centuries AD. London, 1992.

David Storm Rice, The Unique Ibn al-Bawwab Manuscript in the Chester Beatty Library. Dublin, 1955.

Houari Touati, L’Armoire a sagesse: bibliothéques et collections en Islam. Paris, 2003.

THE ILLUSTRATED BOOK

Martin B. Dickson and Stuart Cary Welch, The Houghton Shahnameh. Cambridge, MA, 1982.

Oleg Grabar and Sheila Blair, Epic Images and Contemporary History: The Illustrations of the Great Mongol Shahnama. Chicago and London, 1980.

Thomas W. Lentz and Glenn D. Lowry, Timur and the Princely Vision: Persian Art and Culture in the Fifteenth Century. Los Angeles, CA, 1989.

Marianna S. Simpson, Sultan Ibrahim Mirza’s Haft Awrang: A Princely Manuscript from Sixteenth- Century Iran. New Haven, CT, 1997.

Eleanor Sims, Peerless Images: Persian Painting and its Sources. London, 2002.

Wheeler M. Thackston, ‘Treatise on Calligraphic Arts: A Disquisition on Paper, Colors, Inks, and Pens by Simi of Nishapur’, in Michael M. Mazzaoui and Vera B. Moreen (eds), Intellectual Studies on Islam: Essays Written in Honor of Martin B. Dickson. Salt Lake City, UT, 1990, pp. 219-28.

OTHER FORMS AND FORMATS

Oleg Akimushkin, The St. Petersburg Muraqqa: Album of Indian and Persian Miniatures from the 16th—18th Centuries and Specimens of Persian Calligraphy of Imad al-Hasani. Lugano, 1996.

M. Ugur Derman, Letters in Gold: Ottoman Calligraphy from the Sakip Sabanci Collection, Istanbul. New York, 1998.

Eva-Maria Hanebutt-Benz, Dagmar Glass, and Geoffrey Roper (eds), Middle Eastern Languages and the Print Revolution: A Cross-Cultural Encounter. Westhofen, 2002.

Shamil Jeppie and Souleymane Bachir Diagne (eds), The Meanings of Timbuktu. Cape Town, 2008.

Chapter 9

Norbert Bachleitner, Die literarische Zensur in Osterreich 1751-1848. Literaturgeschichte in Studien und Quellen, vol. 28. Vienna, Cologne, and Weimar, 2017.

Raymond Birn, La censure royale des livres dans la France des Lumieres. Paris, 2007.

T.C.W. Blanning, The Culture of Power and the Power of Culture: Old Regime Europe 1660-1789. Oxford, 2002.

Simon Burrows, The French Book Trade in Enlightenment Europe. London, 2018.

Pascale Casanova, ‘The Invention of Literature’, chap. 2 in The World Republic of Letters, trans. M.B. Debevoise. Cambridge, MA, 2004, pp. 45-81.

Further Reading 411

Roger Chartier, ‘Urban Reading Practices’, in The Cultural Uses of Print in Early-Modern France, trans. Lydia G. Cochrane. Princeton, N,J., 1987, pp. 183-239. |

Roger Chartier, trans. Lydia C. Cochrane, The Cultural Origins of the French Revolution, Durham, NC and London, 1991.

Roger Chartier and Henri-Jean Martin (eds), Le livre triomphant 1660-1830, vol. 2 of Histoire de lédition francaise. Paris, 1984.

Mark Curran, The French Book Trade in Enlightenment Europe I: Selling Enlightenment. London, 2018.

Marcus Daniel, Scandal and Civility: Journalism and the Birth of American Democracy. Oxford, 2009.

Robert Darnton, The Business of Enlightenment: A Publishing History of the Encyclopédie 1775-1800. Cambridge, MA, 1979.

Robert Darnton, The Literary Underground of the Old Regime. Cambridge, MA, 1982.

Robert Darnton, ‘Bourbon France: Privilege and Repression’, in Censors at Work: How States Shaped Literature. New York, 2014, 23-86.

Robert Darnton, The Forbidden Best-Sellers of Pre-Revolutionary France and The Corpus of Clandestine Literature in France, 1769-1789, 2 vols. New York, 1995.

Robert Darnton, The Devil in the Holy Water or the Art of Slander from Louis XIV to Napoleon. Philadelphia, 2010.

Elizabeth Eisenstein, Grub Street Abroad: Aspects of the French Cosmopolitan Press from the Age of Louis XIV to the French Revolution. Oxford, 1992.

Markman Ellis, The Coffee-House: A Cultural History. London, 2004.

Rolf Engelsing, ‘Die neuen Leser’, in Der Biirger als Leser. Lesergeschichte in Deutschland 1500-1800. Stuttgart, 1974, pp. 182-215.

Marie-Claude Felton, Maitres de leurs ouvrages: l'édition 4 compte d'auteur a Paris au XVIIle siecle. Oxford, 2014.

Jeffrey Freedman, Books Without Borders in Enlightenment Europe: French Cosmopolitanism and German Literary Markets. Philadelphia, 2012.

Jeffrey Freedman, A Poisoned Chalice. Princeton, 2002.

Francois Furet, ‘La librarie du royaume de France au 18e siécle’, in G. Bolléme et al. (eds), Livre et société dans la France du XVIiIle siécle. Paris and The Hague, 1965, pp. 3-32.

Dena Goodman, Becoming a Woman in the Age of Letters. Ithaca, N.Y., 2009.

Brean S. Hammond, Professional Imaginative Writing in England, 1670-1740. ‘Hackney for Bread’. Oxford, 1997.

Christine Haug, Franziska Mayer, and Winfried Schréder (eds), Geheimliteratur und Geheimbuch- handel in Europa im 18. Jahrhundert. Wiesbaden, 2011.

Carla Hesse, Publishing and Cultural Politics in Revolutionary Paris. Berkeley, CA, 1991.

Carla Hesse, The Other Enlightenment: How French Women Became Modern. Princeton, 2001.

Lynn Hunt, ‘““Torrents of Emotion”: Reading Novels and Imagining Equality’, in Inventing Human Rights: A History. New York, 2007, pp. 35-69.

Adrian Johns, ‘The Piratical Enlightenment’ in Clifford Siskin and William Warner (eds), This is Enlightenment. Chicago and London, 2010, pp. 301-22.

Helmuth Kiesel and Paul Minch, Gesellschaft und Literatur im 18. Jahrhundert. Voraussetzungen und Entstehung des literarischen Markts in Deutschland. Munich, 1977.

James van Horn Melton, The Rise of the Public in Enlightenment Europe. Cambridge, 2001.

Francois Moureau, La plume et le plomb: espaces de l'imprimé et du manuscrit au siecle des Lumiéres. Paris, 2006.

Jeremy Popkin, Revolutionary News. The Press in France, 1789-1799. Durham, NC and London,

1990.

412 Further Reading

James Raven, ‘Historical Introduction: The Novel Comes of Age’, in James Raven and Antonia Forster (eds), The English Novel 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles, vol. 1, 1770-1799. Oxford, 2000, pp. 15-121.

James Raven, The Business of Books: Booksellers and the English Book Trade. New Haven, CT and London, 2007.

Thierry Rigogne, Between State and Market: Printing and Bookselling in Eighteenth-Century France. Oxford, 2007.

Thierry Rigogne, ‘Readers and Reading in Cafés, 1660-1800’, French Historical Studies 41:3 (August 2018): 473-94.

Mark Rose, Authors and Owners: The Invention of Copyright. Cambridge, MA, 1993.

Pamela Selwyn, Everyday Life in the German Book Trade: Friedrich Nicolai as Bookseller and Publisher in the Age of Enlightenment, 1750-1810. University Park, PA, 2000.

Will Slauter, ‘The Rise of the Newspaper’, in Richard R. John and Jonathan Silberstein Loeb (eds), Making News: The Political Economy of Journalism in Britain and America from the Glorious Revolution to the Internet, Oxford, 2015, pp. 19-46.

Geoffrey Turnovsky, The Literary Market: Authorship and Modernity in the Old Regime. Philadelphia, 2010.

Reinhard Wittmann, ‘Der gerechtfertigte Nachdrucker? Nachdruck and literarishes Leben im achtzehnten Jahrhundert’, in Buchmarkt und Lektiire im 18. und 19. Jahrhundert. Beitrage zum literarischen Leben 1750-1880. Tiibingen, 1982, pp. 69-92.

Reinhard Wittman, Geschichte des deutschen Buchhandels. Ein Uberblick. Munich, 1991.

Martha Woodmansee, ‘Genius and the Copyright’ in The Author, Art, and the Market: Rereading the History of Aesthetics. New York, 1994, pp. 35-55.

WEBSITES

Norbert Bachleitner and Daniel Syrovy. Verpont, Verdrangt—Vergessen? Eine Datenbank zur Erfassung der in Osterreich zwischen 1750 und 1848 verbotenen Biicher. http://univie.ac.at/ zensur/info.php

Simon Burrows and Mark Curran, The French Book Trade in Enlightenment Europe Database, 1769-1794. http://fbtee.uws.edu.au/stn/interface/, 6 May 2014.

Robert Darnton, A Literary Tour de France. Publishing and the Book Trade in France and Francophone Europe 1769-1789. http://robertdarnton.org/

Mapping the Republic of Letters. http://republicofletters.stanford.edu/index.htm!

Chapter ro

Christopher A. Bayly, Empire and Information: Intelligence Gathering and Social Communication in India, 1780-1870. Cambridge, 1996.

Rimi Barnali Chatterjee, Empires of the Mind: A History of the Oxford University Press in India under the Raj. New Delhi, 2006.

Robert Fraser and Mary Hammond (eds), Books Without Borders...Volume 2: Perspectives from South Asia. Basingstoke, 2008.

Anindita Ghosh, Power in Print: Popular Publishing and the Politics of Language and Culture in a Colonial Society. New Delhi, 2006.

B.N. Goswamy, The Word is Sacred; Sacred is the Word: The Indian Manuscript Tradition. New Delhi, 2006.

Jan E.M. Houben and Saraju Rath, ‘Manuscript culture and its impact in “India”: contours and parameters’, in Saraju Rath (ed.), Aspects of Manuscript Culture in South India. Leiden, 2012,

Pp. 1—53.

Further Reading 413

Jinah Kim, Receptacle of the Sacred: Illustrated Manuscripts and the Buddhist Book Cult in South Asia. Berkeley, CA, 2013.

Jeremiah Patrick Losty, The Art of the Book in India. London, 1982.

Miles Ogborn, Indian Ink: Script And Print in the Making of the English East India Company. Chicago and London, 2007.

Francesca Orsini (ed.), The History of the Book in South Asia. Farnham, 2013.

Francesca Orsini and Katherine Butler Schofield (eds), Tellings and Texts: Music, Literature and Performance in North India. Cambridge, 2015.

Sheldon Pollock, ‘Literary culture and manuscript culture in precolonial India’ in Simon Eliot, Andrew Nash, and Jan Willison (eds), Literary Cultures and the Material Book. London, 2007, Pp. 77-94.

Anant Kakba Priolkar, The Printing Press in India: Its Beginnings and Early Development. Bombay, 1958.

Ulrike Stark, An Empire of Books: The Naval Kishore Press and the Diffusion of the Printed Word in Colonial India. Ranikhet, 2007.

A.R. Venkatachalapathy, The Province of the Book: Scholars, Scribes, and Scribblers in Colonial Tamil- nadu. Ranikhet, 2012. |

Dominik Wujastyk, ‘Indian manuscripts’, in Jorg B. Quenzer, Dmitry Donarev, and Jan-Ulrich Sobisch (eds), Manuscript Cultures: Mapping the Field. Berlin, 2014, pp. 159-81.

Chapter 11

Louis André, Machines 4 papier: Innovation et transformations de Vindustrie papetiére en France, 1798-1860. Paris, 1997.

Frédéric Barbier, ‘The Publishing Industry and Printed Output in 19th Century France’ in Kenneth E. Carpenter (ed.), Books and Society in History. New York and London, 1983.

Laurel Brake, Print in Transition 1850-1910. Studies in Media and Book History. London, 2003.

Annie Charon and Elisabeth Parinet, Les Ventes de livres et leurs catalogues XVHe—XXe siécles. Paris, 2000.

D.C. Coleman, The British Paper Industry 1495-1860: A Study in Industrial Growth. Oxford, 1958.

H. Curwen, A History of Booksellers, the Old and the New. London, 1873.

Simon Eliot, Some Patterns and Trends in British Publishing 1800-1919. London, 1994.

Lee Erickson, The Economy of the Literary Form: English Literature and the Industrialisation of Publishing 1800-1850. Baltimore, MD, 1996.

John Feather, A History of British Publishing. London and New York, 1988.

James Hepburn, The Author’s Empty Purse and the Rise of the Literary Agent. Oxford, 1968.

Elizabeth James (ed.), Macmillan: A Publishing Tradition. London, 2002.

Helmut Lehmann-Haupt, The Book in America. A History of the Making and Selling of Books in the United States. New York, 1952.

David McKitterick (ed.), The Cambridge History of the Book in Britain, vol. 4, Cambridge, 2009.

Martyn Lyons, Books: A Living History, London, 2011.

Frank L. Mott, A History of American Magazines, vol. 2, Boston, MA, 1938.

Isabelle Olivero, L’invention de la collection. Paris, 1999.

Donald Sassoon, The Culture of the Europeans from 1800 to the Present. London, 2006.

Catherine Seville, Literary Copyright Reform in Early Victorian England: The Framing of the 1842 Copyright Act. Cambridge, 1999.

S.H. Steinberg, Five Hundred Years of Printing. Baltimore, MD, 1955.

Michael Winship, ‘The Rise of a National Booktrade System in the United States, 1865-1916’, in Jean-Yves Mollier and Jacques Michon (eds), Les mutations du livre et de Védition dans le monde du XVIHe siécle 4 an 2000. Laval, 2001.

414 Further Reading

Chapter 12 CHINA

Cynthia Brokaw and Christopher A. Reed (eds), From Woodblocks to the Internet: Chinese Publishing and Print Culture in Transition, circa 1800 to 2008. Leiden, 2010.

Alexander C. Cook (ed.), Mao’s Little Red Book: A Global History. New York, 2014.

Jean-Pierre Drege and Hua Chang-ming, La Revolution du livre dans la Chine moderne: Wang Yunwu, éditeur. Paris, 1979.

Man-ying Ip, The Life and Times of Zhang Yuanji, 1867-1959. Beijing, 1985.

Shuyu Kong, Consuming Literature: Best Sellers and the Commercialization of Literary Production in Contemporary [1990s] China. Stanford, CA, 1995.

Leo Ou-fan Lee, Shanghai Modern: The Flowering of a New Urban Culture in China 1930-1945. Cambridge, MA, 1999.

Daniel Leese, ‘The Little Red Book’, in Leese, Mao Cult: Rhetoric and Ritual in China’s Cultural Revolution. New York, 2011, ch. 5.

Perry Link, The Uses of Literature; Life in the Socialist Literary System [1970s—-1990]. Princeton, NJ, 2000.

Christopher A. Reed, Gutenberg in Shanghai: Chinese Print Capitalism, 1876-1937. Vancouver, Toronto, and Honolulu, 2004. Hong Kong, 2005.

Christopher A. Reed, ‘Modern Chinese Print and Publishing Culture: The State of the Discipline II’, Book History 10 (2007): 291-316.

Christopher A. Reed, ‘Re/Collecting the Sources: Shanghai’s Dianshizhai Pictorial and Its Place in Historical Memories, 1884-1949’, Modern Chinese Literature and Culture 12:2 (Fall 2000): 44-71.

Fei-Hsien Wang, Pirates and Publishers: A Social History of Copyright in Modern China. Princeton, NJ, 2019.

Xiaoqing Ye, The Dianshizhai Pictorial: Shanghai Urban Life, 1884-1898. Ann Arbor, MI, 2003.

Endymion Wilkinson, Chinese History: A New Manual. 4th edn. Cambridge, MA and London, 2015.

Yuezhi Zhao, Media, Market, and Democracy in China; Between the Party Line and the Bottom Line. Urbana, IL, 1998.

JAPAN AND KOREA

Vipan Chandra, Imperialism, Resistance, and Reform in Late Nineteenth-Century Korea: Enlightenment and the Independence Club. Berkeley, CA, 1988.

Anne M. Cooper-Chen, Cartoon Cultures: The Globalization of Japanese Popular Media. New York, 2010.

David C. Earhart, Certain Victory: Images of World War II in Japanese Media. Armonk, NY, 2008.

Man-nyun Han, ‘Publishing in Korea, An Historical Survey’, Transactions Royal Asiatic Society Korea Branch 45 (Seoul) (1969): 51-85.

James L. Huffman, Creating a Public: People and the Press in Meiji Japan. Honolulu, 1997.

Wilt L. Idema (ed.), Book in Numbers: Seventy-Fifth Anniversary of the Harvard-Yenching Library. Cambridge, MA, 2007. |

Insatsu Hakubutsukan (Printing Museum, Tokyo), Insatsu toshi Tokyo to kindai Nihon (Tokyo— The Printing Capital and Its Role in Modern Japan). Tokyo, 2012.

Insatsu Hakubutsukan (Printing Museum, Tokyo), Mirion seraa tanjo-e: Meiji-Taisho no zasshi media (The Birth of a Million Seller: Magazines as Media in the Meiji-Taishé Era). Tokyo, 2008. Andrew T. Kamei-Dyche, ‘The History of Books and Print Culture in Japan: The State of the

Discipline’, Book History 14 (2011): 270-304.

Further Reading 415

Kyung Hyun Kim (ed.), The Korean Popular Culture Reader. Durham, NC, 2014.

Peter Kornicki, The Book in Japan: A Cultural History from the Beginnings to the Nineteenth Century. Leiden, 1998.

Peter Kornicki, ‘Japan, Korea, and Vietnam’, in Simon Eliot and Jonathan Rose (eds), A Companion to the History of the Book. Oxford, 2007, pp. 111-25.

Ann Sung-hi Lee, Yi Kwang-su and Modern Korean Literature: Mujong. Ithaca, NY, 2005.

Edward Mack, Manufacturing Modern Japanese Literature: Publishing, Prizes, and the Ascription of Literary Value. Durham, NC, 2010.

Young Kyun Oh, Engraving Virtue: The Printing History of a Premodern Korean Moral Primer. Leiden, 2013.

Barbara Sato, The New Japanese Woman: Modernity, Media, and Women in Interwar Japan. Durham, NC, 2003.

Chapter 13

Sarah Brouillette, Postcolonial Writers and the Global Literary Marketplace. London, 2007.

Sarah Brouillette, Literature and the Creative Economy. Stanford, CA, 2014.

Robert Darnton, The Case for Books: Past, Present, and Future. New York, 20009.

Daniel Fuller and DeNel Rehberg Sedo, Reading beyond the Book: The Social Practices of Contemporary Literary Culture. London and New York, 2013.

Eva Hemmungs Wirtén, No Trespassing: Authorship, Intellectual Property Rights and the Boundaries of Globalization. Toronto, 2004.

Eva Hemmungs Wirtén, Cosmopolitan Copyright: Law and Language in the Translation Zone. Uppsala 2011. Available in full-text (pdf) from: http://urn.kb.se/resolve?urn=urn:nbnise:uu:diva-161978

Laura J. Miller, Reluctant Capitalists: Bookselling and the Culture of Consumption. Chicago, 2006.

Simone Murray, The Adaptation Industry. The Cultural Economy of Contemporary Literary Adaptation. New York and London, 2011.

Sydney Shep, Books without Borders: The Cross-National Dimension in Print Culture. Houndmills, 2008.

Claire Squires and Ray Murray Padmini, ‘The Digital Publishing Communications Circuit’, Book 2.0, 3:1 (2013): 3-24. http://hdl.handle.net/1893/17181

Ann Steiner, ‘The Global Book: Micropublishing, Conglomerate Production, and Digital Market Structures’, Publishing Research Quarterly, (2017, Nov.), online. https://doi.org/10.1007/s12109- 017-9558-8

Ted Striphas, Late Age of Print: Everyday Book Culture from Consumerism to Control. New York, 2009.

John B. Thompson, Merchants of Culture. The Publishing Business in the Twenty-First Century. Cam- bridge, 2010.

Chapter 14

Thierry Bardini, Bootstrapping—Douglas Englebart, Coevolution, and the Origins of Personal Computing. Stanford, CA, 2000.

Elizabeth Eisenstein, ‘The Newspaper Press: The End of Books?’ in Divine Art, Infernal Machine— The Reception of Printing in the West from First Impressions to the Sense of an Ending. Philadelphia, 2011, pp. 198-214.

Eileen Gardiner and Ronald G. Musto, ‘The Electronic Book’ in Michael Felix Suarez and H.R. Woudhuysen (eds), The Oxford Companion to the Book. Oxford, 2010, pp. 164-6.

Paul Ginisty, La Féerie. Paris, 1901.

416 Further Reading

Vivien Greene (ed.), Italian Futurism, 1909—-1944—Reconstructing the Universe. Simon R. Guggenheim Museum. New York, 2014.

Haje Jan Kamos, ‘E-books are more than just digital facsimiles, and publishers need to realize that, pronto’, Techcrunch (March 26, 2016); http://techcrunch.com/2016/03/26/will-nobody- think-of-the-trees/.

Alan Kay, ‘A Personal Computer for Children of All Ages’ (Aug. 1972, 1). Original paper available at: http:// mprove.de/diplom/gui/Kay72a.pdf.

Giovanni Lista, Le livre futuriste: de la libération du mot au poéme tactile. Modena, 1984.

Stéphane Mallarmé, ‘Le livre, instrument spirituel’, La Revue blanche (July 1, 1895): 33-6.

Hugh McGuire and Brian O'Leary (eds), A Futurist’s Manifesto. Sebastopol, 2012.

John McCormick, Popular Theatres of Nineteenth-Century France. London, 1993.

Marshall McLuhan and Quentin Fiore. Coordinated by Jerome Agel. The Medium is the Massage. New York, 1967 [the title puns on ‘medium is the message’.

Marshall McLuhan, Understanding Media: The Extensions of Man. New York, 1964.

Craig Mod, http://craigmod.com/sputnik/; http://craigmod.com/journal/post_artifact/; and http://craigmod.com/journal/ebooks/.

Laszlo Moholy-Nagy, trans. Janet Seligman, Painting Photography Film. Cambridge, MA, 1969.

Nicholas Negroponte, Spatial Data Management. Cambridge, MA, 1979.

Geoffrey Nunberg (ed), The Future of the Book. Berkeley, CA, 1996.

Andrew Piper, Book Was Here—Reading in Electronic Times. Chicago, 2012.

Jan Tshichold, The New Typography: A Handbook for Modern Designers. Trans. Ruari McLean. ist edition 1928; repr. Berkeley, CA, 1998.

Claudia Salaris, Marinetti editore. Bologna, 1990.

Jeffrey Schnapp with Adam Michaels, The Electric Information Age Book (McLuhan/Agel/Fiore and the Experimental Paperback). Princeton, NJ, 2012.

Robert Venturi, Denise Scott Brown, and Steven Izenour, Learning From Las Vegas. Cambridge, MA and London, 1972.

Robert Wiesenberger, ‘Muriel Cooper and the Book as Interface’, in Nanni Baltzer (ed.), Before Publication: Montage in Art, Architecture, and Book Design. Zurich, 2016.