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Bryan H. Carroll (born February 13, 1967), is an American film producer best known for his work with Michael Mann on Public Enemies and Collateral. Carroll is recognized as an expert in film-making technology and digital cinematography.

Early Career
Carroll began his film career in 1987 as an assistant editor on Project X and Predator. He worked in the editorial department on films such as Die Hard, City Slickers, Free Willy, and Mr. Holland's Opus. Carroll's last film as part of the editorial department was Ali in 2001.

While working as a visual effects editor on Titanic in 1997, Carroll developed an interest in digital cinematography. When Carroll met Mann, this common interest sparked their relationship. While working with Mann, Carroll pioneered workflows that are used in digital cinematography and guided Mann's team in the use of emerging digital tools and technology.

Work as a Producer
After working as an associate editor for Mann on Ali, Carroll worked as an associate producer and second unit director on Collateral. He then worked as co-producer for the 2006 film Miami Vice. Carroll also co-produced the 2009 film, Public Enemies, where he was instrumental in the decision to use the Sony F23 digital camera to shoot the film and designing production and post-production workflows. Carroll also served as Second Unit Director on the film, overseeing aerial photography and car chase scenes.

Current Projects
In 2010, Carroll launched his own production company, Gnarlynow Entertainment. In June 2012, he announced that he would be teaming up with Walking West to produce a documentary and a feature film about Ed "Iron Man" Kretz. Carroll is currently directing and producing the motorcycle documentary Why We Ride, which Carroll calls a film "about the passion of the riders and the soul of their machines." The documentary is being shot using Canon EOS C500 cameras and the Codex 4k onboard recording system. Why We Ride finished principal photography in August 2013 and is expected to be released this fall.